Ajouter une intrigue dans votre langueA man on the run takes another man's passport, only to find himself stuck with the identity of a street hustler.A man on the run takes another man's passport, only to find himself stuck with the identity of a street hustler.A man on the run takes another man's passport, only to find himself stuck with the identity of a street hustler.
- Réalisation
- Scénario
- Casting principal
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Apparently some people DIDN'T like this movie, but its hard to see why. While certainly not destined to become a film classic, the miscellaneous plot holes are CERTAINLY no worse than most Hollywood fare, and as an overall movie I think rates a whole lot better than a lot of what's cranked out these days (2006). I REALLY enjoyed this movie, as did most of the other people who I have persuaded to watch the DVD, which I purchased after seeing the movie in the theater. JOnes and Griffin are both in great form, with the edge definitely going to Griffin's thoroughly brilliant comedy throughout. A great buddy movie, with great performances and production values, thoroughly entertaining, and very, very, funny. If you don't mind a movie that's not too cerebral, doesn't take itself too seriously, and doesn't aspire to be anything more than a thoroughly enjoyable comedic romp (with more than a few twists and a fair amount of action along the way), then you'll appreciate this. I don't think Mr. Gallo was aiming for an Oscar with this one, but it was completely satisfying for what it was. Incidentally, the music score and soundtrack were also remarkable.
Considering that Double Take is marketed like a spinoff of the old TV show "In Living Color", I was very surprised when I found a real action/adventure joint along the lines of Bad Boys here. It actually has a very well written plot to it.
A little whodunit with some action and some comedy to keep it fun. They even had an Old School dance sequence thrown in (believe it or not)that had me going, "Oh snap! I haven't seen THAT since middle school!"
Both Eddie Griffin and (the 7UP dude) prove that they can both actually act. That was the LAST thing I was expecting - and that's a GOOD thing!
Go see it.
A little whodunit with some action and some comedy to keep it fun. They even had an Old School dance sequence thrown in (believe it or not)that had me going, "Oh snap! I haven't seen THAT since middle school!"
Both Eddie Griffin and (the 7UP dude) prove that they can both actually act. That was the LAST thing I was expecting - and that's a GOOD thing!
Go see it.
Double Take is a great movie. I laughed a lot and had a great time in the theater. Eddie Griffen and Orlando Jones both gave excellent performances as did the rest of the cast. The storyline was cool and I liked the plot twists a lot. The trailer made the story seem way different, so you were surprised and I like that. All in all, the movie did it's job. It gets a 10 from me.
Director George Gallo penned MIDNIGHT RUN, one of the very best action / buddy-buddy pictures ever to have graced our screens. More than ten years on, and this feels like an ill-advised and incredibly anaemic imitation. The lead characters here are marginally appealing, but as the script races on at breakneck speed and virtually collapses under the number of twists, they are given precious room to develop and engage our sympathies. It all feels so very daft and inconsequential in the final analysis. A time-filler at best, but in the context of MIDNIGHT RUN, also a considerable letdown.
I wasn't expecting a whole lot from this movie. The trailers that I'd remembered seeing were pretty funny, but I'd assumed that those were the best parts of Double Take. Anyway, I watched it nonetheless and didn't think it was half bad. There were several parts not included in the trailer that were laugh-out-loud funny. Some might be offended by the fact that Griffen's character is (in the filmic sense) a "coon." Although nowhere near as good a comedy as Blazing Saddles, it is comparable in certain aspects. Double Take could be considered racist, but like Blazing Saddles, it uses racial stereotypes to emphasize the stupidity of their existence. Here, instead of black vs. white, we see upper-class African-Americans ashamed of the Sambo stereotype, and thus not associating with other African-Americans with lower social status. I'm not sure if this message was intentional in Double Take, but it was there nonetheless. Orlando Jones had a pretty good performance and Griffen was a convincing character (some might say he was over-the-top, but again I'd say this was essential). One problem was that the movie quite suddenly switched gears from a comedy to a somewhat serious action/suspense flick. I felt the heavy emphasis upon the latter took away from its comic moral message and made the movie shallower. So, it had potential. They could have recruited a few more writers to add in funnier jokes. All in all, a 6 out of 10.
Le saviez-vous
- AnecdotesMei Melançon's debut.
- GaffesThe car that Tiffany and Chase are driving in Texas is obviously on a trailer, as the gearshift is seen in the 'Park' position.
- Citations
Daryl Chase: How you supposed to run a successful business, you ain't got no Schlitz Malt Liquor! You ain't representin'! You ain't keepin' it real!
- Crédits fousAt the end of the movie, after the credits roll and fade out ..the hotel clerk from the Hotel El Emu says, "Thank y'all. Thank y'all for coming and y'all drive home safe. Bye.".
- ConnexionsReferenced in Siskel & Ebert & the Movies: The Pledge/The Amati Girls/Snatch/Panic (2001)
- Bandes originalesPut It On Me (Remix)
Written by Irv Gotti (as Irving Lorenzo), Caddillac Tah (as Tiheem Crocker), Paul Walcott, Ja Rule (as Jeffrey Atkin)
Performed by Ja Rule (featuring Lil' Mo & Vita)
Courtesy of Def Jam Records
Under license from Universal Music Enterprises
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- How long is Double Take?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Double Take
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 24 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 29 831 583 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 736 236 $US
- 15 janv. 2001
- Montant brut mondial
- 31 603 059 $US
- Durée
- 1h 28min(88 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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