NOTE IMDb
5,8/10
7,9 k
MA NOTE
Cinq ans après le meurtre de sa fille, Claudia reçoit un coup de téléphone de celle-ci, lui demandant de la délivrer. Aidée d'un ex-policier, elle part à la recherche de sa fille et va décou... Tout lireCinq ans après le meurtre de sa fille, Claudia reçoit un coup de téléphone de celle-ci, lui demandant de la délivrer. Aidée d'un ex-policier, elle part à la recherche de sa fille et va découvrir la terrifiante vérité.Cinq ans après le meurtre de sa fille, Claudia reçoit un coup de téléphone de celle-ci, lui demandant de la délivrer. Aidée d'un ex-policier, elle part à la recherche de sa fille et va découvrir la terrifiante vérité.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 16 victoires et 5 nominations au total
Susana García Díez
- Chica piscina
- (as Susana García)
Víctor Guillén
- Hombre flaco
- (as Víctor Guillén 'Buby')
Josep Maria Domènech
- Romero
- (as Josep Mª Domenech)
Avis à la une
I had heard nothing but good things about Jaume Balaguero's The Nameless. Unfortunately I had watched The Darkness, Balaguero's second feature, prior to The Nameless so I just couldn't get excited about watching it. I had the disc sitting on my table for about two weeks before finally breaking down and watching it. It is leaps and bounds ahead of The Darkness (which I'm now sure Dimension messed up). The Nameless is based upon Ramsey Campbell's novel and, to my knowledge, is Campbell's first work to be filmed. It's about a cult called The Nameless who thinks they can achieve a level of purity by torturing the innocent. I don't want to give anything else away because the journey of the movie is very important and leads to one of the best and most fitting endings any movie ever had. If you saw The Darkness and weren't impressed, give Balaguero a second chance and see his superior thriller.
And it did not disappoint. Nice, creepy movie that doesn't rely on much violence, only the mentioning of it. Just listening to the characters speak of the nameless' penchant for torture was enough to force me to see this with the lights on. This movie and "Thesis" whet my appetite for more Spanish horror films.
How to say......It is a disappointing film for me. The set up of this film is really promising: The first 10 minutes of the film and the story starts by saying "A girl was killed five years ago, and now the mother gets a call from her". This idea really can be developed into something really scary, and creepy. However, after the 10 minutes of the film, the story gets really slow and boring. The ending is especially disappointing, nothing that is really "unspeakly" evil, or out of the ordinary. It is just plain disappointing. ( Maybe it is because I am not a parent so that I don't understand the pain of losing a child...... ...... ) I don't know how many you guys in here are also fans of the TV games serial "Silent Hill" ( In PS, and PS2 ). The success of this serial indicates that even the use of cult can be developed into something really creepy, and surreal. Well, anyway, I am not sure it is just because I get toooo used to scary games, and movies, so that even though some people in here say they find "The Nameless" very scary, I find it plain boring.
Rented this film with no expectations at all. For the largest part of the film I did not regret one second to have rented it. Well, perhaps because it was too scary... The way it is filmed and the music along with it makes it a very good thriller. This is a perfect example I believe of the difference between an American film and a European film. And in this case I definitely prefer the latter. The grim atmosphere and the constant pressure keep you on the edge of your seat throughout the whole movie. But unfortunately, all good things come to an end and in Los sin nombre, this is before the end of the film. I can't spoil anything of course, but I personally was very disappointed with the end of this film. It left me with an unsatisfied feeling.
You're walking through an amusement park. All the rides around you look wonderfully scary and thrilling; they taunt you as you pass them, they promise something different, something new, at journey's end.
The final ride is a fiberglass pony in front of the supermarket.
That's the "Los Sin Nombre" experience. You, the viewer, watch as the protagonist follows clues to find her daughter -- a girl supposedly tortured and killed but now, 5 years later, apparently living. With the help of the detective who handled the original case, she stumbles from clue to clue and into...uh...well, it gets hazy. A cult dedicated to "synthesizing the ultimate evil" through "the final atrocity" and "mastering pain", because "evil is a key". A good idea crops up hither and yon, and gets you waiting, waiting for The Big Finish.
After some disturbing imagery, a whole lot of "Oh, yeah?" clues, some confusion as to why this guy named Toni is following Mom around, the overuse of the "choppily-edited-video-is-creepy!" effect and the introduction of a character whom we're asked to care about and then gets whacked, the final reveal arrives...and then...uh...the movie ends.
But the final reveal is so totally mundane in relation to the rest of the film as to feel as let-down, a waste of energy spent in caring how it will end.
This film is all style -- all tired, overdone style. Oooh, look, everything's bleak and cold-looking! Oooh, look, choppily-edited nightmare imagery! Oooh, look, clues on a videotape! Sounds familiar, doesn't it? Yeah, I know, I said the same thing.
"The Nameless". It's in Spanish. There's some icky stuff and some fodder for your "Call of Cthulhu" game. Your call.
Bring some coins for that pony.
The final ride is a fiberglass pony in front of the supermarket.
That's the "Los Sin Nombre" experience. You, the viewer, watch as the protagonist follows clues to find her daughter -- a girl supposedly tortured and killed but now, 5 years later, apparently living. With the help of the detective who handled the original case, she stumbles from clue to clue and into...uh...well, it gets hazy. A cult dedicated to "synthesizing the ultimate evil" through "the final atrocity" and "mastering pain", because "evil is a key". A good idea crops up hither and yon, and gets you waiting, waiting for The Big Finish.
After some disturbing imagery, a whole lot of "Oh, yeah?" clues, some confusion as to why this guy named Toni is following Mom around, the overuse of the "choppily-edited-video-is-creepy!" effect and the introduction of a character whom we're asked to care about and then gets whacked, the final reveal arrives...and then...uh...the movie ends.
But the final reveal is so totally mundane in relation to the rest of the film as to feel as let-down, a waste of energy spent in caring how it will end.
This film is all style -- all tired, overdone style. Oooh, look, everything's bleak and cold-looking! Oooh, look, choppily-edited nightmare imagery! Oooh, look, clues on a videotape! Sounds familiar, doesn't it? Yeah, I know, I said the same thing.
"The Nameless". It's in Spanish. There's some icky stuff and some fodder for your "Call of Cthulhu" game. Your call.
Bring some coins for that pony.
Le saviez-vous
- AnecdotesBased on the British novel "The Nameless" by Ramsey Campbell.
- GaffesOn the newspaper page that mentions Santini's conviction, you can read the word "corpses" with typos ("cadaberes" with b and no accent, when it should be "cadáveres").
- ConnexionsFeatures Killer berberechos (1996)
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- How long is The Nameless?Alimenté par Alexa
Détails
Box-office
- Budget
- 900 000 € (estimé)
- Montant brut mondial
- 3 904 286 $US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the Brazilian Portuguese language plot outline for La secte sans nom (1999)?
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