Une unité secrète de lutte contre le terrorisme appelée Black Cell et dirigée par Gabriel Shear espère pouvoir financer sa guerre contre le terrorisme international, mais tous les fonds sont... Tout lireUne unité secrète de lutte contre le terrorisme appelée Black Cell et dirigée par Gabriel Shear espère pouvoir financer sa guerre contre le terrorisme international, mais tous les fonds sont bloqués. Gabriel fait appel à Stanley Jobson, un pirate informatique déjà condamné, qui l... Tout lireUne unité secrète de lutte contre le terrorisme appelée Black Cell et dirigée par Gabriel Shear espère pouvoir financer sa guerre contre le terrorisme international, mais tous les fonds sont bloqués. Gabriel fait appel à Stanley Jobson, un pirate informatique déjà condamné, qui lui apporte son aide.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 10 nominations au total
Avis à la une
Well, Stanley Jobson (Hugh Jackman) a convicted Hacker, fresh out of prison and desperate to see his daughter again, can beat you, i'll bet on it. He has to hack into the FBI Computers in a fairly public place, with a gun to his head and a beautiful woman performing an act of Felacio on him, and he has just one minute to do it. (A Great Scene, Not Explict, just cool)
Anyway, he is recruited by John Travolta to hack into a dormant DEA Fund worth 9.5 Billion Dollars to finance his terrorist activities.
Full of Slick Dialogue, cool Direction and the simply gorgeous Halle Berry, this turns out to be a very enjoyable Thriller, with some clever twists (some of which don't quite work) but are forgivable anyway.
Not a classic, but a good film none the less. 8/10
The ingredients are pretty standard. There's a stylish kick-ass villain (Travolta) with a plan, being a high-tech bank robbery. This is all garnished with lots of weapons, technology, car chases and beautiful women. This movie really delivers on the action front, I don't think there's any 'quiet' scene that lasts more than 2 minutes. It also contains the now standard implausible hacking scenes, where getting into the computer system of a bank involves solving a kind of Rubik's cube on your computer screen. I hope you're not offended by product placement because a certain computer brand is quite prominent when IT hardware is involved in this movie. But it's by far not as obnoxious as in "I, Robot".
The filming is top-notch, unlike some other movies you can actually see what's happening in the action scenes (which is sometimes due to the amazing slow-down effects in some scenes). Unfortunately the entire plot becomes quite thin when the movie is stripped of all this action and style. However, it works. The ending is rather vague, as if room was left for a sequel without making it too painful if there wouldn't be one after all.
Overall I would say this is a pretty OK movie, but don't expect the best cinema ever.
All in all this movie is just the epitome of cool, and it was definately one of the better action movies of 2001. Finally Travolta is back at what he does best. As a side note, this is a hell of a lot better then BATTLEFIELD EARTH,which by the way was not as bad as everyone said it was. I really think that you should see this, I don't think that you will be dissapointed.
9/10 Great.
One problem with Swordfish is that that there isn't really enough action in it for an Action film and it isn't thrilling enough to be a thriller. The film opens with a bank robbery. We see a beautiful explosion in Bullet Time (it may look great, but it says The Matrix all over it). After that there's a short car chase and a poorly directed scene of people running/falling down a steep hill. Then we see that bank robbery from the beginning again, but this time the full-length thing and that's all the action I can remember.
Between the action sequences there is nothing very entertaining. The story starts off quite simple. A man with no money is hired to hack into some Bank. But then things become extremely complicated as we find out that the people who he is working with aren't who they say they are. Then we find out that maybe they are who they say they are and so on. By the end I don't really know or care anymore.
Most of the characters were pretty stereotypical. Hugh Jackman plays the same character he did in X-Men, but without the claws. Halle Berry plays the same character she did in Die Another Day, but this time she takes off her top and John Travolta plays the kind of bad guy who can't stop talking. So basically he's the same as he was in Battlefield Earth, but slightly more intelligent. Don Cheadle plays a rather friendly FBI agent and is probably the most interesting character.
The Music in the Film is quite interesting. It's not your usual action movie music that you don't even realize is there. It's different because of the choice of instruments that are used and it reminded me of the Computer game Mafia. Which, by the way, is a great game.
The color of this film is orange. Every scene set during the day has orange sunlight. It looks nice. But it's too much of a good thing and becomes irritating after a while.
Overall, I think this film deserves 6 or 7 out of 10. It gains points for the Bullet Time explosion even though it is unoriginal. But looses points for being too complicated and lacking entertainment between the major action scenes. It is not a must see. But watch it if it's on TV and you've nothing better to do.
Travolta plays this incredibly ruthless man, someone committed to keeping the country safe from terrorists, who offers a hacker with child custody issues (Jackman) a chance to make a fortune, enabling him to hire a top attorney and get custody of his daughter. He needs the code cracked to a bank and account holding $9 billion in government money, and the money disseminated to various accounts.
The beginning of the film is fascinating - it's Travolta discussing the film Dog Day Afternoon - but alas, it's downhill from there. I'm normally not the most technically observant person when I'm watching a movie, but even I could tell that computerized images and miniatures did a lot of the work.
Hallie Berry gets to show off most of her beautiful body and there's plenty of action. Young men, I'm sure, love this film. Unfortunately I'm not a young man. And after seeing "Swordfish," I was 1 hour and 39 minutes older.
Le saviez-vous
- AnecdotesThe dramatic explosion at the start of the film was captured using 135 synchronized still cameras.
- GaffesThe $400 million in DEA money is said to have grown, "with interest", to $9.5 billion in 15 years. That would represent a compound interest rate of over 21% per year, which is unrealistic. At 12%, the money would have grown to a little less than $2.4 billion. At a more realistic 6%, it would be about $981 million, or a little over one-tenth of the value claimed in the movie.
- Citations
[first lines]
Gabriel: You know what the problem with Hollywood is? They make shit. Unbelievable, unremarkable shit. Now I'm not some grungy wannabe filmmaker that's searching for existentialism through a haze of bong smoke or something. No, it's easy to pick apart bad acting, short-sighted directing, and a purely moronic stringing together of words that many of the studios term as "prose". No, I'm talking about the lack of realism. Realism; not a pervasive element in today's modern American cinematic vision. Take Dog Day Afternoon, for example. Arguably Pacino's best work, short of Scarface and Godfather Part 1, of course. Masterpiece of directing, easily Lumet's best. The cinematography, the acting, the screenplay, all top-notch. But... they didn't push the envelope. Now what if in Dog Day, Sonny wanted to get away with it, REALLY wanted to get away with it? What if - now here's the tricky part - what if he started killing hostages right away? No mercy, no quarter. "Meet our demands or the pretty blonde in the bellbottoms gets it the back of the head." Bam, splat! What, still no bus? Come on! How many innocent victims splattered across a window would it take to have the city reverse its policy on hostage situations? And this is 1976; there's no CNN, there's no CNBC, there's no internet! Now fast forward to today, present time, same situation. How quickly would the modern media make a frenzy over this? In a matter of hours, it'd be biggest story from Boston to Budapest! Ten hostages die, twenty, thirty; bam bam, right after another, all caught in high-def, computer-enhanced, color corrected. You can practically taste the brain matter. All for what? A bus, a plane? A couple of million dollars that's federally insured? I don't think so. Just a thought. I mean, it's not within the realm of conventional cinema... but what if?
- Crédits fousThe last credit reads "Final Password: Vernam", which is part of the website game. (See Trivia). A Vernam cypher is a method of encrypting a message.
- Versions alternativesAlternate television takes were shot for the scene with Ginger at the pool (she wears a bikini) and where Stanley hacks into the main frame of the Departement of Defense (Helga is not there).
- ConnexionsFeatured in Conversations with Jerry Bruckheimer (2000)
- Bandes originalesDark Machine
Written by Paul Oakenfold and Andy Gray
Performed by Paul Oakenfold and Christopher Young
Courtesy of London-Sire Records
Meilleurs choix
- How long is Swordfish?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Swordfish: Acceso autorizado
- Lieux de tournage
- Ventura, Californie, États-Unis(Location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 102 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 69 772 969 $US
- Week-end de sortie aux États-Unis et au Canada
- 18 145 632 $US
- 10 juin 2001
- Montant brut mondial
- 147 080 413 $US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1