Cinq ans après le meurtre de sa fille, Claudia reçoit un coup de téléphone de celle-ci, lui demandant de la délivrer. Aidée d'un ex-policier, elle part à la recherche de sa fille et va décou... Tout lireCinq ans après le meurtre de sa fille, Claudia reçoit un coup de téléphone de celle-ci, lui demandant de la délivrer. Aidée d'un ex-policier, elle part à la recherche de sa fille et va découvrir la terrifiante vérité.Cinq ans après le meurtre de sa fille, Claudia reçoit un coup de téléphone de celle-ci, lui demandant de la délivrer. Aidée d'un ex-policier, elle part à la recherche de sa fille et va découvrir la terrifiante vérité.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 16 victoires et 5 nominations au total
Susana García Díez
- Chica piscina
- (as Susana García)
Víctor Guillén
- Hombre flaco
- (as Víctor Guillén 'Buby')
Josep Maria Domènech
- Romero
- (as Josep Mª Domenech)
Avis à la une
Rented this film with no expectations at all. For the largest part of the film I did not regret one second to have rented it. Well, perhaps because it was too scary... The way it is filmed and the music along with it makes it a very good thriller. This is a perfect example I believe of the difference between an American film and a European film. And in this case I definitely prefer the latter. The grim atmosphere and the constant pressure keep you on the edge of your seat throughout the whole movie. But unfortunately, all good things come to an end and in Los sin nombre, this is before the end of the film. I can't spoil anything of course, but I personally was very disappointed with the end of this film. It left me with an unsatisfied feeling.
One who did not see the movie may be surprise by all the contrasting comments ranging from "LAME" to "EXCELLENT". But there is a simple answer to this: There are 2 types o movie-goers: those who let themselves go and get involved in the story, and those who stay in a safe shell of rationality and judge from the outside. So, this movie lives on atmosphere and the mood it is able to arouse, and in this it works greatly, it really scares. But to a cold-minded analisys, it reveals flaws in the plot. Anyway, I think that RATIONAL-AT-ALL-COSTS people should simply give up with horror movies: their inner cords just can't be reached... For all the other ones, you should watch this movie, becasue it is a scary movie that really scares, and features excellent acting and direction. The only right criticism regards the ending. I suppose that they could have done better, not necessarily changing WHAT happens, but possibly HOW it is described. But it is still a decent final, and the movie is a well worth experience.
And it did not disappoint. Nice, creepy movie that doesn't rely on much violence, only the mentioning of it. Just listening to the characters speak of the nameless' penchant for torture was enough to force me to see this with the lights on. This movie and "Thesis" whet my appetite for more Spanish horror films.
I had heard nothing but good things about Jaume Balaguero's The Nameless. Unfortunately I had watched The Darkness, Balaguero's second feature, prior to The Nameless so I just couldn't get excited about watching it. I had the disc sitting on my table for about two weeks before finally breaking down and watching it. It is leaps and bounds ahead of The Darkness (which I'm now sure Dimension messed up). The Nameless is based upon Ramsey Campbell's novel and, to my knowledge, is Campbell's first work to be filmed. It's about a cult called The Nameless who thinks they can achieve a level of purity by torturing the innocent. I don't want to give anything else away because the journey of the movie is very important and leads to one of the best and most fitting endings any movie ever had. If you saw The Darkness and weren't impressed, give Balaguero a second chance and see his superior thriller.
You're walking through an amusement park. All the rides around you look wonderfully scary and thrilling; they taunt you as you pass them, they promise something different, something new, at journey's end.
The final ride is a fiberglass pony in front of the supermarket.
That's the "Los Sin Nombre" experience. You, the viewer, watch as the protagonist follows clues to find her daughter -- a girl supposedly tortured and killed but now, 5 years later, apparently living. With the help of the detective who handled the original case, she stumbles from clue to clue and into...uh...well, it gets hazy. A cult dedicated to "synthesizing the ultimate evil" through "the final atrocity" and "mastering pain", because "evil is a key". A good idea crops up hither and yon, and gets you waiting, waiting for The Big Finish.
After some disturbing imagery, a whole lot of "Oh, yeah?" clues, some confusion as to why this guy named Toni is following Mom around, the overuse of the "choppily-edited-video-is-creepy!" effect and the introduction of a character whom we're asked to care about and then gets whacked, the final reveal arrives...and then...uh...the movie ends.
But the final reveal is so totally mundane in relation to the rest of the film as to feel as let-down, a waste of energy spent in caring how it will end.
This film is all style -- all tired, overdone style. Oooh, look, everything's bleak and cold-looking! Oooh, look, choppily-edited nightmare imagery! Oooh, look, clues on a videotape! Sounds familiar, doesn't it? Yeah, I know, I said the same thing.
"The Nameless". It's in Spanish. There's some icky stuff and some fodder for your "Call of Cthulhu" game. Your call.
Bring some coins for that pony.
The final ride is a fiberglass pony in front of the supermarket.
That's the "Los Sin Nombre" experience. You, the viewer, watch as the protagonist follows clues to find her daughter -- a girl supposedly tortured and killed but now, 5 years later, apparently living. With the help of the detective who handled the original case, she stumbles from clue to clue and into...uh...well, it gets hazy. A cult dedicated to "synthesizing the ultimate evil" through "the final atrocity" and "mastering pain", because "evil is a key". A good idea crops up hither and yon, and gets you waiting, waiting for The Big Finish.
After some disturbing imagery, a whole lot of "Oh, yeah?" clues, some confusion as to why this guy named Toni is following Mom around, the overuse of the "choppily-edited-video-is-creepy!" effect and the introduction of a character whom we're asked to care about and then gets whacked, the final reveal arrives...and then...uh...the movie ends.
But the final reveal is so totally mundane in relation to the rest of the film as to feel as let-down, a waste of energy spent in caring how it will end.
This film is all style -- all tired, overdone style. Oooh, look, everything's bleak and cold-looking! Oooh, look, choppily-edited nightmare imagery! Oooh, look, clues on a videotape! Sounds familiar, doesn't it? Yeah, I know, I said the same thing.
"The Nameless". It's in Spanish. There's some icky stuff and some fodder for your "Call of Cthulhu" game. Your call.
Bring some coins for that pony.
Le saviez-vous
- AnecdotesBased on the British novel "The Nameless" by Ramsey Campbell.
- GaffesOn the newspaper page that mentions Santini's conviction, you can read the word "corpses" with typos ("cadaberes" with b and no accent, when it should be "cadáveres").
- ConnexionsFeatures Killer berberechos (1996)
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- How long is The Nameless?Alimenté par Alexa
Détails
Box-office
- Budget
- 900 000 € (estimé)
- Montant brut mondial
- 3 904 286 $US
- Durée
- 1h 42min(102 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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