Un homme tente de faire passer de l'autre côté de la frontière The Mexican, une ancienne arme censée porter une malédiction. Pendant ce temps, sa petite amie le pousse à abandonner ses activ... Tout lireUn homme tente de faire passer de l'autre côté de la frontière The Mexican, une ancienne arme censée porter une malédiction. Pendant ce temps, sa petite amie le pousse à abandonner ses activités criminelles.Un homme tente de faire passer de l'autre côté de la frontière The Mexican, une ancienne arme censée porter une malédiction. Pendant ce temps, sa petite amie le pousse à abandonner ses activités criminelles.
- Récompenses
- 3 victoires et 2 nominations au total
- Emanuelle
- (as Maira Serbulo)
- Gunsmith's Assistant
- (as Alan Cianguerotti)
Avis à la une
Pitt plays a bumbling slacker gangster criminal dude who makes a mistake on a job, and is forced to undertake one last job. The gig is retrieving an ancient pistol. Little does he know he will have to go through great lengths to retrieve that pistol, and everyone around him may be feeding him lies to attain it as well.
Pitt plays his character so well. It's fun watching him throughout the movie. He is what the slackers should look upto, and it's his best role yet. I couldn't suggest a better time in the cinematic world.
Spend some time with this movie. You may regret it, but I liked it at least.
7 stars
It's true, the movie is a little chaotic from time to time. It isn't an overproduced Hollywood movie that takes itself too serious and that's exactly where its charm is in it for me. I loved to see Brad Pitt as the clumsy criminal who always is able to do something wrong. The same for Julia Roberts as his hysterical girlfriend and James Gandolfini as the gay hit man who has kidnapped her.
I know, it's not done to say that you liked to see Julia Roberts play a certain role and Brad Pitt can never be good as a comical actor... Well, perhaps it is time for some people to broaden their minds. Don't believe what everybody says, watch it for yourself and form your own opinion. I liked it and I give it an 8/10.
BAD - Julia Roberts ruined this film, at least by the second viewing. She was either yelling at Pitt all the time or gushing over a hit-man who admitted he was gay, and both routines wore thin. She thought (being gay) that was just the greatest thing and really overdid it.
Overall, if you modified Roberts' character into someone less abrasive this might have been a "keeper."
People, this is a classic melodrama told in today's yucky, dirty, gritty, ugly times. A beautiful (if you look closely) story that doesn't take it self seriously at all. This is anything but formula Hollywood hype. It is a genius inside-joke that sandbagged most of the people hoping to come out and see a Pitt/Roberts version of Sleeping in Seattle or some similar chick-flick dreck.
When is enough enough? Never.
If you enjoyed all the films I mentioned above, you'll like this. It's polished, as any Hollywood flick with Brad Pitt & Julia Roberts would be, but it's quirky and odd enough to set itself apart from the others. The story is about a lovable loser (Brad Pitt) and his crazy therapy-inducing girlfriend (Julia Roberts) who end up trapped in a bloody battle to get a cursed gun known as "The Mexican". The plot has plenty of twists & turns to keep you entertained on the surface. But the real story is about unlikely relationships: not just Brad & Julia's bipolar romance but also unlikely friendships & loyalties that spring up between kidnappers & kidnappees, assassins & victims, American profiteers & Mexican defenders... like a good Clint Eastwood movie ("The Unforgiven", "Gran Turino"), the point is that it's easy to apply labels, but how often do you get a good look at what's underneath?
I mentioned that this is a dark comedy, and indeed there are about half a dozen killings. What makes it different from, say Pulp Fiction or Heathers, is that the film doesn't gloss over the deaths with comedic gags. That's where this film is unusual... It has a place for comedy, and it has a place for tragedy. It doesn't really mix the two. Thus you may find your emotions wrenched around a bit, and that may be disorienting to some viewers. But if you're ready for a wild ride (exactly what this movie claims to be), you'll love it. And it has a cool dog in it too.
Other good movies in the same genre include "Mr. & Mrs. Smith" (Brad Pitt & Angelina Jolie), the hilarious "My Cousin Vinny" (Joe Pesci, Marisa Tomei) and the classic "Foul Play" (Chevy Chase & Goldie Hawn).
Le saviez-vous
- AnecdotesThe casting choice of James Gandolfini as Leroy was Julia Roberts' idea.
- GaffesWhen Jerry and Sam are driving from the airport to the Mexican hotel towards the end of the film, parts of a camera are reflected in the car window.
- Citations
Leroy: I have to ask you a question... and it's an important one so, I want you to think about the answer before you give it to me. Okay?
Samantha: Okay
Leroy: When two people love each other - Really... Love each other - but they just can't get it together, when do you get to that point where enough is enough?
Samantha: [mouth agape, stunned look, realizing he's talking about her] Tha?... oh, well... that's... you know... um... you know it's Over when... okay, I have, like, these psychosomatic, insomniatic manifestations of... uh, well here's the thing about me: I'm a product of my emotions, versus being a product of my environment, like HIM, which he is, exactly, just THAT, environmental... uh uh I need sunshine to grow; that's who I am, and uh with the projection of the... I have goals
[pause, smiles, nods to indicate she's done]
Leroy: That's your answer?
Samantha: Yah
Leroy: That's not right. I mean, there's a right answer here, but that's not it
Samantha: [exhales sharply]
Leroy: Look, in my business you're surrounded by loneliness, and finality. Now I don't care what your take is on an afterlife, when people die, it's scary. And they go alone. Now the people that I send off, that have experienced love, they're a little less scared. I mean they're still scared, but there's... a calmness to 'em, and I think that comes from the knowledge that somebody, somewhere loved 'em, and cared for 'em, and will miss 'em. Now I see that from time to time, and I am awed by it. I don't think I'd be telling you any of this if it wasn't for Frank. Anyway, it's a loaded question. Look, when two people love each other - Totally, TRUTHfully, all the way Love each other - the answer to that question is simple, especially in your case. When do you get to that point where enough is enough? Never... Never
- Crédits fousAt the very end of the credits, Samantha whispers "I love you, Jerry".
- ConnexionsFeatured in HBO First Look: The Making of 'The Mexican' (2001)
- Bandes originalesEl Cable
Written by Mario Carniello
Performed by Esquivel
Courtesy of The RCA Music Group, a Unit of BMG Entertainment
Meilleurs choix
- How long is The Mexican?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- La mexicana
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 57 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 66 845 033 $US
- Week-end de sortie aux États-Unis et au Canada
- 20 108 829 $US
- 4 mars 2001
- Montant brut mondial
- 147 845 033 $US
- Durée2 heures 3 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1