Possible Worlds

This film while being a low budget indy work stinks of quality. Some of the camera shots feel like paintings presented within the story. Light and colour are very well used. The story well... check it out. It may force you to watch it twice but it's worth it. I run a small film watching group for eight or nine friends, we watch a film selected by different member each week with no vetos, this gives us an eclectic mix of movies. Of course it is becoming a point of pride to please and impress the group with your choice. Possible worlds has been one of the best finds from the group and I am very grateful to have been shown it. Thanks Ben

A stunning film. Thought-provoking, funny and engaging. The opening credits pulled me and I was left breathless at the end. The cinematography is amazing, and works extremely well with the plot. Some plot summaries have made the storyline sound like Sliding Doors, but it is a wholly different movie. Possible Worlds deals with several issues (the main one being alternate lives) and has many sub-plots, all of which fall together wonderfully. Go for the eye-candy, the philisophical dialouge, the acting, the directing or the plot--but see it!

As its title suggests, "Possible Worlds" is a film about the possibility of infinite parallel worlds, but if you're expecting some kind of Hollywood-style CGI extravaganza, you've come to the wrong place: it is a low-budget Canadian film and the special effects are minimal. Nevertheless, it invites you to soak in its dreamy, fluid images. As he proved in his writing-directing debut, "Le Confessionnal", Robert Lepage is a wizard especially at scene transitions. Both films are ambitious and interesting, if not 100% successful. But, as an old saying goes, sometimes an ambitious "failure" is preferable to a safe "success". Tilda Swinton is captivating, as always. **1/2 out of 4.

This is a beautiful film with a plot that keeps you thinking and guessing. It handles very big issues concerning the human soul, existence and the mind.

The movie is filmed very nicely. The cinematography is great, like every single scene has been thoroughly thought through. The movie it self has an easy going nature. You simply enjoy watching it as you at the same time wonder about the big questions rising in your mind.

The actors are wonderful and captivating. Especially Tilda Swinton dominates the screen with bright red hair and piercingly black eyes. Tom McCamus is very good too. When you add a phenomenal soundtrack to the equation you get a ravishing experience all together.

Here is a film that will give food for thought and will also do it gently, at the same time caressing your eyes and ears with beautiful cinema and music.

Science Fiction is hooey, and so too is multi-dimensionality, which is, from what I've heard, the latest theoretical craze in philosophy. These elements may be highlighted in "Possible Worlds"; they can be used to categorize the film. I, contrarily, would rather not fix my viewpoint on "Possible Worlds" while referring to film texts (science fiction), or to texts of philosophy (multi-dimensionality).

I enjoyed Possible Worlds as a whole, and my explanation of what made it enjoyable is inexact. There was a unearthly mood to it, a friction of impossible magnitudes. And then there was the score. Peter Gabriel's contribution mystified "Possible Worlds," a necessity, we may say in hindsight. The film's captured images similarly aided mystification. I didn't at all get the feeling the director was slipping in pictures from a "nature calendar." It seemed "Possible Worlds'" imagery was that of solitary reflection, they were of the detached mind, when memory overrules whatever continuity we're surrounded by. Individuals sat alone, in their minds.

I suppose "Possible Worlds" isn't an everyman's film. And it should not be. It should not find a category whereby it becomes easily approachable.