The subject of this film is "ambivalence" to the core - exquisitely photographed by Mac Ahlberg, excellent ensemble acting led by Mikko Nousiainen as Ari, well written, witty, and deceptively clever on multiple levels, sexy, but not exploitive, featuring a kind of existential numbness to the beauty and meaning of the world spinning around Ari, who, while extremely attractive and intelligent, just doesn't have a clue about any sense of values or distinguishing importance about the people in his life, professionally or personally, whose lives are nearly destroyed by his self-centered, personally indulgent, yet unsatisfied life style, which freely allows him to pick up and screw other friend's girl friends without regard for the disastrous consequences, who lives in a perpetual state of lovelessness, sex for the sake of sex, so to speak, knowing virtually nothing about his partners, the less the better, such is the state of his emotional uninvolvement. The film links his sexual exploration with his quest for spiritual redemption, which, personally, I found a bit premature, as a guy like Ari will always be a wandering soul, an existential nomad, especially when his needs are strangled by so-called mainstream relationships. This is kind of a MAD MAX with sex rather than cars, as Ari is wandering through the same wastelands... I loved the music, and if anyone can turn me on to a soundtrack CD, I found none available in the states.
Robert
