Ajouter une intrigue dans votre langueTV miniseries about the rise of The Beach Boys.TV miniseries about the rise of The Beach Boys.TV miniseries about the rise of The Beach Boys.
- Nommé pour 3 Primetime Emmys
- 3 victoires et 6 nominations au total
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This was a very good movie, whether you are a big Beach Boys fan or not. However, if your not a big fan, you will be after seeing this movie. The movie was a lot easier to put together and understand if you happen to have read the book Heroes and Villains. You can see where a few things were switched around here and there, but nothing that really takes away from the truthfulness of these great musicians life as The Beach Boys. Absolutely worth the time to watch. The movie was 3.5 hours and it didn't really cover anything past about 1969. Thats the problem when you have a band that entertained America and Europe for 38 years. There isn't enough film to show it all. I would like to see a movie do the years from 1970 to about 1990, covering both Carl and Dennis' death. A very sad and tragic thing;however, remember, we still have Brian, Mike, Bruce, Al and even co-founder David ,that only appeared on the first 5 albums covering 61-63. Their talking about touring again, lets make it happen. Send comments to Brians web site. Think about it, the Beach Boys live in 2006. Wouldn't it be nice!
California in the sixties and the Beach Boys are inseparable; as someone says in the course of this film, originally made as a miniseries, the Beach Boys are an expression of California culture. Yet only one of them, Dennis Wilson, was really a denizen of the beach (and not a serious musician), and the musical genius behind the Beach Boy's distinctive, haunting sound, his older brother Brian, had enough emotional problems to fill an analyst's notebook.
This 4 hour film, the latest of several attempts to put the Beach Boys story down on film, is an easy to watch, straightforward account of their `progress' from suburban garage jam sessions to pop stardom in the mid sixties, to decline in the late sixties and revival in the mid seventies. The later history of the group is not covered.
Three things stand out. The first is the fragile talent of Brian, who, timid and half deaf though he was, managed to inspire and lead the group during its early years both on and off the stage, and who, with Mike Love doing the lyrics, contributed some imperishable songs to the pop lexicon. The second is the father from Hell, Murry Wilson, a frustrated pop musician and control freak, who tried to dominate and exploit the boys and nearly destroyed them. The third is the price of fame. Brian, who had real talent, was exploited by others and nearly went under to drugs. Poor Dennis whose only real facility was seducing women got completely bamboozled and at one stage was dragged into Charles Manson's toxic circle. Carl Wilson was a more level-headed sort and hence his story is less dramatic, while Mike Love, the lead vocalist (a cousin) is portrayed as your usual vain, not over-bright popster who doesn't handle success very well either. As for the women in their lives, being married to a beach boy was almost as bad as being one.
This is a workmanlike account of the story and no better than it ought to be, but there must be a special mention of Kevin Dunne as the manic Murry, all enthusiasm and tunnel vision, a man totally incapable of listening to those he loved or understanding their feelings. It is a tribute to Dunn's acting that we wind up understanding the man rather than hating him. Fred Weller does a good job with Brian, and Nick Stabile is well cast as Dennis, the male bimbo with attitude. The best part about the film (and there aren't enough of them) is the songs. In the end they are what mattered, and many Beach Boys songs will linger on in the minds of those who heard them as teenagers for as long as they live Good, Good, Good Vibrations!
This 4 hour film, the latest of several attempts to put the Beach Boys story down on film, is an easy to watch, straightforward account of their `progress' from suburban garage jam sessions to pop stardom in the mid sixties, to decline in the late sixties and revival in the mid seventies. The later history of the group is not covered.
Three things stand out. The first is the fragile talent of Brian, who, timid and half deaf though he was, managed to inspire and lead the group during its early years both on and off the stage, and who, with Mike Love doing the lyrics, contributed some imperishable songs to the pop lexicon. The second is the father from Hell, Murry Wilson, a frustrated pop musician and control freak, who tried to dominate and exploit the boys and nearly destroyed them. The third is the price of fame. Brian, who had real talent, was exploited by others and nearly went under to drugs. Poor Dennis whose only real facility was seducing women got completely bamboozled and at one stage was dragged into Charles Manson's toxic circle. Carl Wilson was a more level-headed sort and hence his story is less dramatic, while Mike Love, the lead vocalist (a cousin) is portrayed as your usual vain, not over-bright popster who doesn't handle success very well either. As for the women in their lives, being married to a beach boy was almost as bad as being one.
This is a workmanlike account of the story and no better than it ought to be, but there must be a special mention of Kevin Dunne as the manic Murry, all enthusiasm and tunnel vision, a man totally incapable of listening to those he loved or understanding their feelings. It is a tribute to Dunn's acting that we wind up understanding the man rather than hating him. Fred Weller does a good job with Brian, and Nick Stabile is well cast as Dennis, the male bimbo with attitude. The best part about the film (and there aren't enough of them) is the songs. In the end they are what mattered, and many Beach Boys songs will linger on in the minds of those who heard them as teenagers for as long as they live Good, Good, Good Vibrations!
This mini-series seemed a bit defanged, especially compared to the 1990 telefilm (which is unfortunately unavailable and all but forgotten). This is largely due to John Stamos' involvement, a close friend of the boys as well as the touring drummer. This creates a slightly biased point of view. The favor leaning towards no-one. No-one is presented as a protagonist or antagonist, even the villainous Murray Wilson is redeemed (an infuriating touch). Mike Love is generally considered the idiot Beach Boy, deterring from Brian's genius. But, personally I liked his character best (Matt Lescher's performance oughtta garner an Emmy nom). Brian Wilson is far too neutral and less tragic here than he was. And finally the series ends during the mid-seventies come-back, which no-one remembers!!! The series takes no chances and tries to be all happy, which it is far from. However, the earnest performances make it worth while. It's the best treatment of the legend to date. So it will have to do.
The Beach Boys: An American Family (2000)
*** 1/2 (out of 4)
Epic telling of the rise and downfall of The Beach Boys who rose to the top of the charts before members started doing their own things including various stints with drugs. The movie follows the band as they try to come up with new songs while Brian Wilson (Frederick Weller) begins to experiment and try a different style of music. THE BEACH BOYS: AN American FAMILY clocks in just under three hours and it covers a very short period but I guess that's what is so amazing about this band. It's rather incredible to think of how many great songs they recorded in such a limited amount of time. As with most bio pics, there are certainly things changed for dramatic purposes but for the most part I think fans are going to be happy with what the producers have done here. This was originally aired over a two night period with each episode clocking in at two hours. The first portion basically covers the rise of the group and ends just as the bands are starting to face new pressures. The second portion follows with how the band members started to go their own ways, experimenting with drugs and looks closer at the abuse the band was taking from their manager Murry Wilson (Kevin Dunn). The film features some incredibly good performances including Dunn as the rather villainous father who pretty much did whatever he could to get even, in a bad way with his kids. Weller is also quite memorable as Wilson, although he unintentionally reminded me of the Jeff Daniels character from DUMB AND DUMBER during the breakdown scenes at the end. Alley Mills (Audree Wilson), Nick Stabile (Dennis Wilson) and Matt Letscher (Mike Love) are also very memorable in their parts. A major plus going for the film are all the great tunes from the band, heard in their original versions. The film does start to feel a bit long towards the end and I think the downfall of the band took a bit too much time and I think some of the material could have been trimmed down some (especially the Charles Manson stuff). Still, fans of the group should really enjoy this film.
*** 1/2 (out of 4)
Epic telling of the rise and downfall of The Beach Boys who rose to the top of the charts before members started doing their own things including various stints with drugs. The movie follows the band as they try to come up with new songs while Brian Wilson (Frederick Weller) begins to experiment and try a different style of music. THE BEACH BOYS: AN American FAMILY clocks in just under three hours and it covers a very short period but I guess that's what is so amazing about this band. It's rather incredible to think of how many great songs they recorded in such a limited amount of time. As with most bio pics, there are certainly things changed for dramatic purposes but for the most part I think fans are going to be happy with what the producers have done here. This was originally aired over a two night period with each episode clocking in at two hours. The first portion basically covers the rise of the group and ends just as the bands are starting to face new pressures. The second portion follows with how the band members started to go their own ways, experimenting with drugs and looks closer at the abuse the band was taking from their manager Murry Wilson (Kevin Dunn). The film features some incredibly good performances including Dunn as the rather villainous father who pretty much did whatever he could to get even, in a bad way with his kids. Weller is also quite memorable as Wilson, although he unintentionally reminded me of the Jeff Daniels character from DUMB AND DUMBER during the breakdown scenes at the end. Alley Mills (Audree Wilson), Nick Stabile (Dennis Wilson) and Matt Letscher (Mike Love) are also very memorable in their parts. A major plus going for the film are all the great tunes from the band, heard in their original versions. The film does start to feel a bit long towards the end and I think the downfall of the band took a bit too much time and I think some of the material could have been trimmed down some (especially the Charles Manson stuff). Still, fans of the group should really enjoy this film.
Before watching ANY made-for-TV movie, one must know that, on average, TV-movies have never been that great. So, now that that's out of the way, I'll get to the review.
The way Brian Wilson discovers that "Beach Boys" sound was very convincing. It didn't seem abridged, it felt real. The acting, for the most part, was top-notch. The actor who portrayed musical genius Brian Wilson, while likeable, could have used a few acting lessons. However, the part of Mike Love was dead-on.
The film is very enjoyable, and really "connects" any music listener to the Beach Boys, and especially Brian Wilson. It was only after watching this film that I truly began to realize that Wilson was a true genius, perhaps one of the best writers/musicians to come out of the 20th Century. I KNEW he was good, but it is really only now that I know just how influential he really was/is to the music industry.
Things did get corny, however, but remember -- this IS a TV movie. The first half of this miniseries is far superior to the second.
Also, I must complain about the horrible under-use of the Carl Wilson character. Carl, the Beach Boys' strong and steady voice of reason, deserved alot more than what he was given in this film. Carl would go on to lead the band in the 80s and 90s, and he was the most stable of the Wilson brothers -- don't you think his dedication warrants a little more "air time"? I do.
To focus more on the positives, however, all the actors and characters are likeable, and I found this miniseries to have some generally touching moments.
Overall, a great watch. If you appreciate good music, and if you are a fan of the Beach Boys (casual or fanatic), you should buy this TV-movie whenever it becomes available to buy on video.
The way Brian Wilson discovers that "Beach Boys" sound was very convincing. It didn't seem abridged, it felt real. The acting, for the most part, was top-notch. The actor who portrayed musical genius Brian Wilson, while likeable, could have used a few acting lessons. However, the part of Mike Love was dead-on.
The film is very enjoyable, and really "connects" any music listener to the Beach Boys, and especially Brian Wilson. It was only after watching this film that I truly began to realize that Wilson was a true genius, perhaps one of the best writers/musicians to come out of the 20th Century. I KNEW he was good, but it is really only now that I know just how influential he really was/is to the music industry.
Things did get corny, however, but remember -- this IS a TV movie. The first half of this miniseries is far superior to the second.
Also, I must complain about the horrible under-use of the Carl Wilson character. Carl, the Beach Boys' strong and steady voice of reason, deserved alot more than what he was given in this film. Carl would go on to lead the band in the 80s and 90s, and he was the most stable of the Wilson brothers -- don't you think his dedication warrants a little more "air time"? I do.
To focus more on the positives, however, all the actors and characters are likeable, and I found this miniseries to have some generally touching moments.
Overall, a great watch. If you appreciate good music, and if you are a fan of the Beach Boys (casual or fanatic), you should buy this TV-movie whenever it becomes available to buy on video.
Le saviez-vous
- AnecdotesThis film depicts Brian Wilson trying LSD for the first time during the Smile sessions. In reality, Wilson first dropped acid in 1965, almost two years before the Smile sessions began.
- GaffesDuring a scene in the second half of the miniseries, Mike Love's mustache starts to fall off when he's in bed and talking with his wife.
- Citations
Brian Wilson: Where are you going?
Van Dyke Parks: I'm sorry, Brian. I'm splittin'. The Philistines have uttered thier pronouncements, and I am now bound for Golgotha.
- Versions alternativesA shorter version later aired on ABC. The character representing Van Dyke Parks was renamed.
- ConnexionsFeatured in The 52nd Annual Primetime Emmy Awards (2000)
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- How many seasons does The Beach Boys: An American Family have?Alimenté par Alexa
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