Novocaine

Steve Martin is believable as a dentist who sees his life spiraling out of control after a series of cascading lies sets him up as a murder suspect. What is not believable is the script, which seems to overlook common sense. Cops that fall asleep while guarding a suspect, and worse yet handcuffing a suspect to a flimsy bench in the court house. After an intriguing set up, everything has less and less logic. The proverbial happy ending is totally unbelievable, as is the supposed motivation for the entire storyline. If you want to see a pretty good Steve Martin performance and can overlook Novocaine's many flaws, it is definitely watchable. - MERK

This has been a quite entertaining movie. Not really a top notch movie, not really working as a comedy, but still pretty entertaining. It started out veeery slow and boooring - it took a little too long for it to evolve. But when it started to it got better and better. There's that very freaky story and a wrecked Bonham-Carter (she's good playin such characters ;-) adding most to this film. However the ending was a little too fantastic since it shouldn't be a problem for the forensics to ... no, I won't spoil hehe.

My favourite scene was Martin's call where he spoke to that guy who answered the phone with "barbie's bakery. it's mr. muffin man speakin." LOL

My overall rating is: 6.5/10 - if you're not sure what to watch, try this one. It works pretty well as entertainment.

Most stars have made a film they regret. I fear this will be the one for Steve Martin, Laura Dern & Helena Bonham Carter. Martin stars as a popular dentist, engaged to his office manager (Dern). One evening when he's alone in the office a mysterious young woman (Carter) comes in and convinces him to give her a prescription for pain killers, promising to come back for treatment the next morning. This one mistake of his sets off a series of intrigues and doublecrosses with a satisfying ending. So why am I so disappointed in the movie? For one thing, the story has holes that no amount of dental work can fill. And the movie is filled with gratuitously painful-to-watch scenes of dental work... starting right from the beginning. This is definitely not a movie to eat popcorn by and, in spite of the satisfying ending, everyone at my screening left the theater feeling sickened and extremely disappointed in Steve Martin.

Let's get something clear real quick - this is NOT a comedy. Don't try to watch it as a comedy, don't try to laugh at things that are not supposed to be funny, and don't complain if you didn't laugh a lot.

Now, I like to see an actor take a chance and do something out of his/her comfort zone. I like to see an actor expand his/her range, explore other genres, flex their actual acting muscles once in a while. And, I like to see an actor want to do a script that might not score them points either in the box office or with critics, so long as they feel they can bring something to a role. (Tom Hanks is the best example of this; Michael Keaton is close behind, and even Bruce Willis falls into this category, in my humble opinion).

That said, this film is fairly good. A pretty tame dentist is drawn into a downward-spiralling vortex of sex, drugs and murder. He is clearly over his head as his world crumbles down around him, and he doesn't suddenly become an action hero at all.

This movie has some classic femme fatale elements but does not pursue that vehicle to the common extreme. However, it also captures some film noir ideas - the first-person narrative, the slippery-slope downwards, the protagonist who just can't stop himself from falling under the spell of the vamp who's bad news from the word "go"...

It's not Double Indemnity or Sunset Blvd, but hey, for what it is, it was somewhat engaging.

This was a good movie, but there were several plot holes you could drive a truck through. I found myself saying "No one would really do that" over and over again. It seemed as though the director wanted to do a straight suspense film, and Steve Martin wanted to do a screwball comedy, and in the end, it's neither one. The characters are well played, and Helena Bonham Carter did an especially good job with a big departure from her previous roles as refined British noble women. At times, the actors got very close to being caricatures instead of characters. All in all, an enjoyable film if you aren't expecting the quality of "The Spanish Prisoner", which I think is still Steve Martin's best film ever.