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Les Rivières pourpres

Titre original : Les rivières pourpres
  • 2000
  • 12
  • 1h 46min
NOTE IMDb
6,9/10
68 k
MA NOTE
Jean Reno and Vincent Cassel in Les Rivières pourpres (2000)
Regarder Bande-annonce [OV]
Lire trailer1:41
2 Videos
99+ photos
Suspense et mystèreThriller conspirationnisteWhodunnitCriminalitéMystèreThriller

Un détective meurtrier suit les traces d'un tueur brutal dans les arcanes d'une université.Un détective meurtrier suit les traces d'un tueur brutal dans les arcanes d'une université.Un détective meurtrier suit les traces d'un tueur brutal dans les arcanes d'une université.

  • Réalisation
    • Mathieu Kassovitz
  • Scénario
    • Jean-Christophe Grangé
    • Mathieu Kassovitz
  • Casting principal
    • Jean Reno
    • Vincent Cassel
    • Nadia Farès
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    68 k
    MA NOTE
    • Réalisation
      • Mathieu Kassovitz
    • Scénario
      • Jean-Christophe Grangé
      • Mathieu Kassovitz
    • Casting principal
      • Jean Reno
      • Vincent Cassel
      • Nadia Farès
    • 197avis d'utilisateurs
    • 74avis des critiques
    • 49Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 6 nominations au total

    Vidéos2

    Bande-annonce [OV]
    Trailer 1:41
    Bande-annonce [OV]
    The Crimson Rivers
    Trailer 1:53
    The Crimson Rivers
    The Crimson Rivers
    Trailer 1:53
    The Crimson Rivers

    Photos125

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 119
    Voir l'affiche

    Rôles principaux28

    Modifier
    Jean Reno
    Jean Reno
    • Pierre Niemans
    Vincent Cassel
    Vincent Cassel
    • Max Kerkerian
    Nadia Farès
    Nadia Farès
    • Fanny Ferreira
    • (as Nadia Fares)
    • …
    Dominique Sanda
    Dominique Sanda
    • Sister Andrée
    Karim Belkhadra
    Karim Belkhadra
    • Captain Dahmane
    Jean-Pierre Cassel
    Jean-Pierre Cassel
    • Dr. Bernard Chernezé
    Didier Flamand
    Didier Flamand
    • The Dean
    François Levantal
    François Levantal
    • Pathologist
    Francine Bergé
    Francine Bergé
    • Headmistress
    Philippe Nahon
    Philippe Nahon
    • Man at Petrol Station
    Laurent Lafitte
    Laurent Lafitte
    • Hubert, the Dean's Son
    Robert Gendreu
    • Cemetery Warden
    Christophe Bernard
    • Skinhead #1
    Nicky Naudé
    • Skinhead #2
    • (as Nicky Naude)
    Tonio Descanvelle
    Tonio Descanvelle
    • Sarzac Policeman #1
    Olivier Rousset
    • Sarzac Policeman #2
    Françoise Loreau
    • Nun in Convent
    Vincent Tulli
    Vincent Tulli
    • Computer Technician
    • Réalisation
      • Mathieu Kassovitz
    • Scénario
      • Jean-Christophe Grangé
      • Mathieu Kassovitz
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs197

    6,968.2K
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    9
    10

    Avis à la une

    agc110

    Stunning thriller, good story and characters, marred by badly thought-out finale

    Echoes of "The Boys From Brazil" and "Name of the Rose" in this fast-moving, gorgeously-set (small alpine towns near Grenoble) French thriller, which has a really nasty conspiracy in a closed community as an underlying subplot. Two interleaved storylines involve two detectives in towns 100 km apart. Young, feisty Kerkerian (Cassel) is investigating the desecration of the tomb of a young girl. Meanwhile, supersleuth Niemans (Reno) is drafted in from Paris to assist local gendarmes in solving a nasty torture-murder of an academic at a small private University. More bodies turn up, suspects become victims, and eventually the paths of the two cops cross. Visually utterly beautiful, particularly the College, the Library, and the glacier/ice tunnel scenes. Characters strongly drawn and sympathetic. One pretty straight fight scene, little dwelling on active perpetration of violence, but much lingering on the unpleasantly gory aftermath. This is particularly the case with the rather gratuitous opening sequence, which is overdone relative to the rest of the film. My main cavil involves the poor ending, where a last-minute surprise twist creates more loose ends than it ties up. Nevertheless, so watchable that this one gets 9/10.
    7sascha-2

    I really liked it

    I really liked LES RIVIÈRES POURPRES.

    When I first heard of this movie, I thought: "What an unusual, interesting and poetic title! I wonder what this movie might be all about! It could interest me." Then I saw this absolutely fantastic movie poster, which I still like a lot: a beautiful red - I had to think of the title again! - with the two protagonists in the background and some red blurs (the blood cells, of course, but I didn't know that then).

    Then I learned something about the movie's content and thought: "Usually, I don't like serial killer movies at all, because often they're too violent, but that mostly concerns Hollywood movies. So, let's see, what the French made out of it!" Which I did shortly thereafter.

    And what shall I say? I really liked the movie, because it was full of suspense. It had two great lead actors: Jean Reno at his best (Watch his face, as he looks at the first corpse!), and a great Vincent Cassel, whom I didn't know before. The two stories in Guernon and Sarzac were well intertwined (save for the end, on which I will comment later on).

    The cinematography was overwhelming (for example the shots in the mountains, when Niémans drives to the crime scene in the very beginning, and those, when he and Fanny climb through the snowy mountains before finding the second corpse). And finally the soundtrack by Bruno Coulais was brilliantly adjusted to each scene.

    Moreover, I liked the movie for not being too violent. Although the victims were drastically tortured, before they were killed, neither the torture nor the killing is shown. And the violence is not "celebrated", which means it's not shown, as if it were any kind of fun or something the viewer also should do.

    Once again: Watch Niémans' face, while he looks at the first corpse; this scene shows clearly what he thinks of the torture and the killing and that it's absolutely barbaric and immoral to do a thing like that. Hollywood movies often don't show that as clearly (e. g.: Is John Doe in David Fincher's absolutely disgusting and way overrated SE7EN not in a way shown as being "sympathetic"?).

    Are there any weaknesses in this movie? Yes, of course there are. Firstly, there are the first scenes of the movie, while the credits start: The camera shows a rotting human corpse, which was a) quite disgusting, b) totally unnecessary, and c) in no connection to the movie. Because, of the corpses in LES RIVIÈRES POURPRES not one had the time to rot! (Think about it for thirty seconds - you will see that I'm right!)

    And then there's the end of the movie; let's say the last fifteen minutes. I must admit that I didn't really understand it completely, which in other words means that I don't think it's absolutely logical. In my opinion, it's quite stupid and very disappointing compared to everything in the movie that happened before (though I can't and won't tell you about the end in detail here; go see the movie for yourself!).

    Shakespeare wrote: "All's well that ends well." Does that mean everything's bad that has a bad end? (And let's face it: The end of LES RIVIÈRES POURPRES can in my opinion only be described as really bad!) The answer is no! Because for 90 of 105 minutes the movie is absolutely great and worth a watch.

    Behind BILLY ELLIOT and CHOCOLAT it's my third favourite movie of 2001 so far. And if not for the end, it could have easily taken the first place of this list.

    I'd like to rate it an 8, but because of the end I can't. So I rate it a 7. But it's a strong one.
    8lastliberal

    I'm talking about Demons, and you talk to me about the police?

    Mathieu Kassovitz's film featuring the incomparable Jean Reno (The Professional) and Vincent Cassel (Ocean's Twelve, Ocean's Thirteen) is a thrill ride that never stops.

    The French countryside with the spooky houses is a feast for the eyes. Thierry Arbogast's (The Messenger: The Story of Joan of Arc) camera made this entire film a joy to watch. The scenery was complimented by the music of Bruno Coulais (The Chorus).

    But, it was Jean Reno that brought me to this film. His Commissioner Niemans was just what I expected from him. He has a way that makes the perfect cop. That is not to dismiss Callel's Lieutenant Kerkerian, who was a perfect partner.

    The story was definitely creepy with some graphic scenes of tortured bodies, but it was not off putting. It was essential to the story, which really had some extremely interesting twists and turns.

    Niemans and Kerkerian prevail, of course, but it was the journey that was so satisfying.
    8claudio_carvalho

    Great Movie, But With a Deceptive Conclusion

    In Guernon, an isolated mountain area where the local University rules the town, the Chief Inspector Pierre Niemans (Jean Reno) arrives from Paris to investigate a hideous crime, when the victim was tortured and mutilated before dying. Meanwhile, Detective Max Kerkerian (Vincent Cassel) comes to the same place, following the investigation of a profaned tomb of a young girl. They join forces and find a plot of eugenics in the University, with abductions, murders and revenge.

    Yesterday I saw this great movie again, trying to find some answers to questions I raised the first time I saw it four years ago. Unfortunately, they have no explanations along the story. "Les Rivières Pourpres" has magnificent locations, maybe the most beautiful landscapes I have seen in a crime movie. The cast is outstanding, highlighting the charismatic Jean Reno and Vincent Cassel. However, the screenplay has flaws and presents a deceptive conclusion. My questions are: (1) If Judith was kidnapped in the nursery of the hospital, exchanged by the daughter of another person, what happened to the other child? (2) Who raised Judith, if her mother got crazy and went to a dark cell in a convent? (3) If her mother knew where her other daughter was, why didn't she go to the French justice and fight to retrieve the child? (4) How Judith found and approached Fanny? Anyway, usually worths watching serial killer stories and this one is very above the average. My vote is eight.

    Title (Brazil): "Rio Vermelhos" ("Red Rivers")
    7ma-cortes

    Great gothic visuals and intense set-pieces , dealing with two very different policemen seeking the truth about separate crimes

    Suspense and action movie with a series killer committing grisly murders . It is entertaining enough and fast pace but lacking coherence at times . This thriller from France with considerable blood and guts centers on Inspector Niemans (Jean Reno) , a prestigious French detective assigned to investigate a brutal murder at a prestigious college located high in the Alps . The victim was first disfigured and dismembered , then strangled to death . Niemans soon realizes the murder was not an isolated incident when several similarly mangled corpses are discovered. Meanwhile , in a town 150 miles away, a young police investigator, Max Kerkerian (Vincent Cassel), is called in to investigate when the grave of a ten-year-old girl is dug up and ransacked . Before long there's more than a victim , all of whom have ties to university . As Niemans meets the young Kerkerian , agressive partner in provincial policeman , creating a peculiar couple , in buddy movie style . So two tough police inspectors join forces and find a terrible common link in the murders . Evil rises to new heights !. An unholy crime... An unstoppable killer... Caught in a deadly tide!.

    Audacious and gruesome thriller set in French Alps in which a librarian from the local private university is found horribly mutilated on a mountain slope and Parisian investigator is called in , meantime another cop carrying out parallel discoveries , both of them nvestigating a series of creepy murders . In the picture there is thrills, chills , frenetic action , emotion , mystery , plot twists , spooky sets and a little bit of gore. This film has some good moments, such as the dark atmosphere and some thrilling pursuits and red herrings . The movie is a crossover between the intrigue of the ordinarily sinister American thrillers as ¨Seven¨ and the ¨French Polar¨. From the beginning of the film until the end , action-packed is nonstop , it's fast moving and that's why the picture results to be quite entertaining . The final confrontation between the starring and the contenders in the snowy mountains is spellbinding . Stars Jean Reno and Vincent Cassel who make a terrific screen team , an attractive buddy couple with just the right amount of humanism and humor to allow some tension relief for the story. These two awesome French actors are nicely accomanied by a fine support cast , such as : Nadia Farès, Dominique Sanda, Jean-Pierre Cassel , Philippe Nahon and Didier Flamand . The special effects are adequate as is the cinematography by Thierry Arbogast and excellent musical score by composer Bruno Coulais .The flick will appeal to thriller buffs and dark atmosphere enthusiasts . Rating : 6.5/10 , well worth watching .

    The picture was well directed Mathieu Kassovitz . He is an actor and director , known for Amelie (2001) , The Fifth element (1997) and has directed a few films , such as : The hate (1995 ) , Assassin (1997) , Gothika (2003) , but he disowned the theatrical cut of ¨Babylon A. D.¨ (2008) suggesting that the studio behind it 20th Century Fox, had turned it into a dumb action movie and removed the complex issues and themes he had originally wanted the film to feature. This movie ¨Les rivières pourpres¨ (2000) obtained a lot of success , as the sequel "Rivières Pourpres II ", using the same character of Niemans . Les rivières pourpres 2 - Les anges de l'apocalypse (2004) was directed by Olivier Dahan featured by Jean Reno , Benoit Maginel, Christopher Lee , Camille Natta , Johnny Hallyday . Here Niemans/Reno , the police of the first part has to investigate weird murder series in isolated monasteries of Lorena (north of France) helped by Benoit Maginel , Vincent Cassel's similar role , they will take on Apocalypse angels , some monks with supernatural power and a villain and his evil henchmen . It is an acceptable sequel , but the plot is totally confused and quite silly, wasting what could be a good movie.

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    Whodunnit
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    Criminalité
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    Mystère
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    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Vincent Cassel broke his nose while filming the fight scene with the skinheads.
    • Gaffes
      Almost at the end of the movie, an EMT is putting an oxygen mask on one of the survivors. Blood is visible on the mask before it comes in contact with the blood on the survivor's face.
    • Citations

      Fanny Ferreira: [descending into the crevasse] Welcome to the time machine, Commissaire.

    • Crédits fous
      The Gaumont Films logo used is the 90s version (a trail of Gaumont logos opening up to a space with the current logo). A crimson river runs through the trail, leading to the space background at the end being shaded red.
    • Connexions
      Featured in Siskel & Ebert & the Movies: Crazy/Beautiful/Baby Boy/Pootie Tang/Lost and Delirious/The Crimson Rivers/Himalaya (2001)
    • Bandes originales
      Virtual Skinfighters
      Composed and Performed by David Salsedo, Stéphane Daurs (as Stephane Daurs)

      Performed by Silmarils

      © 2000 Editions Musicales Editions La Marguerite - Legende Enterprises

      (p) 2000 Production Legende Enterprises - Gaumont

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    FAQ20

    • How long is The Crimson Rivers?Alimenté par Alexa
    • What about a new sequel?

    Détails

    Modifier
    • Date de sortie
      • 27 septembre 2000 (France)
    • Pays d’origine
      • France
    • Site officiel
      • Filmymen
    • Langue
      • Français
    • Aussi connu sous le nom de
      • The Crimson Rivers
    • Lieux de tournage
      • Argentiere, Mont-Blanc, Chamonix, Haute-Savoie, France
    • Sociétés de production
      • Légende Films
      • Gaumont
      • TF1 Films Production
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 14 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 594 966 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 111 026 $US
      • 28 janv. 2001
    • Montant brut mondial
      • 60 103 680 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 46min(106 min)
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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