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Audition

Titre original : Ôdishon
  • 1999
  • 16
  • 1h 55min
NOTE IMDb
7,1/10
96 k
MA NOTE
POPULARITÉ
2 480
462
Eihi Shiina in Audition (1999)
Official Trailer
Lire trailer1:23
3 Videos
99+ photos
DrameHorreurMystèreHorreur corporelleHorreur psychologiqueHorreur Splatter

Sur les conseils d'un ami, un veuf fait passer des auditions à des jeunes femmes afin de trouver une nouvelle épouse. Celle qu'il choisit cache un terrible secret.Sur les conseils d'un ami, un veuf fait passer des auditions à des jeunes femmes afin de trouver une nouvelle épouse. Celle qu'il choisit cache un terrible secret.Sur les conseils d'un ami, un veuf fait passer des auditions à des jeunes femmes afin de trouver une nouvelle épouse. Celle qu'il choisit cache un terrible secret.

  • Réalisation
    • Takashi Miike
  • Scénario
    • Ryû Murakami
    • Daisuke Tengan
  • Casting principal
    • Ryô Ishibashi
    • Eihi Shiina
    • Tetsu Sawaki
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    96 k
    MA NOTE
    POPULARITÉ
    2 480
    462
    • Réalisation
      • Takashi Miike
    • Scénario
      • Ryû Murakami
      • Daisuke Tengan
    • Casting principal
      • Ryô Ishibashi
      • Eihi Shiina
      • Tetsu Sawaki
    • 534avis d'utilisateurs
    • 267avis des critiques
    • 70Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 5 victoires et 5 nominations au total

    Vidéos3

    Audition: Special Edition
    Trailer 1:23
    Audition: Special Edition
    Audition
    Trailer 1:42
    Audition
    Audition
    Trailer 1:42
    Audition
    If You Liked Terrifier 3, Watchlist These Endurance Horror Classics
    Clip 3:12
    If You Liked Terrifier 3, Watchlist These Endurance Horror Classics

    Photos113

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 107
    Voir l'affiche

    Rôles principaux25

    Modifier
    Ryô Ishibashi
    Ryô Ishibashi
    • Shigeharu Aoyama
    • (as Ryo Ishibashi)
    Eihi Shiina
    Eihi Shiina
    • Asami Yamazaki
    Tetsu Sawaki
    • Shigehiko Aoyama
    Jun Kunimura
    Jun Kunimura
    • Yasuhisa Yoshikawa
    Renji Ishibashi
    Renji Ishibashi
    • Old man in wheelchair
    Miyuki Matsuda
    Miyuki Matsuda
    • Ryoko Aoyama
    Toshie Negishi
    Toshie Negishi
    • Rie
    Ren Ôsugi
    Ren Ôsugi
    • Shimada
    Shigeru Saiki
    • Toastmaster
    Ken Mitsuishi
    • Director
    Yuriko Hirooka
    • Michiyo Yanagida
    Fumiyo Kohinata
    Fumiyo Kohinata
    • TV station presenter
    Misato Nakamura
    • Misuzu Takagi
    Yuuto Arima
    Yuuto Arima
    • Shigehiko as a child
    Ayaka Izumi
    • Asami as a child
    Nuts Tanahashi
    • Hotel front desk
    Kimiko Tachibana
    • FM announcer
    Tatsuo Endô
    Tatsuo Endô
    • Doctor
    • Réalisation
      • Takashi Miike
    • Scénario
      • Ryû Murakami
      • Daisuke Tengan
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs534

    7,195.6K
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    Avis à la une

    8claudio_carvalho

    Creepy, Disturbing and Realistic

    In Tokyo, Shigeharu Aoyama (Ryo Ishibashi) is a widower that grieves the loss of his wife and raises his son Shigehiko Aoyama (Tetsu Sawaki) alone. Seven years later, the teenage Shigehiko asks why his middle-aged father does not remarry and Shigeharu meets his friend Yasuhisa Yoshikawa (Jun Kunimura), who is a film producer, and tells his intention. However, Shigeharu has difficulties to approach to available women to date and Yasuhisa decide to organize a sham audition for casting the lead actress for the fake movie. They receive several portfolios of candidates and Shigeharu becomes obsessed by the gorgeous Asami Yamazaki (Eihi Shiina). Despite the advice of the experienced Yasuhisa, Shigeharu calls Asami to date and he falls for her. But who is the mysterious Asami?

    "Ôdishon" a.k.a. "Audition" is a great horror movie with a creepy, disturbing and even realistic story but with less violence, weirdness and gore than the usual, for a movie directed by the Japanese director Takashi Miike. The characters are very well developed and the beautiful Eihi Shiina is perfect in the role of Asami. The scene when she says "deeper, deeper, deeper" is scary and remains imprinted in the mind of the viewer. My vote is eight.

    Title (Brazil): "Audição" ("Audition")

    Note: On 21 March 2017, I saw this film again.
    bob the moo

    Not as shocking as I was led to believe but a nice, slow chiller

    Seven years after his wife dies, Shigeharu Aoyama takes his con's advice and begins looking to remarry. With help from a film producer friend, he sets up a mock audition looking for a woman to play a part that matches his image of his future wife. Whittling the list to 30, he picks the one that strikes a chord with him and, despite not knowing a great deal about her, starts to see her and fall in love.

    I had heard a great deal of hype about this film – even the announcer on tv said it caused `outrage' in Japan when first shown. So worried was I that this film would freak me out, that I waiting until a weekend morning to watch it so that I could have daylight everywhere for hours after seeing it!

    However, I must admit to having been misled; this film is a very slow little chiller rather than a horror as described. There are horror style moments but overall this is a chilling little tale of one woman's past. The build up is excellent, at times it almost comes across as a comedy; but the film does lay it on a bit thick that `something is not right' at times while not totally explaining things until near the end. That said it is still enjoyable and a little creepy, but you should prepare yourself for the fact that this is not a very fast film – it has a patient pace and you need to be into that; I was a little impatient for the first 15 minutes but after that I settled into it.

    The cast are pretty good. Ishibashi is a strong lead male and it is easy to emphasise with his character. Shiina is very good despite the fact that she has to clearly show things beneath the surface. That said, she does a good job of keeping her character real and making the jumps acceptable rather than out of the blue. The telling of the story helps them both out though, keeping it slow but eerie.

    Overall, I was a little disappointed with this film as I had hoped to be scared more and freaked out as much as I can be by weird stuff. As it was, this was a well told little creepy film but it is not totally deserving of the reputation it has gotten.
    noisy_mouse

    Best horror movie in the world!

    Movies like Scream, I Know What you Did Last Summer, and their teenage-pheremone-reeking ilk have absolutely no right to call themselves "horror movies" when we have a film like Audition to watch.

    This movie starts out very slowly, very sweetly, and builds to a fantastic gruesome climax that you don't see coming. Genuinely scary. I am a huge horror movie affectionado, and I have NEVER in my life watched a movie that made gasp like this one did. I was revolted, I was disturbed, I was scared.

    Why is this movie so much better than anything I've seen? Subtlety. This movie makes good use of silence, sound effects and off camera action to SUGGEST instead of SHOW you what's happening. It's much more satisfying to watch a movie with this kind of approach than it is to watch people get stabbed with blood spraying all over the place. This movie follows no classic "horror movie rules". It's completely original.

    It's not without its faults, of course. The plot is a little strange, and as the movie progresses on it sometimes gets a little hard to follow. Some would also argue that the beginning is too long and too heavy, but I think this is a perfect and even needed contrast to the crazy goings-on that will unfold.

    This is a fabulous movie. Check this out if you'd like to see a REAL scary movie.
    Infofreak

    Essential viewing for lovers of extreme cinema.

    I was extremely underwhelmed by the much hyped Japanese horror film 'Ringu', so I approached 'Odishon' with some caution. I needn't have worried. 'Odishon' bears no resemblance to the lame supernatural chills of 'Ringu'. It is in fact closer to the more extreme moments of David Cronenberg, and the profoundly disturbing movies of Jorg Buttgereit, Shinya Tsukamoto, and Gaspar Noe.

    Directed with great flair by Takashi Miike, and based on a novel by the amazing Ryu Murakami ('Almost Transparent Blue' and 'Coin Locker Babies'), 'Odishon' wipes the floor with Hollywood's recent output of supposedly "confronting" movies ('American Psycho', 'Boy's Don't Cry', 'Requiem For A Dream') and by-the-numbers serial killer thrillers ('Hannibal', 'Kiss The Girls', 'The Cell',etc.). Forget those safe, mediocre bores THIS is the real deal!

    Miike lulls you into a false sense of security with his leisurely storytelling and quiet character development, which makes the pay off of the last part of the movie even more shocking and unexpected. Ryo Ishibashi is well cast as the middle aged businessman stuck in a rut, and the beautiful Eihi Shiina is absolutely astonishing as the girl of his dreams who turns out to be not QUITE what he expected.

    The less you know about 'Odishon' the better. If you enjoy extreme movie making at its best you'll go ga ga over this first rate slice of shock cinema. Simply unforgettable.
    7evanston_dad

    Has Much More to Say Than Hype Would Have You Believe

    There are about 15 minutes of "Audition" that everyone remembers and talks about, and about 95 minutes of movie that you'd think didn't even exist if you listened to others' comments. But this is the director's fault; when you set out to shock your audience as much as Takashi Miike does in this film, you can't blame the audience if all they remember about your film is the shocking part.

    Which is a shame, because "Audition" is quite a bit more than a mere horror movie. It's really more of a feverish psychological drama along the lines of a David Lynch film. In fact, in structure and tone, this film reminded me of Lynch's "Mulholland Drive," and if Lynch didn't have his own unique style and brand of film-making, I might wonder if he was inspired in part by this film when he made his own.

    What other comments here have done nicely is summarize what "Audition" is "about." A man (Shigeharu Aoyama) mourning the loss of his wife looks to find the perfect woman to replace her, and he holds bogus auditions for an ostensible film role in order to find her. But the girl who catches his interest (Asami Yamazaki) turns out to be a much better actress than he bargained for. What other comments DON'T necessarily convey, however, is how much of this film takes place in the world of dreams, and how blurred the line between reality and fantasy is. This dilutes the violence of the film's final moments, because there is a strong suggestion that this violence is taking place in the protagonist's nightmares.

    Is "Audition" a critique of the confined roles women are forced to inhabit in Japanese society? Is it about Aoyama's guilt in feeling the need for a woman to replace his dead wife? Is it about his fear of finding a girl that actually can replace her, thereby diminishing what he had with her? Is the film about the extent to which all relationships are "auditions," where each person involved makes him/herself vulnerable and exposes him/herself to acceptance or rejection at the whims of another? A case can be made for its being about all of these things.

    When the violence comes at the end, it's not as graphic as the hype would lead you to believe. Even so, I wish Miike hadn't pushed the envelope quite so far. One has to wonder if the emotional impact of the film would have been any less just because the violence was less graphic, and I suspect the answer to that is no. The violence feels gratuitous and cheapens slightly everything that comes before it. It mars the film, but fortunately it doesn't ruin it.

    This is far more of a thinking man's film that its reputation would lead you to believe. Those who come to it for the titillating shock of its gore are bound to be disappointed.

    Grade: B+

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When the film was screened at the Rotterdam Film Festival in 2000, it had a record number of walkouts. One woman, who had actually sat through the entire film, immediately walked out of the ensuing Q&A session past the stage, and hissed "You are sick!" at director Takashi Miike, much to his amusement and delight. At the Swiss premiere, someone passed out and needed emergency room attention.
    • Gaffes
      (at around 1h) During their weekend getaway, Asami clearly removes all of her clothing then lies in bed and covers with a sheet. She then raises the sheet to expose the wounds on her thigh. The white panties can clearly be seen despite the fact that she just removed them.
    • Citations

      Asami Yamazaki: Kiri kiri kiri kiri kiri kiri!

    • Versions alternatives
      Available in "R" and "Unrated" versions.
    • Connexions
      Featured in The 100 Scariest Movie Moments: Part V: 13-1 (2004)
    • Bandes originales
      Carmen Suite #1 - Intermezzo
      Composed by Georges Bizet

      Played on a piano by Renji Ishibashi

    Meilleurs choix

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    FAQ

    • How long is Audition?Alimenté par Alexa
    • What are the differences between the theatrical version and the unrated version?

    Détails

    Modifier
    • Date de sortie
      • 6 mars 2002 (France)
    • Pays d’origine
      • Japon
      • Corée du Sud
    • Langue
      • Japonais
    • Aussi connu sous le nom de
      • Audición
    • Lieux de tournage
      • Tokyo, Japon
    • Sociétés de production
      • Basara Pictures
      • Creators Company Connection
      • Omega Project
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 131 296 $US
    • Montant brut mondial
      • 363 784 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 55 minutes
    • Couleur
      • Color
    • Mixage
      • DTS-Stereo
      • Dolby SR
    • Rapport de forme
      • 1.85 : 1

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