In Which Annie Gives It Those Ones
- Téléfilm
- 1989
- 1h 52min
NOTE IMDb
8,0/10
1,4 k
MA NOTE
Ajouter une intrigue dans votre langueAnnie struggles to to clear his bachelor's degree with one final hurdle-The Thesis. It's his final attempt to clear it. Can he?Annie struggles to to clear his bachelor's degree with one final hurdle-The Thesis. It's his final attempt to clear it. Can he?Annie struggles to to clear his bachelor's degree with one final hurdle-The Thesis. It's his final attempt to clear it. Can he?
- Récompenses
- 1 victoire au total
Divya Seth Shah
- Lakes
- (as Divya Seth)
Deepika Amin
- Lover Girl
- (as Deepika Deshpande)
Avis à la une
I voted 10 on 10 cause this is the movie which shows what SPA (formely NIA)is. I have spent 5 long years of my life at the prestigious institution and so has Sahil and Kuber above. Well Kuber is another Annie in making, cause he got to spend 8 years. When i saw the movie for the first time in my first year i though that the movie is too far fetched and stuff like that does not happen, but now i know that the movie is so close to all our lives and most bit of it is true. The ego clash between Radha / Annie and faculty (for entirely different reason in both cases). The helplessness and above all the coolness. The weird Couple, Lakes, each character is true. We could even relate to each of the characters from within our own batch, i hope others like the movie too.
exactly our condition rite now. S.P.A. ruining lives since times unknown!!!!!!!!!!! they screw u and crush u down and kill u emotionally and just when u think u are done, there is no worst condition that can happen to u, they take u to another whole new level of depression and scrutiny. be hell with this spartan faculty! for all those who haven't really been to s.p.a, well guys u must b thinking this just cant happen rite? believe me, it does.and sometimes it may even get worst. moreover this film shows only the final year issues. we got another set of problems in the first years too. not having a supply? well that's like a dream come true.
This is a wonderful departure from the typical Indian movie in many regards, the least of which is the language, English. It chronicles the life of students in the hip Delhi School of Architecture and has many intelligent twists and turns. Annie is a male student and I would be giving out too much if I explained what "those ones" are. The movie feels more like an episode from MTV's "Real World" than like any Indian movie I have ever seen. The movie features the writing debut of Arundhati Roy, who later rose to prominence with her novel "God of Small Things". She also stars in the movie along with Roshan Seth. A must see.
I ventured this as casually as possible, my curiosity limited to seeing Arundhati Roy, Roshan Seth and Shah Rukh Khan. Within minutes though, I was hooked. By the time I was done with it, I kept thinking that this had certainly been one worthwhile outing among many cinematic excursions of late.
Written by Arundhati Roy and featuring her as well, 'In Which Annie Gives It Those Ones' is a slice of student life at the fictional National Institute of Architecture in the mid seventies. In a way, it foreshadows the significance hostel life and elite education would have in India in the years to come. Especially the former. However, that isn't Miss Roy's intent here. As is evident, she sources from The Fountainhead (Ayn Rand), draws from her School of Planning and Architecture experience, peppers the scene with 70s counter-culture and makes room for her own observations and witticisms. Along with Pradip Kishen at the helm, the cocktail is achieved with delightful ease and is a breezy proposition for the sampler.
The less said about the narrative the better for that is best left to the viewer for his / her own discovering and viewing pleasure. Labels can add their weight to a movie and become a burden but I am tempted to say that this is easily the finest among campus or hostel life movies made in India. The only competition I can think of must come from Rockford. Unlike Rockford though which has a devoted following among movie buffs and Star Movies enthusiasts, this one seems to have gained in obscurity over the years. Sadly, that means people have and will continue to miss out on a gem.
There are many aspects that commend themselves to the movie. Arundhati Roy tops the list. She scores as a writer and as the quirky architecture student Radha (if she isn't playing herself, this is some performance). One triumph I should like to allude to is that her material here rises above the constraints of time, place and context. This is a top architecture school for sure but it could be any elite Indian institution. The year is stated as being 1974 but change it and only the outfits and the cultural influences change. We are more aware of opportunities today and a globalized world has changed the way we perceive our lives and careers but if this movie can be taken at face value, our attitudes as students have undergone very little transformation, if any. Also, given her journalistic ambitions, she could have very well taken a potshot or two at what transpired during the Emergency. Her restraint in all these quarters serves the movie very well. This freedom from time and place is a strong suite of the movie. Roshan Seth is well, Roshan Seth. He revels as Y D 'Yamdoot' Bilimoria, the post-colonial elitist dean of the institute. A competent cast including Arjun Raina as Annie Grover adds to the proceedings. Amazingly, Annie's character sketch isn't merely piggy-backing on Ayn Rand's Howard Roark. Tellingly, Roy denies him Roark's uncompromising obduracy making him more of a vulnerable character to the bulwark that is an institution. In the process, Annie is also more endearing and comes across as a bit of quixotic dreamer.
For anyone wishing to engage in a trivial pursuit, there is also the matter of Shah Rukh Khan in a miniscule role during his pre-Circus days.
Written by Arundhati Roy and featuring her as well, 'In Which Annie Gives It Those Ones' is a slice of student life at the fictional National Institute of Architecture in the mid seventies. In a way, it foreshadows the significance hostel life and elite education would have in India in the years to come. Especially the former. However, that isn't Miss Roy's intent here. As is evident, she sources from The Fountainhead (Ayn Rand), draws from her School of Planning and Architecture experience, peppers the scene with 70s counter-culture and makes room for her own observations and witticisms. Along with Pradip Kishen at the helm, the cocktail is achieved with delightful ease and is a breezy proposition for the sampler.
The less said about the narrative the better for that is best left to the viewer for his / her own discovering and viewing pleasure. Labels can add their weight to a movie and become a burden but I am tempted to say that this is easily the finest among campus or hostel life movies made in India. The only competition I can think of must come from Rockford. Unlike Rockford though which has a devoted following among movie buffs and Star Movies enthusiasts, this one seems to have gained in obscurity over the years. Sadly, that means people have and will continue to miss out on a gem.
There are many aspects that commend themselves to the movie. Arundhati Roy tops the list. She scores as a writer and as the quirky architecture student Radha (if she isn't playing herself, this is some performance). One triumph I should like to allude to is that her material here rises above the constraints of time, place and context. This is a top architecture school for sure but it could be any elite Indian institution. The year is stated as being 1974 but change it and only the outfits and the cultural influences change. We are more aware of opportunities today and a globalized world has changed the way we perceive our lives and careers but if this movie can be taken at face value, our attitudes as students have undergone very little transformation, if any. Also, given her journalistic ambitions, she could have very well taken a potshot or two at what transpired during the Emergency. Her restraint in all these quarters serves the movie very well. This freedom from time and place is a strong suite of the movie. Roshan Seth is well, Roshan Seth. He revels as Y D 'Yamdoot' Bilimoria, the post-colonial elitist dean of the institute. A competent cast including Arjun Raina as Annie Grover adds to the proceedings. Amazingly, Annie's character sketch isn't merely piggy-backing on Ayn Rand's Howard Roark. Tellingly, Roy denies him Roark's uncompromising obduracy making him more of a vulnerable character to the bulwark that is an institution. In the process, Annie is also more endearing and comes across as a bit of quixotic dreamer.
For anyone wishing to engage in a trivial pursuit, there is also the matter of Shah Rukh Khan in a miniscule role during his pre-Circus days.
Easily the best campus movie I have seen. Still so relevant. The characters are so lovable and relatable, especially for anyone who has studied in a campus like that of a national institute. Makes one wish to go back in time and live those years of the beginning of the 70s counter culture as a student. I wish these people made more movies. Arundhati in her screenplay, and through her character, asks the right questions. It also is a nuanced and insightful exploration of privilege within the context of higher education in India. Like Radha says, 'May be there is no solution".
P. S: Wish they had a better print of this gem of a movie.
P. S: Wish they had a better print of this gem of a movie.
Le saviez-vous
- AnecdotesThe film was shot in the School of Planning and Architecture campus, situated on the RingRoad Delhi. Many side actors used are still a part of unofficial staff of the campus.
- Crédits fousAuthor and former Lotta Continua journalist Carlo Buldrini is acknowledged in the end. In December 1971, when the war broke out between India and Pakistan from which Bangladesh was born, young Carlo Buldrini was living in the hostel of the School of Planning and Architecture in New Delhi.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Злоключения Энни
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 52min(112 min)
- Couleur
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