Boulevard des chattes sauvages

On the face of it, this is a very "violent youth" type of exploitation film but there are some very interesting social matters running through the film. It revolves around the relationship between Japanese, occupying Americans and the "half" offspring of the groups.

There are interesting contrasts. Baron's gang runs around in American military jeeps yet we see through flashback that Baron's hatred of "halfs" may spring from his sister being raped by a US serviceman. His gang sets up a "party" with foreigners but they are the most ugly and brutish types imaginable. We have these ugly stereotypes of whites on the one hand yet the soundtrack features an on-cameras role by the group "Golden Halfs", five attractive "half" japanese women.

This is all packaged in a fantastic Suzuki style "exploitation "film. Great use of color and composition mark the influence of the Seijin Suzuki style on the director Hasabe. A great film for any "Violent Youth" fans.

Stray Cat Rock:Sex Hunter starts off as local girls running around the city,taking advantage of older men, stealing their money and going out for drinks.The head girl Mako lies outside of a bar and suddenly a man wanders over, singing a sorrowful ballad.They talk and get to know each other, then a pack of male gangs out to rid the city of half-breeds go over to threaten him to leave or get killed.This has a lot going on along with lots of revelations at the end.There's fights,Mako getting stoned with rocks,a hotel "rape party",an underground bar with actual bars, a frustrated gang leader named Baron who can't get it up.

When I realized it was a film made by Yasuharu Hasebe I was shocked since this is actually something early from him, he would later make the violent pinku entries:rape 13th hour,assault!jack the ripper, etc. This was a fantastic action film done by Yasuharu Hasebe he did an impressive job to what we've seen now, but a production from Nikkatsu it was way more like a toei.I didn't get much into Stray Cat Rock until the last 50 minutes,plus it was after watching Rica which I didn't like.But this was better especially Meiko Kaji.She's like Miki sugimoto and Reiko Ike,beautiful and badass.

If you LOVE the Japanese exploitation scene from the 60's or 70's like I do, you should definitely check it out.It's a winner..a real winner

You never really know what to expected with these early 70's Japanese Pinky Violence/Exploitation movies, but the absolute last thing I ever expected to find in a film lusciously entitled "Stray Cat Rock: Sex Hunter" was a socially relevant and thought-provoking allegory on topics such as racism, female liberation and brotherhood. There are a handful of "Stray Cat Rock" movies, but apparently "Sex Hunter" is the most widely available one and also the most superior one in the cycle. I'm certainly tempted to believe that, because what I saw was a compelling film from start to finish; - albeit with a exemplary crowd-pleasing elements like sexy eloquent girls, grotesque moments at comedy and kitschy musical interludes. Most bizarre, however, is the surprisingly low amount of explicit violence and gratuitous nudity. The main emphasis here lies on plausible story and the increasing tension between the rivaling gangs/sexes. The unearthly beautiful Meiko Kaji (later she became Japan's most successful exploitation actress thanks to "Lady Snowblood" and the "Female Prisoner: Scorpion" series) stars as Mako, the leading lady of an all-girls gang known as the Alley Cats. The girls are tough and independent, but they nevertheless still stand in the shadow of "The Eagles". They are a male gang, led by sadistic Baron and driving around the city in military jeeps. The Eagles are a bunch of racists, particularly against the half-bloods (the offspring of Japanese women and American WWII soldiers) who're allegedly stealing their women. The hard-boiled Mako is also falling in love with a half-blood, named Kazuma, but he actually came to town to look for his long lost baby sister. "Stray Cat Rock: Sex Hunter" turned out to be much more compelling, suspenseful and memorable than we (my fellow cinema mate and I) dared to anticipate. I love it when that happens! Director Yasuharu Hasebe may perhaps be most (in)famous for his downright deviant exploitation-porn movies, like "Assault! Jack the Ripper" and "Rape!", but this undoubtedly must be his best movie. Besides, if you're really looking for weird stuff, you'll still enjoy the inexplicably theatrical denouement and the numerously shameless attempts at product placement by Coca Cola.

Even though Stray Cat Rock: Sex Hunter was only released third in the Nora-neko rokku series, it was actually filmed back to back with the second entry Wild Jumbo and marks Yasuharu Hasebe's return as director in the franchise after Toshiya Fujita who would also make the fifth and final movie besides the second one. After the light, even comedic Wild Jumbo, Sex Hunter is a step toward the darker mood of the original film and carries a strong anti-racism message despite the lurid title that makes the film seem sleazier than it really is.

As with the previous movies, Sex Hunter deals with youth gangs in a big city in Japan. This time the story focuses on two gender-based gangs: the girl gang led by Mako (Meiko Kaji) and the guys' gang called the Eagles led by Baron (Tatsuya Fuji). The two gangs can somehow get along with each other, but tensions are created by the relationship of Mako and Baron and especially the latter's intense hatred for people of mixed race. The girls cannot accept the Eagles' assault campaign against their half-blooded friends, such as Kazuma (Rikiya Yasuoka) who has come to the city to look for his long-lost sister, and eventually things escalate with dramatic consequences.

As already mentioned, the mood is significantly darker than in Wild Jumbo. There is more nudity, blood, drug use and sexualized violence (even an outright "rape party"), even though in general the title "Sex Hunter" can be called exaggerated. Nevertheless, the film is still a recognizable Stray Cat Rock movie as all the trademark elements are there: extremely groovy psychedelic rock and jazz music, lots of aggressive driving in roofless Jeeps and some camera trickery to heighten the intensity of certain scenes. The use special camera techniques has been toned down from Wild Jumbo though; this time the only specialties are some flashy editing and a diminished screen size that forces the mise en scène to seem very cramped and crowded but also starts to get annoying after a while. But as said, gimmicks are not used as extensively as before and most of the movie is conventionally good-looking and well shot.

The story about the Eagles' racism adds a welcome societal touch to the plot, as does the tragic ending at an abandoned watchtower (why he fires those last shots is open to interpretation). The girls' friendship and the roots of Baron's racism in his childhood also belong among the more interesting plot lines and could have actually deserved more screen time at the expense of some of the action. On the other hand, stylized visuals are what these movies are known for, philosophical and plot-hole-free stories not as much. In any case, Meiko Kaji and Tatsuya Fuji, the staples of the franchise, are as fun to watch as always; in addition I especially liked the appearance of the girl pop group Golden Half in the psychedelic club scenes (keeping up with the movie's theme of racial acceptance, the group was known for its members being of mixed heritage themselves).

I guess it largely depends on personal tastes if one prefers the serious Sex Hunter and Delinquent Girl Boss to the more lighthearted Wild Jumbo. As for myself, I like all of them but might ultimately give an edge to Toshiya Fujita's entertaining caper story. For anyone interested in Japanese tough girl gang cinema, all five films are recommended viewing though. Sex Hunter appears to be the most well known of the five based on the number of IMDb votes and reviews (perhaps the title attracts fans of Hasebe's rape-themed pink films?) but I maintain that the other four Nora-neko movies are cool too if you like this one. Good entertainment with a serious undercurrent.

You don't necessarily expect to find social undercurrents in a film entitled Stray Cat Rock: Sex Hunter but that is what you get here. In fact it turns out that this sensational and very cool title is pretty meaningless in the grand scheme of things, as there is little evidence of sex hunters to be found here. No, the story actually considers the serious topic of racism, more specifically the effects of the occupation in Japan by American soldiers after the Second World War. This led to an increase in mixed race Japanese and it is the persecution of this ethnic minority which much of the plot is built around. A racist male gang called the Eagles, who go around in American army jeeps, terrorise anybody of mixed-race heritage. They are led by a character called the Baron whose racism stems from the knowledge that his sister was raped by black American GIs during the occupation years. This gang of thugs is opposed by a girl gang called the Alley Cats who assist a mixed race man who is trying to find his missing sister while being consistently beaten down by the Eagles.

This is a film which comes under the banner of Japanese exploitation films known as Pinky Violence. These films were essentially crime films which combined elements of sex and violence with a focus on sexy leading actresses. The queen of the genre was the very alluring Meiko Kaji, who stars here as the leader of the Alley Cats. She has fantastic screen presence and is a master of the cold stare. In this one she achieves this while often sporting a fabulously enormous hat. Like in all of these films she starred in Kaji is a major reason they are so good. This one isn't too salacious to be honest, especially taking into account what you might think given its title, although it admittedly does feature the rather awful idea known as a rape party. But its appeal lies mainly in other directions such as its psychedelic musical interlude and its stylish presentation. It also has a bit of a downbeat ending which leaves us with more questions than answers, which only illustrates further that this is pretty left-of-centre stuff. If I had to criticise, it would be to say that there probably wasn't as much girl gang action as I would ideally have liked. But all-in-all, I thought this was pretty good value.