NOTE IMDb
4,6/10
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MA NOTE
Un leader fanatique s'emparent du seul homme capable de concevoir un moyen d'empêcher un météore géant de frapper la Terre. Des agents du F.B.I. sont alors envoyés à son secours.Un leader fanatique s'emparent du seul homme capable de concevoir un moyen d'empêcher un météore géant de frapper la Terre. Des agents du F.B.I. sont alors envoyés à son secours.Un leader fanatique s'emparent du seul homme capable de concevoir un moyen d'empêcher un météore géant de frapper la Terre. Des agents du F.B.I. sont alors envoyés à son secours.
- Réalisation
- Scénario
- Casting principal
Tom Lister Jr.
- Brother Clarence
- (as Tommy 'Tiny' Lister)
Avis à la une
Ice-T stars as a federal prisoner that is doing a deed for the FBI, where a scientist is kidnapped by an extremist group, with Mario Van Peebles as the leader. An asteroid threatens the earth (a la Armageddon), and the top scientist is kidnapped, and hope lies with both Ice-T and Suzy Amis (Titanic) as an FBI agent.
Ice-T might be portraying another stereotypical role as a convict, as well as the villain, like his previous films, but his vulgar overtones might sound like one of his rap songs. Check out a cameo by Coolio as a street hustler, and this film marks the third appearance of Tiny Lister (Trespass, Jackie Brown) with Ice-T.
The scene where Amis cuffs Ice-T to the steering wheel of the car has been repeated several times, in films like Rush Hour. 48 HRS. was the first film to feature such a scene, and every fan of the film might view this scene as homage to a timeless classic.
Why Mario Van Peebles as the black David Koresh? Ice-T might have lynched his ass in this film, since the two first met in New Jack City.
Ice-T might be portraying another stereotypical role as a convict, as well as the villain, like his previous films, but his vulgar overtones might sound like one of his rap songs. Check out a cameo by Coolio as a street hustler, and this film marks the third appearance of Tiny Lister (Trespass, Jackie Brown) with Ice-T.
The scene where Amis cuffs Ice-T to the steering wheel of the car has been repeated several times, in films like Rush Hour. 48 HRS. was the first film to feature such a scene, and every fan of the film might view this scene as homage to a timeless classic.
Why Mario Van Peebles as the black David Koresh? Ice-T might have lynched his ass in this film, since the two first met in New Jack City.
I recently watched Judgement Day (1999) on Tubi. The storyline follows the impending end of the world and a scientist who may be Earth's last hope. However, a cult leader believes the apocalypse is God's will and kidnaps the scientist. An unlikely pair of agents must track down the cult, rescue the scientist, and try to save the world.
This picture is directed by John Terlesky (Written in Blood) and stars Ice-T (New Jack City), Mario Van Peebles (Heartbreak Ridge), Tiny Lister Jr. (Friday), Suzy Amis (The Usual Suspects), and Coolio (Daredevil).
This is one of those movies that's terrible-but I enjoy it every time. The acting is wildly inconsistent, with Amis having zero chemistry with Ice-T, but Van Peebles and Tiny Lister give surprisingly entertaining performances and had me cracking up. The cast is actually pretty stacked. I also laughed out loud at Coolio's brief five-second appearance-it's so random, and it gets me every time.
The storyline is a mess, the logic is out the window, but honestly, that's part of the charm.
In conclusion, Judgement Day is a bad movie, no question-but it's a fun kind of bad. I'd give it an honest 3/10.
This picture is directed by John Terlesky (Written in Blood) and stars Ice-T (New Jack City), Mario Van Peebles (Heartbreak Ridge), Tiny Lister Jr. (Friday), Suzy Amis (The Usual Suspects), and Coolio (Daredevil).
This is one of those movies that's terrible-but I enjoy it every time. The acting is wildly inconsistent, with Amis having zero chemistry with Ice-T, but Van Peebles and Tiny Lister give surprisingly entertaining performances and had me cracking up. The cast is actually pretty stacked. I also laughed out loud at Coolio's brief five-second appearance-it's so random, and it gets me every time.
The storyline is a mess, the logic is out the window, but honestly, that's part of the charm.
In conclusion, Judgement Day is a bad movie, no question-but it's a fun kind of bad. I'd give it an honest 3/10.
There's a lot going on here. The cast do a pretty good job, I think, and so does director John Terlesky, making what they can of a wildly flummoxing screenplay by Fred Olen Ray. How did this script get approved? How did stars like Ice-T and Mario Van Peebles get roped into it, among others? What, exactly, is the history of this production, from start to finish? I'd be very curious to know. It's not that there's no story in 'Judgment Day,' but rather that the story is assembled something like a custom car built from with every piece stolen from a completely different make and model - bits and pieces cut from different sources, and welded together in a form that sounds like it might work in theory so long as you don't spend a single moment thinking about it.
Thus do we have elements cobbled together of a charismatic black preacher, speaking truth to power, going full Doomsday Cult; unaligned streetwise black characters who know everything about what's going on here, there, and everywhere; two competing "space defense" projects, one favored above the other with a key inexplicably being held by a former intelligence official now working as a college instructor; a felon whose past links with the preacher in ways that the screenplay cannot convincingly connect; threatening celestial objects a la Michael Bay's 'Armageddon'; and more. Early dialogue tries to have earnest, cheeky fun with matters like race relations or LGBTQ topics, but lacks the intelligence and delicate touch to make the cracks stick, so instead it just comes off as weakly borderline racist, homophobic, or transphobic. The smarter the writing tries to be (heavy verbiage delineating the past of character Matthew Reese; attempted kernels of wisdom from preacher Payne), the flimsier it is. Reese and co-lead Tyrell have dynamics that don't quite fit together, and while both have character arcs of a sort, on the crunched timeline in this film, they just seem forced. And so on, and so on, from start to finish.
I'm not even sure that the plot, as written, meaningfully connects together in terms of how the leading characters move from A to B. For what it's worth, stunts and effects look decent, and any CGI. Terlesky shows suitable capability as a director, and the cast make a sincere effort to inject something real and believable into the proceedings. The crew put in good work all around, and the climax that is mostly just an action sequence is probably the single strongest part of the feature. Truthfully, 'Judgment Day' is fairly well made for a late 90s "direct to video" release, and it's not altogether bad. It's passably enjoyable. It's enjoyable, however, provided that one just tries to accept the movie at face value, and leave it at that. If you can do so then this is still less than perfect or essential, but it's decent enough for a lazy day. If you can't, then you might be better off just passing on it altogether.
Thus do we have elements cobbled together of a charismatic black preacher, speaking truth to power, going full Doomsday Cult; unaligned streetwise black characters who know everything about what's going on here, there, and everywhere; two competing "space defense" projects, one favored above the other with a key inexplicably being held by a former intelligence official now working as a college instructor; a felon whose past links with the preacher in ways that the screenplay cannot convincingly connect; threatening celestial objects a la Michael Bay's 'Armageddon'; and more. Early dialogue tries to have earnest, cheeky fun with matters like race relations or LGBTQ topics, but lacks the intelligence and delicate touch to make the cracks stick, so instead it just comes off as weakly borderline racist, homophobic, or transphobic. The smarter the writing tries to be (heavy verbiage delineating the past of character Matthew Reese; attempted kernels of wisdom from preacher Payne), the flimsier it is. Reese and co-lead Tyrell have dynamics that don't quite fit together, and while both have character arcs of a sort, on the crunched timeline in this film, they just seem forced. And so on, and so on, from start to finish.
I'm not even sure that the plot, as written, meaningfully connects together in terms of how the leading characters move from A to B. For what it's worth, stunts and effects look decent, and any CGI. Terlesky shows suitable capability as a director, and the cast make a sincere effort to inject something real and believable into the proceedings. The crew put in good work all around, and the climax that is mostly just an action sequence is probably the single strongest part of the feature. Truthfully, 'Judgment Day' is fairly well made for a late 90s "direct to video" release, and it's not altogether bad. It's passably enjoyable. It's enjoyable, however, provided that one just tries to accept the movie at face value, and leave it at that. If you can do so then this is still less than perfect or essential, but it's decent enough for a lazy day. If you can't, then you might be better off just passing on it altogether.
This movie is alright! I've seen it a number of times. It's one of those movies that you can see a number of times and not get bored of it.
Mario van Peebles and tommy Lister jr. gave good performances in my opinion. I like the idea of a religious activist believing that God had decided the world's fate and that it should be interfered with. Good special effects.
I don't know why this movie didn't come out at the cinema because I like the movie. Good story. Coolio's gangster character was a brief but interesting part of the film. A few things could have been done a little better, but a good movie on the whole. Worth watching.
Mario van Peebles and tommy Lister jr. gave good performances in my opinion. I like the idea of a religious activist believing that God had decided the world's fate and that it should be interfered with. Good special effects.
I don't know why this movie didn't come out at the cinema because I like the movie. Good story. Coolio's gangster character was a brief but interesting part of the film. A few things could have been done a little better, but a good movie on the whole. Worth watching.
Bad acting + bad direction + a mish-mosh of a plot adds up to one terrible movie. I was lucky to have caught it on Hulu, because I'd be really upset if I'd paid to watch this dreck.
Don't waste your time.
Don't waste your time.
Le saviez-vous
- GaffesThe chunk which hits San Francisco was reported to be traveling at about 32,000 miles per hour. That's very credible for an orbital collision. However, the firey blob we see impact with the city was clearly traveling at about 500 miles per hour. Something traveling at 32,000 will not be seen before it hits. There certainly won't be any time for someone to hear a rumble (speed of sound is only about 700 miles per hour - anything faster than that you won't hear before it arrives).
- Citations
Thomas Payne: So you think I'm a false prophet?
Dr. David Corbett: I think you're a sick freak to let the earth be destroyed,
- ConnexionsReferences 48 Heures (1982)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Hacia el fin del mundo
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 35min(95 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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