Oliver Twist

I understood that Mr. Bleasdale was a Dickens' director when, in GBH (1991), I saw an news hound being gored with the point of a gamp while he was peering through the slot of a letter box.

Here In Australia, where, according to the Leeford succubus, our natives are too plucky, we have only seen the first episode, and I should just like to agree with Mr. Underwood and the mysterious Dennis-77 that Mark Warren's performance as the scorbutic Edwin Leeford is exceptionally fine.

Apart from James Whale's Borris Karlof make up, it is a flawless piece of comic acting.

Thank you England for sending us Uriah Heap, Mr. Micawber, Abel Magwitch and Mark Warren.

The Oliver re-make cycle can stop now that we have this amazing version. I saw it when it first played on Itv back in 1999. After seeing the downfall that was Oliver Twist (2005) I made it my business to find this version so i was able to see an amazing, moving and thrilling story.This four part series is directed beautifully and magically enough it includes something that the Roman Polanski version forgot Emotion! The story of Oliver Twist runs on emotion and great characters! Through-out this version the audience are invited to follow and believe the story about the poor boy that asked for more. With great direction and performances (Julie Walters, Robert Lindsay, David Ross, Andy Serkis and Sam Smith as Oliver) along side stunning lighting and costume this mini series will provide high entertainment. If you were unimpressed by the Polanski version I highly recommend this one!

Oliver Twist was on at the same time as another costume drama so we taped Oliver and the other one and also watched the other. It was dull, so the next week I watched Oliver Twist. I wish I had watched it from the start. It inspired me to read the book, although I wish I hadn't, I much prefer this version. The writer has changed much over it making it seem more vicious but more human as well. On the acting front it was hilarious, very nearly over the top and just right for a Dickens melodrama. The one character who I thought was fantastic was Monks, the actor who played him deserves a BAFTA or something. In the book he is a thoroughly nasty and boring character, in this he is nasty but interesting as well. I liked the way it looked, it was very grubby, and you could see why Oliver was liked by everybody, which was a bit different. The end episode is great and had me nearly in tears. A really good production.

I am a huge fan of the book, and while there hasn't been a completely faithful adaptation, quite a few have captured the spirit and have been excellent on its own terms. David Lean's magnificent film is one, the 1968 musical is another and this one was also excellent. The book itself is magnificent, but I can also understand why there hasn't been a 100% faithful version. The story is very complicated and there are so many characters to flesh out so it needs a mini-series of this length to do justice. Lean's film did manage to do it justice because of Lean's usual masterly storytelling and the impeccable performances, and the musical had the wonderful music and Ron Moody.

Back to this 1999 mini-series, I cannot believe I haven't seen this before. Not only is it a solid adaptation but it is wonderful on its own terms even with its minor quibbles. It does take a few liberties, but Dickens' feel and spirit is there. The story is very well told, and the changes actually worked mostly because they were developed well. While there is the odd occasion where the odd bit of dialogue might jar with the period, the writing is very good, and the whole mini-series is beautifully directed consistently.

Also impressive are the period detail and music. The period detail is quite evocative, with the scenery and sets excellent and the costumes authentic. The photography was nice and fluid too. The music is beautifully composed, and did well to enhance the drama of every scene. The pace is not too fast or slow but comfortably in between. There are many effective scenes especially the I want some more scene and Nancy's death which is quite brutal. In fact, the only real disappointment is Sikes's death, the build up to it is quite intense but the actual death itself came across as rather goofy and rushed.

That said, the acting is wonderful. Julie Walters doesn't disappoint, while Alex Crowley is a spirited Dodger. Nancy is also made very vulnerable and quite heart-breaking, while Michael Kitchen(who I recognised immediately from Foyle's War) is a splendid Mr Brownlow. Sam Smith is good as Oliver, I loved his angelic face and the mutterings under his breath, but there were one or two scenes such as in the courtroom when you had to turn the volume up to hear what he was saying. Even better though was Marc Warren, who to me is the best Monks I've seen, it was a hilarious, poignant, creepy and altogether wonderful performance. Robert Lindsey is perfect as Fagin, very oily, vile, manipulative and grotesque with a great judgement of lines, while Andy Serkis's Sikes is brutal and genuinely frightening.

All in all, a solid and wonderful mini-series, and one of the better adaptations of the book. 9/10 Bethany Cox

I am a huge Dickens fan. I have read Oliver Twist, and have even written college papers on the novel. This movie is by far the best version of Oliver Twist ever made (this includes David Lean's movie, the Polanski version, and the musical). The casting is superb; Robert Lindsay (Fagin) is one of the best character actors I have ever seen, Michael Kitchen plays Mr. Brownlow to perfection, and Andy Serkis (Bill Sykes) brings out every ounce of Bill's brutal personality with excellent feel for the character. Yes, the movie necessarily takes what the novel originally revealed in the last pages (concerning Oliver's parentage and the mystery surrounding his birth) and more fully dramatizes it; this is the nature of the beast. Making movies about books is difficult enough, especially with Dickens' panache for complicated plots. But this version of the movie brings out every element of Dickens' story with taste and excellence. One of the best Dickens adaptations out there.