Lumières dansantes

I love this film, but I agree that the American subtitles are dreadful. I can understand a bit of Danish and I was watching it with a Danish speaker, so that helped, but actually the timing of the subtitles ruined half the jokes entirely. And if you're not American or Danish then the cultural references in the subtitles are completely baffling.

For reference: -"Disney Land" is used to translate "Tivoli", a very old and beautiful theme park in central Copenhagen. -"Six flags" is used to translate "Bakken", another old, but more down market theme park just outside Copenhagen. -"Canucks" is apparently a derogatory term for Canadians. It is used here to translate "Svenskere" (Swedes). -"Newport", apparently a port town in Rhode Island, is used to translate "Fredericia", another port town, but in eastern Jylland (Jutland).

This is one of the funniest movies I have seen for a long time - and yet with a depth you would not expect from a movie like this. This bunch of criminal outcast with personal problems and skeletons in their childhood cupboards manage to form a true friendship and community far from the environment they are used to.

The movie is stacked with strong action and actors: Pilmark is over the top as raw, but yet soft gangleader, Mikkelsen as psycho-gunman, Thomsen as TV-drama-loving drug-addict and Lie-Kaas as the eternal snack-eating soft guy. Even the supporting cast does a good job - just to mention Thestrup as the weapon-crazy farmer and Helmuth as movie history's greatest alcoholic doctor - and do not forget Graaboel as Lie-Kaas annoying and "normal" girlfriend.

Funniest scene: shooting cows in the forest - my God, I was rolling on the floor of laughter.

I saw 'Blinkende Lygter' after watching first 'Adam's Apple's' and then 'The Green Butchers', so effectively in reverse order! The thing that captivates me so much about Jensen's writer/directorial outings is the wonderfully individual black humour he brings to the screen. It took me three movies to realise that he reminds me a great deal of Beat Takeshi, in fact this movie - "Flickering Lights" - reminded me a lot of "Sonatine", my favourite of all Beat's movies. The theme was very similar; a criminal gang run away to live in seclusion in the countryside and come to a better understanding of who they are and what they really want. There's a gentle, subtle affection that bonds the four men together - despite their violent occupation and chaotic lives - and the sense that they all share a common need for family, stability and purpose they together they realise they can provide for each other.

More than anything I thought this was a wonderful film about male friendships and how important it is for men to support each other in their endeavours. And, although Torvild initially goes off selfish and half-cocked in his plans, as the dad of the group he ultimately gets everyone what they need and keeps his family together. Heartwarming and hilarious. One I will re-watch many times.

Personally, what I do is try to watch a movie without having heard any details on the storyline before - so, I am not going to spoil anything here.

'Flickering Lights' is a well-made comedy about a couple of gangsters & despite of its partly violent scenes, it also shows human weakness and pain. Furthermore the movie tells the viewer how the four guys met and why their childhood experience made it impossible for them to lead a normal adolescence.

Compared to 'i kina spiser de hunde' (In China They Eat Dogs) which was also written by Anders Thomas Jensen, I think that 'Flickering Lights' deals with the personal tragedies in a better way and reaches to touch the viewer while 'i kina..' did not really moved me.

If you liked Las Van Trier's 'Idiots' and Vinterberg's 'Festen' (Celebration) you will recognize a couple of actors (Nikolaj Lie Kaas, Thomas Bo Jarsen, Ulrich Thomsen) - and although 'Flickering Lights' is not a DOGMA movie, a certain atmosphere made me remember the typical Swedish/Danish movie aura.

Great film - give it a try when you are in the mood for something different than the stereotypical Hollywood movie.

Quite exceptional Danish genre hybrid from director Anders Thomas Jensen. It has a maturity and confidence about it that is rare and surreal comedic aspects that reminded me of the wonderful ANTONIA'S LINE.

Four emotionally unstable criminals, led by Torkild, commit a robbery to repay a large debt to The Eskimo, a violent, murderous thug. Instead of delivering the loot, the men flee to the countryside where they begin a new life.

A threadbare synopsis does no justice to this wonderfully rich and magical film which expertly blends brutal violence, the blackest of humour and Roald Dahl-style childhood flashbacks to tell a fascinating, highly original story.

The characterizations are brilliant and the producers deserve a medal for having the courage to attempt a piece so violent (at times) and so utterly human.

Although all performances are wonderful, a special mention must go to Ole Thestrup who plays local game hunter Alfred. His reaction to an offer of firearms in exchange for the life of his cow is priceless.

An absolute winner and a perceptive reflection on happiness, love, friendship and identity.