NOTE IMDb
6,9/10
68 k
MA NOTE
Un détective meurtrier suit les traces d'un tueur brutal dans les arcanes d'une université.Un détective meurtrier suit les traces d'un tueur brutal dans les arcanes d'une université.Un détective meurtrier suit les traces d'un tueur brutal dans les arcanes d'une université.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 6 nominations au total
Nadia Farès
- Fanny Ferreira
- (as Nadia Fares)
- …
Nicky Naudé
- Skinhead #2
- (as Nicky Naude)
Avis à la une
Although french, this movie is better than most hollywood churned wannabes. A gripping thriller with a slightly outlandish plot revolving around genetics and nazism. But dont let that turn u off. The film is absolute edge-of-the-seat fare. Jean reno is good as usual but vincent cassel dishes out excellent acting nuances which add to his character. Great acting! The scenes set in winter among the French Rhone Alpes are breath taking to say the least. The thrills keep on coming without having to take resort to loud background music, which make these moments even more rivetting. The english dubbing is good without too many quirks. RECOMMENDED! [Writing "Highly Recommended" would make you biased! ;-)]
I'm a big fan of the genre (and "Seven" is still one of my 10 favorite films of all time), but "The Crimson Rivers" just didn't cut it. It is undeniably directed with enough skill and confidence to rival any Hollywood blockbuster, it is filmed on wonderful locations and it has great performances by both leading stars. But the pace is slow and the plot is muddled. Supposedly the DVD "making-of" documentary clarifies matters somewhat (and I plan to watch it right now)....but still, that should never be the only way you could interpret a movie. (**)
Mathieu Kassovitz's film featuring the incomparable Jean Reno (The Professional) and Vincent Cassel (Ocean's Twelve, Ocean's Thirteen) is a thrill ride that never stops.
The French countryside with the spooky houses is a feast for the eyes. Thierry Arbogast's (The Messenger: The Story of Joan of Arc) camera made this entire film a joy to watch. The scenery was complimented by the music of Bruno Coulais (The Chorus).
But, it was Jean Reno that brought me to this film. His Commissioner Niemans was just what I expected from him. He has a way that makes the perfect cop. That is not to dismiss Callel's Lieutenant Kerkerian, who was a perfect partner.
The story was definitely creepy with some graphic scenes of tortured bodies, but it was not off putting. It was essential to the story, which really had some extremely interesting twists and turns.
Niemans and Kerkerian prevail, of course, but it was the journey that was so satisfying.
The French countryside with the spooky houses is a feast for the eyes. Thierry Arbogast's (The Messenger: The Story of Joan of Arc) camera made this entire film a joy to watch. The scenery was complimented by the music of Bruno Coulais (The Chorus).
But, it was Jean Reno that brought me to this film. His Commissioner Niemans was just what I expected from him. He has a way that makes the perfect cop. That is not to dismiss Callel's Lieutenant Kerkerian, who was a perfect partner.
The story was definitely creepy with some graphic scenes of tortured bodies, but it was not off putting. It was essential to the story, which really had some extremely interesting twists and turns.
Niemans and Kerkerian prevail, of course, but it was the journey that was so satisfying.
Echoes of "The Boys From Brazil" and "Name of the Rose" in this fast-moving, gorgeously-set (small alpine towns near Grenoble) French thriller, which has a really nasty conspiracy in a closed community as an underlying subplot. Two interleaved storylines involve two detectives in towns 100 km apart. Young, feisty Kerkerian (Cassel) is investigating the desecration of the tomb of a young girl. Meanwhile, supersleuth Niemans (Reno) is drafted in from Paris to assist local gendarmes in solving a nasty torture-murder of an academic at a small private University. More bodies turn up, suspects become victims, and eventually the paths of the two cops cross. Visually utterly beautiful, particularly the College, the Library, and the glacier/ice tunnel scenes. Characters strongly drawn and sympathetic. One pretty straight fight scene, little dwelling on active perpetration of violence, but much lingering on the unpleasantly gory aftermath. This is particularly the case with the rather gratuitous opening sequence, which is overdone relative to the rest of the film. My main cavil involves the poor ending, where a last-minute surprise twist creates more loose ends than it ties up. Nevertheless, so watchable that this one gets 9/10.
The novel by Jean-Cristophe Grangè on which this film is based is simply one of the best thrillers ever written,in the same league as The Silence of the Lambs and Misery,and with the help of writer/director Mathieu Kassovitz(who was also supposed to be one of the actors)the author has successfully brought his masterpiece to the screen.
From the very beginning,thanks to the location and Bruno Coulais'unsettling score,we realize French people can make good horror thrillers: Pierre Niemans(Jean Reno) is in Grenoble to solve a couple of weird and brutal murders,while Max Kerkerian(Vincent Cassel)investigates a damaged tomb somewhere else. Soon they discover the two cases are connected,and the two men have to run against the clock in order to uncover the awful truth about what's been going on in the local university for years.
The book has been simplified(the first chapter is entirely missing,as well as some of the details about Cassel's case),but the movie manages to be very interesting,and the chemistry between Reno and Cassel is great.
Special praise for Dominique Sanda,her creepy cameo being the film's best sequence(Sissy Spacek appears in a similar scene in The Ring 2).
Only defect:why did they make the sequel?
From the very beginning,thanks to the location and Bruno Coulais'unsettling score,we realize French people can make good horror thrillers: Pierre Niemans(Jean Reno) is in Grenoble to solve a couple of weird and brutal murders,while Max Kerkerian(Vincent Cassel)investigates a damaged tomb somewhere else. Soon they discover the two cases are connected,and the two men have to run against the clock in order to uncover the awful truth about what's been going on in the local university for years.
The book has been simplified(the first chapter is entirely missing,as well as some of the details about Cassel's case),but the movie manages to be very interesting,and the chemistry between Reno and Cassel is great.
Special praise for Dominique Sanda,her creepy cameo being the film's best sequence(Sissy Spacek appears in a similar scene in The Ring 2).
Only defect:why did they make the sequel?
Le saviez-vous
- AnecdotesVincent Cassel broke his nose while filming the fight scene with the skinheads.
- GaffesAlmost at the end of the movie, an EMT is putting an oxygen mask on one of the survivors. Blood is visible on the mask before it comes in contact with the blood on the survivor's face.
- Citations
Fanny Ferreira: [descending into the crevasse] Welcome to the time machine, Commissaire.
- Crédits fousThe Gaumont Films logo used is the 90s version (a trail of Gaumont logos opening up to a space with the current logo). A crimson river runs through the trail, leading to the space background at the end being shaded red.
- Bandes originalesVirtual Skinfighters
Composed and Performed by David Salsedo, Stéphane Daurs (as Stephane Daurs)
Performed by Silmarils
© 2000 Editions Musicales Editions La Marguerite - Legende Enterprises
(p) 2000 Production Legende Enterprises - Gaumont
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- How long is The Crimson Rivers?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Crimson Rivers
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 14 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 594 966 $US
- Week-end de sortie aux États-Unis et au Canada
- 111 026 $US
- 28 janv. 2001
- Montant brut mondial
- 60 103 680 $US
- Durée1 heure 46 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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What is the Japanese language plot outline for Les Rivières pourpres (2000)?
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