Dasharatham

I decided to watch this movie after seeing a video where someone mentioned how Mohanlal's fingers "act" in the final scene and wow they were not exaggerating. This film is undoubtedly one of the finest from the Golden Age of Malayalam cinema. Dasaratham takes you through the journey of a man who thought money could buy him anything, only to learn that some things are truly priceless.

Mohanlal's final breakdown was pure brilliance and easily some of the best acting I have ever seen. His effortless portrayal of emotions is unmatched. This is truly one of the finest Malayalam movies I have experienced. The Sibi Malayil Lohitadas combination never disappoints and this is yet another masterpiece from them.

I am currently on a nostalgic trip, revisiting old classics that shaped the Malayalam film industry. I might have seen many of them before but I am rediscovering their magic all over again.

Dasharatham (1989) : Brief Review -

A Path-breaking Sensation in Indian Cinema!!! Get a loudspeaker and tell the world Cinema... Copy That.. Let me just stand up for a moment and salute this trio Sibi Malayil-Mohanlal-Lothithadas for taking Indian Cinema much higher than any other film industry in the world cinema with this masterpiece film on Path-breaking subject. Malayil, Mohanlal and Lothithdas have many individual classics on their name but Dasharatham just stands out like a universal Boss. A film on sensitive topics like Surrogacy and Artificial Insemination was made in India in 80s and we, the movie buffs haven't made noise on it? Shame on us. Hollywood or any other foreign language cinema industry may have many pathbreaking classics but this Motherhood and Fatherhood topic was left unexplored by them and I would like to thank Malayalam Cinema for taking up this challenge and delivering some unbeatable stuff. When i saw Marathi Movie 'Mala Aai Vhaychay' (2011), i remember that i called it a pathbreaking film but Dasharatham was made 2 decades before? That's Shocking.. Now i think that this word 'Path-breaking' seems like an understatement to Dasharatham. What a mind-blowing and thoughtful piece of writing Mr. Lothithadas has provided us. Indian cinema will owe him forever. Mala Aai Vhaychay or its hindi adaption 'Mimi' both the films are based on same topic but these films only talk about Motherhood whereas Dasharatham talks about Motherhood as well as Fatherhood. That's incredible. What a performer this man is, Mohanlal. How can i put him in words after seeing him giving equally great performances in so many classics. But here, Rekha and Murali were great too. Sibi Malayil was is no ordinary genius, he is legend of legends. The kind of vision he had for a small industry like Mollywood is bigger than 99% directors of bigger industries. I just want to say this, Hats Off Sibi sir and thank you from the bottom of my heart for changing the face Indian Cinema.

RATING - 9/10*

By - #samthebestest.

Sibi Malayil's direction plus the awesome on screen presence of the gifted actor Mohanlal pulls off one of the well sorted out movies ever made in malayalam history. The unusual story line of a wealthy guy who doesn't know what he wants is articulately played by Mohanlal.Murali delivers an appreciable performance along with Rekha who plays his wife.Karamana Janardhanan Nair and Sukumaran also deserve praise. The story starts off showing the carelessness of Mahanlal as we get the spoiled rich brat feeling. Then he feels that he needs some responsibility in life and what does he do ? decides to adopt a baby.That too from his own blood .The thing is that he doesn't want to marry.Then Rekha who needs some money comes into the picture and the doctor played by Sukumaran arranges a meeting.Rekha need the money to treat Murali and she agrees to bear Mohanlal's child. The ending has a special thing about it and the charisma of Sibi Malayil is shown off conclusively. Great film to watch and a collectors item for sure.

Dasharatham is a movie that was made far ahead of its time but was still appreciated well. Made in 1989, when the protagonist wants to have a child, he goes in for artificial insemination. In most movies in other Indian languages, some even as recent as 2002(Chori chori chupke chupke), whenever the heroine was not able to bear a child, the hero would have to sleep with another woman or something like that. This one is sans any melodrama and the climax too has been dealt with in a professional and believable manner. Its admirable that the director had the guts to make the movie at that time when this technology was not even that popular. Kudoos to him for presenting it in an excellent manner.

The climax of Darrahat, if Mohanlal broke down on Sukumari's shoulder and said, "Anne Monne Snakeman is a Maggie in Snehamoho," you will see his fingers, and understand what they are. Mohanlal's dance performance is in favor of Sukumari.

Dasaratham is a movie written by Sibi Malayil by Lohithadas. The film, released in 1989, tells the story of a pregnancy hired work. The character presenter Mohanlal is renting a woman's uterus to give birth to her baby. The woman is not ready to give up the child at last. Mohanlal is ready to give the kid his daughter. Mohanlal asks the nurse Sukumari to give up the baby and Anini loves the magic as he loves her son. The story of Mohanlal is a classic example of the climax scenes in the Dasrath.