A Question of Suspense

Another garrulous crime quickie made at Ardmore Studios disinterred by Talking Pictures, but a good cut above their dire 'Enter Inspector Duval' screened two nights ago.

This makes less attempt to conceal it's Irish provenance, and boasts some attractive location work, as well as a formidable female lead in Noelle Middleton, who transforms herself from a mouse into a fox by the time-honoured ruse of leaving her glasses off and changing her hairstyle.

The less you know about the story, the more you are likely to enjoy it. At little more than an hour long, this is a brisk little thriller powered by a decent story. The acting is variable, with the lead doing most of the heavy lifting, but with some decent sets, location shooting (in Ireland) and a plot that rattles along like a clockwork toy this passes the time agreeably enough.

While not an especially well-known feature, Max Varnel's briskly entertaining 'A Question of Suspense' proves itself to be a lively, capably acted, terrifically twisty-turny Noirish British crime melodrama from the more than capable director of the no less absorbing Anton Diffring-led B-thriller 'Enter Inspector Duval' (1961), while, perhaps, not quite as dynamic as the latter, this dastardly nefarious tale concerning demonstratively shady business dealings, and callous murder remains a smart, effective, if a little routine 60s B-Thriller, and while somewhat formulaic in style, it still simmers along politely to an amusingly theatrical climax! While the talented cast all equipped themselves rather splendidly, once again, I was taken by the sinisterly smooth acting stylings of the delightfully charismatic actor Peter Reynolds as the devilishly glib, Machiavellian heel Jim Tellman Drew, and the ravishing brunette Yvonne Buckingham is certainly easy on the eye! This is most certainly a worthwhile watch for rabid fans of vintage British crime drama.

Downtrodden accountant Frank Brigstock (Norman Rodway) has always lived in the shadow of his boss and childhood friend Jim Drew (Peter Reynolds). By chance Frank discovers that Drew has deposited forged bonds in the company's bank account and seizes his chance . It's not blackmail, he simply wants to bring his boss down. Unfortunately he just isn't sharp enough and is bamboozled by Drew offering him a partnership and promising to clean up his act. Frank agrees but then is lured to a remote seaside location where Drew disposes of him. The bond fraud is discovered and the fact that Frank has disappeared points to him being responsible. Perfect! Until "Mrs Brigstock". (Noelle Middleton) puts in an appearance and things get very complicated for Drew.

Not a great film and there is little in the way of real suspense since it is obvious that the lady suspects Drew is up to no good but, it will fill a spare hour on a wet afternoon if you're not too fussy.

Norman Rodway comes in to see his old friend and employer Peter Reynolds. He knows that Reynolds has been backing his operations with forged bonds, and threatens him with exposure and jail unless they go into partnership. Reynolds agrees, and when Rodway tells him they must destroy the forged bonds, agrees again. They go to Reynolds' beach house, talking of their adolescent love, Noelle Middleton. There, Reynolds kills Rodway and buries him in the sand. Now, with Rodway gone, when the police discover the forgery, it looks like Rodway did the forgeries and a bunk. Things are looking well for Reynolds, when Miss Middleton turns up; she had been living with Rodway for seven years after the disappearance of her husband, and doesn't think he did the things he is accused of. All Reynolds can think of is a chance to have his teen-age fantasies come true.

There's little suspense in how the story goes, but there is a good deal in if and when Miss Middleton figures things out and whether she can convince the police. For such an inherently slight -- albeit bloody -- story, it's well acted and shot under the direction of Max Varnel.