La Fiancée de Dracula

A professor and his young assistant are investigating about the coming of the master of parallel,who is simply Dracula.They go to convent and follow Isabel,a mysterious woman,who could be the next fiancee of the master."La Fiancee de Dracula" is clearly not as good as Rollin's best works like "Lips of Blood" and "Fascination".Still it has some surreal moments and a good amount of female nudity.The ending is really beautiful and tragic.It's nice to see Brigitte Lahaie in a rather small role.So if you're a fan of Jean Rollin's wonderful cinema you can't miss this film.Highly recommended,especially if you like vampire flicks.My rating:7 out of 10.

If your expecting another classic from Jean Rollin, then you will be very disappointed. It seemed that Mr. Rollin was poking fun at the work that made him the artist he is today. Avoid this and rent any Rollin film from the 70's instead.

The fifth Rollin film I've watched naturally features a good deal of nudity and gore: it's bizarre and incoherent, to put it mildly, but undeniably fascinating for all that - even if, unfortunately, the TV reception got messed up during the first few minutes of the film!

Coincidentally, it emerges as yet another "Nunsploitation" film (which followed my first-time viewing of SATANICO PANDEMONIUM [1973]!; see review above) - apart from being an esoteric vampire (and zombie) flick!! We also have here an interesting depiction of the effect which the chosen (but unbalanced!) vampire bride-to-be leaves on the order of nuns who harbor her. These, then, have been given silly names pertaining to their idiosyncracies, like Sister Pipe and Sister Cigar (given their smoking preferences) or Sister Funnel (which is what one of them unaccountably keeps on her head)!; likewise, there's a (cave-dwelling) ogress and a (horse-riding!) she-wolf on hand - but these carry no make-up whatsoever, save for the latter's talons!!

As for the Dracula figure (who uses an old grandfather clock as a teleporting device!), however, he's as under-developed here as he had been in Jess Franco's comparable (and almost identically-titled) LA FILLE DE Dracula (1972)! The film's climax - featuring Rollin's beloved seaside setting - is totally wacky, with mad nuns attacking Dracula's horde of disciples (including a couple of old crones and a love-struck dwarf-jester!) and the ogress (a veritable female zombie but a sexy one!) feasting on a naked vampire, before the latter is eventually fried by the oncoming sunlight!!

While the flat digital shooting manages, for the most part, not to obliterate the typically dream-like mood created for the film, its cast includes a comeback to Rollin territory for Brigitte Lahaie as the she-wolf I mentioned above (by the way, I should be watching her first horror film for him - THE GRAPES OF DEATH [1978] - soon) and Bunuel regular Bernard Musson(!). Rollin's latest offering is the only one I've watched from him of recent vintage; while not exactly a good film, it's certainly unique for these times - and, frankly, I'm more interested than ever now to watch a contemporaneous Franco effort (if anything for comparison's sake)...

Often overlooked in discussions of the wave of new kinds of movies in the late '60s and early '70s is the new kinds of horror flicks. Jean Rollin was one of the wave of new Euro-horror directors of the era. His movies tended to feature unabashed gore and eroticism. His output started to dwindle in the '90s.

At the beginning of the 21st century, he released this oddity. "La fiancée de Dracula" ("Dracula's Fiancee" in English) depicts vampire hunters investigating a group of vampire-like individuals. There's the requisite nudity and bloodsucking. Otherwise, the movie just sort of drags on a lot. It's not a terrible movie but it seems like they drew it out too much. The movie's strengths are the shots of the castle where everyone converges.

Anyway, teenage boys will no doubt enjoy the sight of all the hot babes. I don't predict anyone else getting into the movie.

I'm fairly new to Jean Rollin's output (as I've only watched "The Living Dead Girl" and "Requiem for a Vampire"), but again like those aforementioned films (even though I wasn't blown away from this one) I enjoyed the strange, surreal quality of one of Rollin's latest works; "Dracula's Fiancée". The supernatural meets sensual erotica, in what is a crazy canvas for Rollin to let loose providing a sense of wonder with its moody atmospherics, brooding performances and demented butchery. A professor and his assistant are trying to hunt down the tomb of Dracula, which leads them to Dracula's fiancée and through her they can uncover his remains as they get drawn in to a parallel world. The pictorial story is jadedly convoluted and slow-moving, but fancifully gripping in the surrealistically Gothic universe that's created as its populated with eccentric creations ranging from Dracula, a she-wolf, baby-eating Ogresses, vampires, dwarf-jester and some raving mad nuns within a attractively remote backdrop of castle ruins and sprawling beach line. It's the macabre meeting the beautiful, as Rollin's hypnotically symbolic imagery is richly presented (like the boat ride) and arrestingly captured by its whimsical, haunting soundtrack. Sometimes you find yourself being lost in this bewildering world, forgetting about its ponderously thick script filled with many abstract ideas. There's a lot going on, than what is actually shown even when it favours its sparse long stretches. It's an atypical character journey of a Dracula tale, but at its core it's the usual love story filled with unrest, desire and heartache. Still underdone in the details. The theatrical performances are acceptable and the make-up FX is passable. Erotically nightmarish blood sucking entertainment.

"May you rest in peace".