Rejseholdet

First off, I'm an American -- I haven't seen any comments on IMDb about this series yet from a U.S. viewer. Secondly, I work in the television business in development. So I wallow in much of the sludge that comes out of American broadcast programming. "Unit One" is an example of television that's a throwback to what I would attribute as '70s-style scripting, feature-wise. Namely, those films made by young autueurs who had free rein to make the dramas feel more realistic and to allow for organic character development. It tacks more along the lines of stellar British dramas like "Cracker" and "Prime Suspect" as well as Australia's brilliant "Underbelly." "Unit One" features stand-alone cases that are committed, then solved, each week. The mysteries aren't extraordinary or particularly byzantine. They usually center around one single twist, clocking in generally at the 40 minute mark, and resolution is neatly wrapped up in the 15 minutes thereafter. What makes this series a breath of fresh air is that it features main characters that you are hooked on and find relatable by episode 2. These are real, breathing, alive characters that have personal baggage, yet it's not a talky, batty type of baggage that American flotsam such as "Grey's Anatomy" or "Desperate Housewives" spoons out. These are realistic individuals whose backstories unfold leisurely over the course of the series, as if you work with them on a daily basis. After the mindless decade of "CSI's," "NCIS's," and "Criminal Minds," along with their subsequent spawns, it's refreshing to actually sit down to watch friends you want to spend time with, as is the case with "Unit One." The quippy banter, the unemotional wooden dialogue, and the over-the-top jeopardy that those American series I mentioned bludgeon us with each week are absurd compared to the nuance and the quiet resonance you get with this remarkable Danish series. I'm on episode 7 of the first season, but I've already bought all four seasons and am in for the long haul. If you need explosions and farcically-hopped up testosterone, along with music by The Who and fast-cutting, neon-lit, jittery palsy-cam action with cipher-like main characters as your main diet of television drama viewing, I suggest you stay away from this series. If you are an adult with a hunger for subtle, poignant, thoughtful and, yes, sometimes straight-forward procedural crime dramas, I urge you to check this show out.

This series only began (on SBS TV) here in Australia around a month ago, and I'm already hooked!! Whilst not the best or the most original cop show there is, it's well made, and the stories are believable, and the characters of the police are well drawn. Mostly, I like the balance between the crime-of-the-week and the personal lives of the detectives, where the latter never ever seems to overshadow the former, as it should be, but the personal insights into regular characters gives them substance and dimension.

I'd recommend it to anyone who likes their crime shows on TV to be straight-forward and without too much fanfare and sensation.

I think my family must be the only one in Australia that sits down and watches Unit One every Friday. But we do. We stumbled across it last year when nothing else was on, and have watched it every week since. Not only do I enjoy listening to the Danish speakers, but the story lines are great. Unit One is a mobile police unit, that travels over Denmark in a semi-trailer that is their office. The group are not only colleagues, they're like family. Each week a new crime must be solved, sending them from one end of the country to the other. But the stories also dive into their personal lives. Ingrid's son, Allan's wife, Gaby and Johnny's relationship... Each week is a new and exciting episode. That is what keeps me coming back, despite the bright yellow subtitles I have to put up with. All in all, Unit One is a brilliant show, with wonderful writing and acting. I give it 8/10

After living in Sweden for a period during 1998/99 I had grown accustomed to fairly good quality local made TV, allbeit there wasnt that much of it unfortunately. I had since heard that Mordkommissionen (Rejseholdet orig Danish title) had become must see TV for some Stockholm friends during its Swedish TV4 play. Luckily the series was out on DVD when I was there again during New Year 2003, so I took a chance and bought the whole lot. What an excellent buy! I have so far allowed myself to see the first 12 episodes which are by far better than any American crime series found on countless TV stations. I want to make it last so I have another 18 to watch over the next few months. What a treat this show is! I just wish that a UK channel would bother to even consider buying it, so that friends here can see it with English subtitles.

Well done DR TV on the probably the best non-English series I have seen!

Yep, I too love the series, shown here in Australia on SBS. When it's on I fire up google earth and get my aerial view of the crime scene in Denmark! Charlotte Fich, and Trine Pallesen are gorgeous although some people say that Charlotte looks a bit like New Zealand Prime Minister Helen Clarke (well Helen Clarke would do well if she looked more like Charlotte)!

Some things puzzle me a little, First is the video "treatment", it seems to have some "texture" or treatment which puzzles me a little as it looks like it has passed through analogue production processes.

Second is one of the bridges in the opening title sequence. Is this bridge the one between West Zeeland (Vastsjaelland) and Fyns?

Well done to the team at "Rejseholdet", and glad IMDb has the literal translation of the original title.