Otesánek

I had seen other films by Jan Svankmajer, so I had high expectations when I went to see this latest release. I was not disappointed. This is possibly Svankmajers most accessible feature film, as it follows a simple linear narrative on a parallel to a fairytale discovered by one character.

The film follows a couple who are unable to have children. Whilst in the woods one day, The man pulls up a tree stump which faintly resembles a baby. In jest, he gives this to his missus who, in her desperation, believes it is a real child. After a few exasperated protests from the skeptical father, she takes it home with her and the couple goes to great lengths to conceal the young root baby from the prying eyes of the neighbours. The child becomes difficult to hide as its appetite grows and, following the rules of the fairytale, it develops a taste for human flesh.

Despite the grim subject matter, the film remains fairly light hearted. There is some well-appreciated humour from the all-too-accurate characters, and despite the films length, I was not reduced to clock-watching. Svankmajers trademark stop-motion was sparce, but had all the more effect when it was used.

Svankmajer has used the mediums of film and animation to question the possibilities and blurs the line between fable and reality. This would not be credible, were it not for the accurate and witty insights into modern living and the characters it breeds. As it was, I found myself constantly questioning whether, maybe, perhaps, there's the slimmest of chances that the stuff of fairytales is. real.

I urge you to see it. Its f***ing brilliant.

Perhaps Jan Svankmajer is sick of the medium of stop-motion animation which first made him famous. Perhaps he's trying to move into pure filmmaking. And perhaps I shouldn't criticize him for that. He's actually an excellent live-action director as well, which Little Otik (in Czech "Otesanek," "Greedy Guts," the name of an Eastern European fairy tale from which the script is adapted) demonstrates. But I'm not sure he wants to leave stop-motion animation behind. It seems to me more like he wants to use it more often in the film, but he didn't have the money. If you're interested in Svankmajer's work, start with his short stop-motion films, then move to Alice, his version of Alice in Wonderland, and then move to this film and then Faust.

As for the film itself, it's imperfect. Its biggest problem is that it's overlong. There's really not enough meat in it (well, there's enough meat literally). It can move slowly, especially nearer the beginning. Also, the ending is a bit abrupt. Still, there're a lot of great scenes and set pieces. It can also be very funny. It's certainly the most humorous side of Jan Svankmajer that I've seen. 8/10.

The film is based on Czech fairy tale "Otesánek" ("Greedy Guts"). It is a story of a loving but childless couple, Karel and Bozena whose biggest dream is to have a baby. To make his wife smile, Karel digs up a tree root and carves it to look like a human baby. So overwhelming is Bozena's wish to become a mother that by its power, the stump transforms into a living creature with enormous appetites. Very soon, the baby formula and carrot soup are not enough to feet the little monster and mysteriously, people begin to disappear.

"Little Otik" is similar to Svankmajer's earlier feature movies "Alice" and "Faust" but it is more plot-driven, has fewer stop-motion animation sequences that would not even begin until 40 or so minutes into the film. Another problem that has been noted by almost every viewer is that the movie is slightly (126 minutes) overlong and it drags a little toward the end. As excellent as Svankmajer is a live-action director, what makes him unique is the groundbreaking combination of both live-action and darkly-humorous, visceral, and surreal animation and I wanted to see more of it. Still, "Little Otik" is highly original, funny, dark, and sinister with first rate acting from live actors and many great scenes and effects. Young Kristina Adamcová is especially good as Alzbetka, Karel's and Bozena's next door neighbor, precocious and very observant girl. I highly recommend "Little Otik" but I believe that the best introductions to Svankmajer are his short stop-motion and clay-motion films. The DVD includes the B/W 12 minutes long early film "Flat" (1969) - this is Svankmajer in his nightmarish best. We are in the claustrophobic apartment with the film protagonist where every object is an enemy and predator. Pay attention to the ending -"Abandon hope all ye who enter here".

7.5/10

This movie was very, very disturbing. I can't help but noting that I would never voluntarily see this movie again, and even that I wish I hadn't seen it the first time.

On the other hand, I am forced to admit that it was a very good movie. The fertility imagery was a little TOO heavy-handed for my liking; I felt like shrieking "OKAY, I GET IT ALREADY!!!" about twenty minutes into the movie. But I suppose it all related to the theme, so it was okay.

The Otik-creature is also very disturbing, but the food scenes are probably the worst. I remember the food from my stay in St. Petersburg, and this movie was fairly accurate. Don't see it if you've recently eaten, or plan to eat at any time in the future. Ugh!

I think the movie would be classified as a dark comedy if it were American. As such it was extremely funny; the dialogue is quite witty and the acting is good. But the whole thing was just... disturbing.

Beware of violence; there are a few very bloody, graphic scenes. The nudity is nonsexual, so it's really not a problem even for prudish Americans like me.

A bizarre horror-comedy by Surrealist master Jan Svankmajer that adapts and reinterprets the folk story of Otesanek (aka Greedy Guts) for the big screen.

Otesanek tells the story of the struggle of a childless couple, Bozena and Karel, to hide and control heir piece-of-wood son Otesanek -a freak of nature with an insatiable appetite that they brought to life- and to stop him behaving wildly.

The film re-examines the myth of the primeval creation, in which the natural order is subverted and disrespected. The couple succumbs to an act of greedy love that produces, as a result, a greedy gluttonous carnivore despite the creature being a piece of wood.

On the other hand, Svankmajer depicts with great insight the sins of parenthood in our modern world, in which children are spoiled rotten, to whom everything is allowed, any bad act excused, and nothing denied.

The movie also depicts with great humor and realism the social dynamics of small groups in blocks of apartments and neighborhoods, paced by gossip, the power of appearances, the help and support neighbors give to each other, the enmities and tensions existing amongst them, the human types that populate them, etc.

The role of food in this movie is also very interesting, as most human characters in the movie eat disgusting porridge-ish meals, despite them fancying meat, while Otesanek is the only one eating meat all the time! The Actors are all great and charming in their respective roles. Veronika Zilková plays with great conviction the non-easy to play barren wife Bozena, while Jan Hartl plays with sweetness her doubtful and confused husband Karel. Also terrific are the actors playing the good-hearted neighbors: Kristina Adamcová as the incisive rebel child Alzbetka -who is also the catalyst of the story-, Jaroslava Kretschmerová as Alzbetka's sensible Mother, Pavel Nový as Alzbetka's typical working-class male Father, and Dagmar Stríbrná as the patient caretaker.

The stop-motion animation of Otesanek is delightfully awkward, especially when Otesanek is a baby, and the illustrations by Svankmajer's wife for the original tale in the book Alzbetka is reading are beautifully colorful and artistic. They are a contrast to the ugly-looking 70-80s colors and lighting with which Svankmejer shot the movie. Also delightful are the episodes involving the old spectacled neighbor and Alzbetka, which are really naughty.

On the negative side, beyond the ugly film and colors used, the movie is too long and its pace too slow at times.

A grotesque mesmerizing humorous adult tale with a great story, terrific performances, and very interesting themes. This is not a film for lazy watchers, though.