Quelques temps après la disparition de trois étudiants en cinéma, un groupe de jeunes "touristes" revient sur les lieux de l'affaire afin de se frotter avec la légende de la sorcière de Blai... Tout lireQuelques temps après la disparition de trois étudiants en cinéma, un groupe de jeunes "touristes" revient sur les lieux de l'affaire afin de se frotter avec la légende de la sorcière de Blair.Quelques temps après la disparition de trois étudiants en cinéma, un groupe de jeunes "touristes" revient sur les lieux de l'affaire afin de se frotter avec la légende de la sorcière de Blair.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 11 nominations au total
- Burkittsville Resident #1
- (as Bruce Reed)
- Tristen
- (as Tristen Skyler)
Avis à la une
I'm just going to say it outright: I love this film. It was, and continues to be met with hostility from fans of the original, which still quite frankly baffles me. It's not nearly as terrifying as the original film, but it is ingenious in its own way. Rather than approach a sequel with a rehash of the first film's material, co-writer/director Joe Berlinger offers something different: a narrative within a world in which "The Blair Witch Project" was real footage— a world inhabited by characters who range from unabashed believers to academic skeptics, to people who simply "thought the movie was cool."
With a common interest, they set out into the woods to find some evidence—but all goes awry when one of the women suffers a premonitory miscarriage, and they are forced to retreat to the leader's home, which is where the film becomes a full-blooded psychological thriller. What is real, and what isn't? Where is the Blair Witch? Outside, lurking in the forest? Possessing one of the characters? Is she even there at all?
These are the kinds of questions the script toys with, and the result is wildly engaging. The performances are top-notch, and the film is peppered with disturbing scenes and images, and some ghoulish scenarios. The score lends an oppressive tone to the movie, and it is steeped in an atmosphere of complete unease that grows more and more pervasive as the five characters bear witness to the inexplicable. The film plays its cards well and is careful in its subtlety, which leads to a downbeat and twisted conclusion.
Overall, "Book of Shadows: Blair Witch 2" has been harshly criticized by fans who it seems haven't taken the time to try and understand what it's attempting to do. It is not a rehash of the original film, and it never aims to be. The approach taken is commendable and rather brilliant, and it manages to establish an ever-increasing sense of oppressiveness that grows on the audience, which is the real catch here in my opinion—it is genuinely unnerving to watch, and that's something rare these days. 8/10.
After Blair Witch how would it be possible to continue to suggest the possibility of real footage and lost documentary videos falling into the hands of a movie studio? Viewers have now latched onto found footage as a style, but at the time following the release of the first film the idea was simply seen as a gimmick to get people to pay to watch a movie with zero budget.
Book of Shadows is a great horror film, not quite as ambitious as the director set out to convey in his final cut, but tons of fun for horror fans. Turn off the lights, turn off your phone, enjoy the show.
Undeterred by bad reviews I decided to watch this film on television the other night. Initially I was impressed by the idea, instead of following the original movie, the sequel twists the idea of the original as a documentary and presents it as a film but then uses the film to present another story that is `in the real world'. Conceptually this was quite clever and I was drawn in by it. Sadly this didn't last very long and it wasn't long before it became quite an ordinary film that wasn't creepy in any way and was actually quite dull.
The plot is interesting interesting enough to keep me watching anyway. The twists are the end are meant to be horrifying and perhaps surprising but by then all they got out of me was an `oh' of vague interest. For most of the film it is noisy chat and fake surprises and creepy goings-on. They didn't work as the film felt very trashy and uninvolving. The gore and flashed edits of violence were supposed to keep us guessing I think but they only served to numb me to the film, as did the occasional dream/fantasy sequence. It was a shame as it was a clever idea and had some good bits in it but the delivery let it down.
The direction is very plain and doesn't manage to build an air of suspense anywhere near as well as in the original, resulting in a rather boring series of scenes punctuated by `scares' that don't work. The cast don't really help either, they don't come across as real people and it is hard to care for such as self important group of people who are walking stereotypes the goth, the witch, the college boy etc. At least in the original we got to see them break down and become more afraid during the film here they could be the cast from any teen horror movie.
As you may have guessed I'm not a big fan of teen slasher movies but Blair Witch was much more than that and traded on atmosphere that was it's strength. By throwing in gore from the very start and having tonnes of little imagined scenes of horror, Book of Shadows loses that strength and becomes a movie that lives and dies on it's ability to scare. Sadly the originally good idea doesn't scare and remains `interesting' and nothing more. It is a shame that they had to make this film as it won't satisfy those who like their horror creepy or those who like it bloody.
Le saviez-vous
- AnecdotesUnhappy with Joe Berlinger's version of the film, Artisan opted to re-shoot certain scenes to add more "traditional" horror movie elements and re-cut the movie to make it more commercial. Berlinger repeatedly states on the DVD commentary that he doesn't like the changes that were made and that they ruin the ambiguous tone of the plot.
- Gaffes(at around 1h 12 mins) When they're watching the tapes backwards, they see Tristen hiding the tapes under some rocks (where they found them). The tape they're watching is one of the tapes they found, but when she hid them, she was being recorded on that tape.
- Citations
Sheriff Cravens: [angrily] Wipe that shit off your face! You think that your makeup and black clothes give you POWER... but you're just a scared, cowardly, little girl underneath all that.
- Crédits fousPart of the end credits roll over some shaky camera work in the woods, put there to appease fans of the first film.
- Bandes originalesDisposable Teens
Written by Marilyn Manson, Jeordie White (as Twiggy Ramirez) and John 5 (as John Five)
Performed by Marilyn Manson
Published by Chrysalis Music/GTR Hack Music, EMI Blackwood Music Inc., Songs of Golgotha and Blood Heavy Music
From the album "Holy Wood"
Courtesy of Nothing Records Limited, Inc.
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Détails
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 26 437 094 $US
- Week-end de sortie aux États-Unis et au Canada
- 13 223 887 $US
- 29 oct. 2000
- Montant brut mondial
- 47 737 094 $US
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1