Lunettes rouges

I recently purchased Mamoru Oshii's Cinema Trilogy Box Set. This was the first film, and I must say that I was more than pleasantly surprised. I was expecting action and sci-fi... and while I got a little of that, I also received a huge helping of intelligent, thought-provoking mystery and a large dose of entertaining slapstick comedy. In truth, this film is a throwback to silent film (Just as Quentin Tarantino's films are often throwbacks to pulp fiction, blaxploitation, chop-socky, spaghetti western etc. films)... It truly is a silent film with dialogue. The actions and expressions of the actors are excessive and exaggerated, techniques commonly thought of as "primitive" in the cinephile community are used, and there's, of course, the sepia tone that covers most of the film.

Shigeru Chiba is definitely the shining star of the film, portraying qualities that Hollywood action, drama, and comedy stars would kill to have. Chiba is also featured in the other two films in the box set, and definitely carries all three films with his small yet enormous presence.

This film, along with "Stray Dog" and "Talking Head," does not spell out each and every little thing for the viewer... Mr. Oshii trusts the audience to be able to come to its own conclusions. I definitely respect that and would recommend this film to anyone who would listen.

After watching Avalon (which was decent only because of the very nice digital fx), and several anime films written by Oshii, including Jin-Roh (which is fantastic) I decided I should check out the Oshii cinema trilogy box set. Being that the Red Spectacles and Stray Dog are related, I will comment here on both. And let me tell you, it was one of the biggest wastes of money I have spent in a while. I first watched Stray Dogs and then The Red Spectacles. I am sad to say that these films are quite possibly the most boring two movies I have ever seen. For only about 10 minutes in each film do you get to see some action between the the characters, who are only dressed in the "Panzer Cop" outfits for a few fleeting scenes. The rest of the time you will see some very drawn out scenes filled with boring dialogue in some less than impressive locations. I really don't understand the motivation behind these two films at all. I love the Wolf Brigade outfits and the idea behind the plot, but the films themselves leave much to be desired. I would suggest NOT watching these films, and certainly do not buy the box set like I did, unless you enjoy wasting money. Oh, and if you are wondering what I think about the 3rd movie in the set, Talking Head, I couldn't even bring myself to watch it before I purged the box set from my DVD collection via eBay at a $20 loss. If you want cool Japanese live action, check out Returner, or Ichii the Killer or the Zeiram series.

Red Spectacles is an odd mix of film noir, surrealism, slapstick and anime mech(at the beginning and end). As a whole it does not work. I think possibly as a series of vignettes it might work better but collectively the parts do not sit well together and the humour for me at least is sadly lacking.

The cinematography ranges for excellent to below par. Some shots are very film noir and others have bad framing with heads cut off and shot without enough shadowplay to justify there lenght.

The sound is very poor and distracting. All sound was added in post production so there is a spareness to the sound which makes everything seem overly poignant and frankly off putting. The score is poor for the most part and sometimes inappropriate music is used for a scene, at least inappropriate to western culture.

As an art film it does not really compel this viewer, neither does it have any particularly outstanding aspects technically or thematically. It is run of the mill with a few nice visuals.

RED SPECTACLES starts typically enough for an Oshii film. First of all it is based on the same manga that much later inspired JIN-ROH so the power suits seen right at the beginning of SPECTACLES will look very familiar to those who've seen that later film. It is also shot in a very desaturated way, kind of similar to AVALON in how it is almost monochromatic. In a series of texts on screen we are introduced to a future world where an elite police force has just been disbanded and forced to disarm. Three officers refused to give up their weapons and it's their fate that this film will mostly be about. They hole up in a dilapidated building and are soon attacked by dozens of civilians who are out to collect the bounty that has been put on their heads. However, with their superior guns they mow them down like so much corn at the time of reaping. But still, only one of them can continue his escape as the other two (a man and a woman) are badly wounded. They make him promise that he'll eventually return and he's off.

The rest of the film is about his return and his adventures in a very changed city. But I was in for a big surprise! If I thought this would be a typically gloomy and melancholic Oshii film at the beginning I soon realized with utter amazement that this is one hell of a weird hybrid of a film. Yes, there are a lot of typical Oshii-esquire moments of philosophizing and melancholy but for every such scene you get one in which the hero suffers from diarrhea and runs around making silly faces while looking for a toilet. There are a total of 3 (!!!) scenes of that in the film and they are acted, filmed and scored (by the once again brilliant Kenji Kawai) like a post-modern Japanese take on LAUREL & HARDY. And to make things even stranger there are also entire scenes set on a theatrical stage! Oshii resorts to simply filming the actors acting like they were in a play, sometimes even resorting to pantomime! Awesome, just awesome! Then, towards the end of the film it takes a turn for the surreal that I won't spoil but it involves a girl who may or may not represent fate, BLADE RUNNER skylines and the mysterious contents of a suitcase.

Well, what can I say? When I popped in this DVD I expected Oshii's patented brand of beautiful and cultivated tedium but instead I got what could possibly be described as a bizarre hybrid of URUSEI YATSURA and GHOST IN THE SHELL with elements of the films of David Lynch thrown in for good measure. I found the film to be extremely ahead of the time it was made in. Even after 15 years RED SPECTACLES still feels fresh and intriguing and thoroughly modern. Which is only further testament to the genius of Mamoru Oshii, who is simply one of the most exciting filmmakers to emerge out of Asia in the last 2 decades.

I watched the trilogy by Mamoru Oshii. The words surreal, Orwellian and Kafkaesque come to mind. However, despite all their bizarre aspects I believe they are essentially jokes. The darkness was there as a chiaroscuro backdrop to highlight the humor. The first, Red Spectacles, is about a man who can not let go of his past not matter how painful and dangerous it was because he never felt more alive that when he was facing death. The second, Stray Dog, shows that man during an interim period when he seems to be almost at peace, being brought back to that death-seeking modus operandi which precipitates the events of the first film. The third film, Talking Head, while not directly related to the events of the first two, does refer back to them as a man attempts to create truth out of illusion. The idea is that film, as an art form, is essentially an exercise in madness and that illusion is finally a higher truth, an idea that was touched on in the first film. But it is the humor that is Oshii's ultimate goal. He doesn't want to make highly significant pronouncements on the nature of humanity and reality. He just wants to tell a story, and if the story is funny, all the better. I suppose that many parallels could be drawn between Oshii's work and that of Philip K. Dick.