Nukitsamees

____________________________________________________________________ Two kids get kidnapped by an *ogre* (or is she an evil witch). She makes them do all the work around the house, including babysitting her kid, a ~5 year old boy who they start calling "Nuki" (or "Nukitsamees"). After a while the two kids escape, taking Nuki with them, but as thy get back, Nuki doesn't really fit in with other kids.

In general it's I guess a *touching family picture*, about how good dominates evil and how a caring home and stuff can change a person and such. :P Or as one of the songs in the movie says: *good children grow without spanking.* __________________________________________________________(end)______

Nukitsamees (sometimes translated as Bumpy), directed by Helle Karis, is a unique gem in Estonian cinema and Tallinnfilm's first full-length fairy tale film. Based on Oskar Luts' beloved children's story, the film takes a darker, more magical turn than its literary counterpart, blending folklore with vivid fantasy to create an enduring classic.

The story follows siblings Iti and Kusti, who get lost in the forest and fall into the clutches of an evil witch. Forced to do household chores, they also care for the mischievous Nukitsamees-a horned, unruly boy from the witch's family. When the children escape, they bring Nukitsamees with them, only to find that life outside the forest challenges the boy in unexpected ways.

The film distinguishes itself with imaginative visuals and supernatural elements largely absent from Luts' original work. From a raven messenger and strawberry-growing magic bog to a sinister atmosphere where the forest seems alive, Karis intensifies the story's mystical undertones. Notable scenes, like Nukitsamees' re-growing horns or the witch clan leaping into trees, are visually striking even by today's standards.

Olav Ehala's musical score, paired with lyrics by Juhan Viiding and performances by Estonian vocal legends, is one of the film's standout features. Several melodic songs became cultural touchstones, regularly performed at festivals and widely recognised across generations.

While one might notice that the film loses momentum after the children return home, it remains a touching tale of transformation, belonging, and the power of kindness. Ita Ever's portrayal of the witch stands out as one of Estonian cinema's most iconic performances.

Decades after its release, Nukitsamees continues to captivate with its haunting fairy tale charm, memorable music, and timeless message: even the wildest child can be changed by love and care.

This is the most unsettling, the most uneaseing movie I've ever laid my eyes upon. When I was 4 years old I saw a clip of this movie and I was petrified, when I heard any song from the movie I would run to hide thinking that the monsters were going to come get me (the fact that I lived next to the forest probably didn't help). I can't in good conscience recommend this movie to anyone as it will probably scar them for the rest of their life.