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Quatre personnes, dont les vies sont entrelacées par le destin, découvrent que la chance est une chose dont ils ne peuvent se passer alors qu'ils misent les plus gros enjeux possibles dans u... Tout lireQuatre personnes, dont les vies sont entrelacées par le destin, découvrent que la chance est une chose dont ils ne peuvent se passer alors qu'ils misent les plus gros enjeux possibles dans un jeu mortel dont seul l'un d'entre eux sortira intact.Quatre personnes, dont les vies sont entrelacées par le destin, découvrent que la chance est une chose dont ils ne peuvent se passer alors qu'ils misent les plus gros enjeux possibles dans un jeu mortel dont seul l'un d'entre eux sortira intact.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 12 victoires et 9 nominations au total
Avis à la une
INTACTO (INTACT) is the story of a group of `gamblers' whose ultimate bet is their own life (or others peoples life). Sam (Max Von Sydow) a Jewish only survivor of a concentration camp, runs a high class Hotel / Casino in the in a volcanic island. There; while normal people use money, others come to bet their possessions (which are not money) against Sam's wealth (the casino and other `things' he won over the years). The game, Russian roulette, one empty chamber, the challenger shoots first. Sam's protégé, Federico, concerned that Sam may someday lost, and moved by his own ambition, decides to go against him, but to avoid the confrontation, Sam `de-activate' Federico.
At this point you are probably questioning about what I am writing; well, basically these characters can control LUCK. Yes, they have plenty and are able to steal others people luck and use it for their own profit or as a possession to bet against others.
Federico is no longer able to control luck; so he must find his own protégé to play against Sam, and finds Tomas, a fugitive (only survivor of a plane crash) whose only interest is to run away. Three other characters emerge: a police woman, a bull fighter and Tomas ex-girlfriend; everyone is a part of the destiny of the others.
Harry Potter is nowhere around; there are no WIZARDS or enchantments. If you ever knew a gambler, you probably heard about their eccentricities, like do not touch them, do not take pictures a some other things many people believe and many others are afraid to confront.
The basic principle of atheism is that men control their own destiny; and that is precisely the question here. All these people believe in themselves; they are their own God, but also when their faith is lost, also are their powers. Are there really powers ?. The answer of these questions is absolutely metaphysical because faith in itself has no logical explanation.
Fresnadillo's movie is not for everyone. There are no likable heroes (every character is moved by selfishness or ambition), and the premise is absolutely about religion and nothing about the material world (even when seems the contrary). At about two hours, the pace is more European than American and are not quite clear, but none of these things are faults, is just a matter of taste.
There are also very intense and interesting scenes like the run in the forest, that will take out your breath.
If you are out for something unconventional, give it a try. It is an interesting game.
At this point you are probably questioning about what I am writing; well, basically these characters can control LUCK. Yes, they have plenty and are able to steal others people luck and use it for their own profit or as a possession to bet against others.
Federico is no longer able to control luck; so he must find his own protégé to play against Sam, and finds Tomas, a fugitive (only survivor of a plane crash) whose only interest is to run away. Three other characters emerge: a police woman, a bull fighter and Tomas ex-girlfriend; everyone is a part of the destiny of the others.
Harry Potter is nowhere around; there are no WIZARDS or enchantments. If you ever knew a gambler, you probably heard about their eccentricities, like do not touch them, do not take pictures a some other things many people believe and many others are afraid to confront.
The basic principle of atheism is that men control their own destiny; and that is precisely the question here. All these people believe in themselves; they are their own God, but also when their faith is lost, also are their powers. Are there really powers ?. The answer of these questions is absolutely metaphysical because faith in itself has no logical explanation.
Fresnadillo's movie is not for everyone. There are no likable heroes (every character is moved by selfishness or ambition), and the premise is absolutely about religion and nothing about the material world (even when seems the contrary). At about two hours, the pace is more European than American and are not quite clear, but none of these things are faults, is just a matter of taste.
There are also very intense and interesting scenes like the run in the forest, that will take out your breath.
If you are out for something unconventional, give it a try. It is an interesting game.
This film puts you in the middle of a world where luck isn't all luck. In this world some people really *do* have more luck than others, and it can be transferred from one person to another by touch. But this isn't a film that spells things out-you're immersed and have to figure it out on your own.
Very early in the film we see Federico win several rounds of roulette in a row, betting on single numbers. He goes to see the owner of the casino, Sam (Max von Sydow), who hugs Federico (taking his luck) and then throws him out of the casino. Federico wants revenge, so he begins to look for a very lucky person to help him. He finds Tomás, the sole survivor of a plane crash.
To say more about the plot would give away too much, so I won't. The film is visually beautiful and unique, and there are a few scenes that will likely stick with you for weeks (I can say this with certainty since as I write this it's been over two weeks since I watched the film). I'm not normally someone who seeks out thrillers, but I'm very glad I saw this one.
Seen on 11/9/2002 at the 2002 Hawaii International Film Festival.
Very early in the film we see Federico win several rounds of roulette in a row, betting on single numbers. He goes to see the owner of the casino, Sam (Max von Sydow), who hugs Federico (taking his luck) and then throws him out of the casino. Federico wants revenge, so he begins to look for a very lucky person to help him. He finds Tomás, the sole survivor of a plane crash.
To say more about the plot would give away too much, so I won't. The film is visually beautiful and unique, and there are a few scenes that will likely stick with you for weeks (I can say this with certainty since as I write this it's been over two weeks since I watched the film). I'm not normally someone who seeks out thrillers, but I'm very glad I saw this one.
Seen on 11/9/2002 at the 2002 Hawaii International Film Festival.
This Spanish film is a strange one, a hard one to follow story-wise, but visually striking and interesting most of the way. The fact is wasn't always easy to follow will help me want to watch this again to see if I can figure things out better.
The story involves people with th ability to steal "luck" from other people and then taking it away from fellow takers. Make sense? I didn't think so. Despite the difficulty following and understanding everything, I still enjoyed this film.
The DVD transfer is sharp, too, and has good sound. It's an intriguing film and, perhaps, I should have waited for a second viewing when I understood more things about the story. Suffice to say I thought enough of this film to buy it because I knew I'd be watching this multiple times.
The story involves people with th ability to steal "luck" from other people and then taking it away from fellow takers. Make sense? I didn't think so. Despite the difficulty following and understanding everything, I still enjoyed this film.
The DVD transfer is sharp, too, and has good sound. It's an intriguing film and, perhaps, I should have waited for a second viewing when I understood more things about the story. Suffice to say I thought enough of this film to buy it because I knew I'd be watching this multiple times.
Juan Carlos Fresnadillo is a Spanish director who dares to be different to show us this visionary tale where chance, luck, passion and possibility are behind the action of this thriller. In doing so, he gets away from the formulas of the other Spanish filmmakers working in the Spanish cinema of today. He belongs to a new bred of creators with a sharp eye for detail and cinematic style.
This film pretends to be a game of wits between Federico and Tomas, who are connected in a strange way to the mysterious inhabitant of the casino, Samuel. Much of the early action is a bit confusing because the viewer doesn't have a clue as to what's going on. The scenery where the casino is located looks as though it could be on the moon, for its bareness and lack of life.
The acting if very good. Leonardo Sbaraglia is Argentina's gift to Spain. He's an interesting actor to watch; he has a very enigmatic look about himself. Eusebio Poncela is very effective as the shadowy figure of Federico. Max Von Sydow brings his royal presence as Samuel, the master player of the game that pits him against all the others that dare come close to him.
This film exudes intelligence and a film script above the mediocrity of what passes as Spanish Cinema these days, thanks to director Fresnadillo and his team.
This film pretends to be a game of wits between Federico and Tomas, who are connected in a strange way to the mysterious inhabitant of the casino, Samuel. Much of the early action is a bit confusing because the viewer doesn't have a clue as to what's going on. The scenery where the casino is located looks as though it could be on the moon, for its bareness and lack of life.
The acting if very good. Leonardo Sbaraglia is Argentina's gift to Spain. He's an interesting actor to watch; he has a very enigmatic look about himself. Eusebio Poncela is very effective as the shadowy figure of Federico. Max Von Sydow brings his royal presence as Samuel, the master player of the game that pits him against all the others that dare come close to him.
This film exudes intelligence and a film script above the mediocrity of what passes as Spanish Cinema these days, thanks to director Fresnadillo and his team.
What is perhaps crucial about this movie is that it is shaped for a sophisticated cine-maniac,not so very keen about action and plot,rather willing to focus on the very atmosphere of the movie and the questions it puts in front of the viewer.
Whole idea of the movie is to find the real connection between love and luck,to investigate whether they are two sides of the same story. If one believes love could be a drug much more powerful than heroine , what to tell about luck - especially if one's life is all about taking advantage and satisfaction of luck possessed.
Slow,bit dream-like narration,avoiding obvious solutions,think-forcing movies and great photography makes Intacto my favorites.
To conclude I can quote Jill Scott:"gave me things to think about"
Whole idea of the movie is to find the real connection between love and luck,to investigate whether they are two sides of the same story. If one believes love could be a drug much more powerful than heroine , what to tell about luck - especially if one's life is all about taking advantage and satisfaction of luck possessed.
Slow,bit dream-like narration,avoiding obvious solutions,think-forcing movies and great photography makes Intacto my favorites.
To conclude I can quote Jill Scott:"gave me things to think about"
Le saviez-vous
- AnecdotesThe film crew could not get permission for filming from a helicopter in the National Park of "Las Cañadas del Teide", so they used a remote controlled mini-helicopter.
- GaffesWhile taking Polaroid's of the captives, a bright flash is used to photograph through a glass window. When we later see the Polaroid's there is no flare, which would have been all that was captured on the film.
- ConnexionsFeatures La ruleta de la fortuna (1990)
- Bandes originalesLas Palmeras
Written by Gilberto Rojas
Performed by Alberto Cortez
© Lagos / Warner Chappell / Sadaic - Argentina
(P) Hispavox S.A. / Emi Odeón S.A.
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- How long is Intacto?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 307 333 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 362 $US
- 15 déc. 2002
- Montant brut mondial
- 1 864 185 $US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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