La Prison de verre

Please ignore the bad comments.

THE GLASS HOUSE is an interesting thriller that answers the question: 'What would you do if the only people you could turn to were the enemies?". The cast is great, the direction and design are beautiful, and the music score is very creepy.

It's a very good movie that has wrongfully received poor reviews. Of course it's predictable, but it's really, really enjoyable!

THE GLASS HOUSE / (2001) *** (out of four)

By Blake French:

"The Glass House" takes place in a beautiful, luxurious glass mansion complete with swimming pools, expensive artwork, high-tech security systems, and just about everything else. The wealthy occupants, Terry and Erin Glass (Stellan Skarsgard and Diane Lane), become legal guardians of sixteen-year old Rudy (Leelee Sobieski) and eleven-year old Rhett (Trevor Morgan), when the kids' parents die in an automobile accident.

Terry and Erin were the best friends of the children's parents. They welcome their new guests into a world of wealth, glamour, and fun. Soon enough, however, Rudy notices strange quirks about these seemingly friendly folks. Is Terry secretly watching Rudy change her clothes? Is Erin addicted to prescription drugs, or is she a diabetic? Was her parents' death an accident, or a diabolical act of murder? Trust becomes as transparent as the glass surrounding this family.

"The Glass House" opened to mostly negative reviews, and not without probable cause. The setup provides an intriguing, imaginative situation, but everything happens so quickly the film forgets character introduction. First time-feature director Daniel Sackheim helms a hole-laden script by Wesley Strick that creates more plot holes than Swiss cheese. The film derives into involving material, but lacks the focus to play out these plot points.

While Daniel Sackheim and Wesley Strick create a movie that lacks the timeliness and intelligence of a first-rate, edge-of-your-seat thrill ride, "The Glass House" does offer good suspense and a plot that reveals itself with tantalizing sinister hints and increasing tension. It keeps us guessing, even if this diabolical fairy tale is anything but surprising.

Leelee Sobieski has been in a lot of movies lately, and that's not a coincidence. She is a very talented actress, and she carries "The Glass House" through many plot miscalculations. Trevor Morgan, seen in "Jurassic Park 3," adequately supports Sobieski's thorough, convincing performance. The very gifted Diane Lane and Stellan Skarsgard cover their sinister motives with pretentious personalities, but inject a mysterious, menacing undercurrent.

"The Glass House" also provides a fresh, unique outlook on villains. Instead of causing trouble, these characters get themselves into trouble, which eventually makes them dangerous. Innovative, original twists like these are what make this movie worth a look. They say those who live in glass houses should not throw stones, but the villains in "The Glass House" do, and it's only a matter of time before everything shatters and breaks apart. It's quite involving watching these events come about, especially through a character driven story.

Unfortunately, The Glass House movie doesnt get the recognition it deserves. It is one of the good thriller movies of 2000s. Stellan Skarsgård was the right amount of creepy. The set was perfect for the movie. The director did an amazing job. It had the right amount of jump scares.

Having seen many thrillers, most of them being formulaic, I was somewhat excited to see this one, since it has a pretty good cast; Stellan Skarsgård, Leelee Sobieski & Diane Lane. The plot does, admittedly have some holes, but these newer thrillers are rarely(read: never) perfect. All things considered, it wasn't a disappointment, as I didn't have that high expectations. The plot is OK, fairly see-through and obvious though, but it does have some twists that I(even though I may be alone on this) wasn't expecting. The acting isn't anything special, but at least Skarsgård and Sobieski both pull of decent performances. The characters are reasonably well-written, none of them come off as one-dimensional stereotypes, even though some of them, in all honesty, more or less are. The script is fairly well-written, though it does have its share of cliches, but most films do, anyway. All in all, a fair addition to the thriller genre, nothing that will stay in your mind for a long while after seeing it. It will, however, most likely keep your interest for the duration of the film, and keep you entertained, too. I recommend it to fans of thrillers, it would help to be a fan of at least one of the actors, and it doesn't hurt to have reasonably low standards or expectations. 6/10

You might initially be reluctant to give 'The Glass House' a try if you've been turned off by many recent "thrillers" as they often have been disappointingly by the book. This is your eerie psychotic chase thriller similar to movies like 'Pacific Heights' and 'Unlawful Entry.' And, though it does play by the rules (unforutnately), there is something about it that makes it more entertaining than the recent dismal fare (not that Pacific Heights wasn't highly entertaining).

Leelee Sobieski plays Ruby Baker, a kid going through the terrible teens. When she and her brother's parents die in a car accident, they move in with ultra-modern family friends, Terry and Erin Glass. You know right from the start that there is something dreadfully suspicious and exceedingly bizarre about the Glass couple, but you can never be too sure exactly what at first (that's the purpose of a thriller, to throw you a few hints and let your quick assumptions guide you into all the wrong paths so that you're--hopefully--pleasantly surprised when the real perpetrator and his motives are revealed). But, Ruby Baker is a smart kid who's ever-present skepticism about the intentions of her new surrogate parents, and starts trying to figure out what's wrong. Unfortunately, this movie does terribly follow the book when it comes to the main character being disbelieved by other well-meaning characters (social workers, lawyers, teachers, etc.) who consequently pay with their lives for their doubts and unwillingness to really investigate, and in turn, making things worse for poor Ruby. It also follows the book when it comes to the deranged finale and the he's-not-really dead ending.

But, there is something that makes this better than most of its kind. On the one hand, you're never sure whether you can always trust Ruby because even she, too, arrogant most of the time, seems like trouble. It's hard to sympathize for a character like that at first. And, not only does Stellan Skarsgård make an appropriate villain as Terry Glass, his wife (played by Diane Lane) is not entirely an innocent creature herself as most women are often written to be in the role of the creep's wife/girlfriend/mother, etc. A good mix of characters and a creepy setting, combined with a decent finale, make it just the perfect mix of suspenseful elements. And one that I would recommend seeing.