Spy Kids

SPY KIDS / (2001) *** (out of four)

By Blake French:

If James Bond married another secret agent, had kids, privately continued his life as a spy, became captured, and left his rescuing to his offspring, we would have the formula for Robert Rodriguez's new action adventure, "Spy Kids." Rodriguez normally directs harsher, more brutal movies, like "Desperado" and "The Faculty," but accustoms a slick style of adventure and humor in this film that exceeds past the level of any of his recent work. "Spy Kids" really does belong in some kind of James Bond picture.

As the film's writer, director, and co producer, Rodriguez does a lot more with the material here than we expect. The film has a stunning array of special effects, ranging from walking thumbs to a particularly imaginative experience in the villain's headquarters. Even the introduction has zest and intrigue: we meet a seemingly normal family of four, consisting of Ingrid and Gregorio Cortez (Alexa Vega and Antonio Banderas), and their children, probably middle school aged, Juni and Carmen (Daryl Sabara and Alexa Vega). As the movie opens, Ingrid tells her children a nice bedtime story about two daring spies assigned to kill the other, but fall in love, get married, and retire. She prepares her offspring for bed and turns the lights off, walks to her husband, and explains she thinks it would be a good idea to tell Carmen and Juni their real identities as top-secret spies; the story Ingrid enlightened her kids with was true.

Rodriguez quickly sketched his characters, but his method is surprisingly effective; the movie starts out with fast-paced action and captures our attention abruptly and does not really lose energy throughout its running time. We learn the two married spies have retired from the business nine years prior, but their fellow OSS agents are disappearing all over the world, and thinks it to be the work of a kids TV show host named Fegan Floop (Alan Cumming in a very whimsical, fitting performance) and his assistant, Minion (Tony Shalhoub). The agents have been converted into clay-like animated characters held captive at his mega tech laboratory. Imaginative and interesting, if a bit cheesy.

Ingrid and Gregorio call their "Uncle" Felix over to watch the kids while they go out on their latest mission. Unfortunately, this mission could be their last; they walk right into a trap and are snared from beneath their toes. Felix receives a distress call, sends the kids to a "safe house," but is captured himself, leaving the responsibilities to the younger members of the family.

The story isn't cheap or silly, although some of the material tests our tolerance for far-fetched science fiction. The underlying motives here are also legitimate. The movie puts confidence in strong family values, honesty, and trust, but does not preach, lecture, or on the other side of the barrel, become lost in an utter mess of silly dog poop and passing gas jokes like "See Spot Run." The movie takes itself seriously, and is well written. We understand the character's motives. "Spy Kids" gets one thing painfully right, and that is the

relationship of the brother and sister. Their relationship is all too familiar in American households, where name calling and mean-spirited behavior inhabit offspring of both sexes. The petty little conflicts they feel strained and forced, giving this movie, otherwise somewhat mature, an immature sensation. This familiar stereotype is profoundly irritating.

"Spy Kids" is often exciting, funny, and almost always entertaining. It is not the kind of movie that parents should just drop their kids off to, however, but should stay for themselves to witness some of the most effective family movie moments in quite a while. In a time when family movies are completely disposable, "Spy Kids" proves itself to stand out from all the others and provide us with a genuine spy movie experience.

Gregorio and Ingrid Cortez are ex-spies who were at the top of their game until they met, married and decided to retire for their own mutual safety. Years later they have normal lives and have children who know nothing of any of this. When Gregorio learns of former colleagues vanishing, he looks into it, only for him and Ingrid to be captured by the evil Floop, whose children's television puppets are really mutants developed as part of building a private army for Lisp. With their parents gone and the alarm raised, Carmen and Juni learn the truth and are suddenly faced with having to rescue their parents.

You shouldn't come to this movie expecting it to be serious or logical because it really isn't. Instead it is silly, goofy and really very daft but still quite good fun for slightly older children and also for adults. The plot is pretty much summed up by the title insofar as you really need to know what is going on because it doesn't make much sense. The film is really about the kids becoming spies and playing with gadgets etc on their way to becoming heroes of a sort. It never takes itself too seriously and it draws humour from this approach well, making it easy to relax and watch because, yes it's silly, but at least it knows it is silly. The Floop creations are too silly to appeal to adults but will probably provide some laughs for kids but generally the film gets the tone right for both groups.

Rodriguez directs with his usual approach and I quite enjoyed the effect it had here because it does suit the silly, hyper material (which he also wrote). The effects are mainly good and it should work for most kids in the way that older boys like their gadgets and fantasy video games. The cast did it for me as well, featuring as it did a lot of people who've worked with Rodriguez before. Banderas and Gugino are both sexy and cool in the parental roles but it is Vega and Sabara who lead the film. Neither of them are typically "cute kids" and it helped me enjoy the film for them to be quite natural and buy into the material. Support is surprisingly classy and most of them work. I didn't like Cumming at all but that was more to do with his character; Shalhoub was OK, Hatcher was fun, Cheech pops up briefly, Patrick has a small role, Trejo is ever reliable and George Clooney puts in a small but amusing appearance.

Overall this is not a great film because it all nonsense but then, as a kids' film, it doesn't matter so much. The energy, pace and sense of fun covers up for the daft central plot and nobody seems to be taking it seriously. Surprisingly fun to watch, even for adults and worth a look.

Robert Rodriguez is not the first person you'd suggest to make a children's film. As entertaining as 'Desperado', 'The Faculty' and 'From Dusk Till dawn' are, you wouldn't line them up alongside 'Toy Story 2' and 'The Jungle Book' for good, old-fashioned family entertainment. Yet, as this energetic, light-hearted Bondesque spoof proves, Rodriguez has the talent to turn his hand to just about anything, and inject it with the suspense and adrenalin that are his trademark.

From the gloriously OTT opening scene (which tells the story of how two agents sent to kill each other fall in love and settle down) to the last second, 'Spy Kids' doesn't miss a trick. The obligatory gizmos, mad villains and dastardly plot to take over the world are all there, along with a star cast all playing their roles with tongues firmly in cheek. The action/humour mix is extremely well-balanced too, with some hilarious visual gags sitting within a sharp script and Banderas, in particular, revels taking a sly swipe at his normal 'strong yet silent Latino' image. Yet, refreshingly for a children's film, it's never patronising, never obvious, and genuinely original in places (soldiers made of thumbs, secret agents transformed into tellytubby-type TV characters - imagine Goldeneye-meets-Willy Wonka and the Chocolate Factory-meets-Any Tim Burton film and you'll be close). In truth, some of the surreal moments and the more graphic effects may get a little too much for younger kids at times, but these moments are few and far between.

Ok, it's a 'U' certificate and you may well have to sit through the trailer for 'See Spot Run', but don't let that put you off. This is one of the better films you'll see this year, and the best out over Easter by quite a way. Go and have some fun.

8/10

This film takes a child's cartoonish idea of a spy and runs with it, leaning into a charming campiness that brought joy to my heart. As an adult watching this film, I am impressed by the directing in this film: great performances and expressive, well thought out camera-work. This, combined with excessively creative production design (which clearly had passionate people behind it) creates a world that, frankly, feels like it was genuinely thought up by a children, albeit a team of extremely creative and funny ones with an impressive understanding of filmmaking. I generally judge children's films for how well i can enjoy them, as an adult, since any film that has to pander to a child mind to succeed is lacking an essential intellectual, critically examinable element. This film half succeeds at that, while also clearly and specifically pandering to children. It's like a live-action kid's cartoon, and the director/cinematographer did a great job at achieving that specific aesthetic.

I often struggle when evaluating children's movies, because I am not a child. But the sheer creativity of this film, and how competently made it is in every department-art design, cinematography, directing, writing, score, everything-makes Spy Kids, undeniably, a work of art.

This was a silly kids' adventure story but still fun the younger ones and for adults, thanks to colorful scenes, great special effects, decent humor and a nice family tone to it. The kids are alright, except the girl is a little bossy, and the villains aren't too nasty. This also looks very good on DVD.

Included in the color and characters are "the thumb people" who were especially fun to watch.

The only problem I found with it is the last 30 minutes in which it got too silly and emphasized (typical Hollywood) how the kids can do the job better than the adults, which a ludicrous film cliché. However, overall "family unity" gets a big boost in this here, even in the end, and that good message is probably a big reason this movie was such a success.