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La femme scorpion

Titre original : Joshû 701-gô: Sasori
  • 1972
  • Not Rated
  • 1h 23min
NOTE IMDb
7,2/10
5,3 k
MA NOTE
Meiko Kaji in La femme scorpion (1972)
Drame carcéralCriminalitéDrameThriller

Ajouter une intrigue dans votre langueAfter being used and betrayed by the detective she had fallen in love with, young Matsu is sent to a female prison full of sadistic guards and disobedient prisoners.After being used and betrayed by the detective she had fallen in love with, young Matsu is sent to a female prison full of sadistic guards and disobedient prisoners.After being used and betrayed by the detective she had fallen in love with, young Matsu is sent to a female prison full of sadistic guards and disobedient prisoners.

  • Réalisation
    • Shun'ya Itô
  • Scénario
    • Fumio Kônami
    • Hirô Matsuda
    • Tooru Shinohara
  • Casting principal
    • Meiko Kaji
    • Rie Yokoyama
    • Yayoi Watanabe
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    5,3 k
    MA NOTE
    • Réalisation
      • Shun'ya Itô
    • Scénario
      • Fumio Kônami
      • Hirô Matsuda
      • Tooru Shinohara
    • Casting principal
      • Meiko Kaji
      • Rie Yokoyama
      • Yayoi Watanabe
    • 44avis d'utilisateurs
    • 53avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 3:02
    Trailer

    Photos83

    Voir l'affiche
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    Rôles principaux52

    Modifier
    Meiko Kaji
    Meiko Kaji
    • Nami Matsushima (aka Matsu the Scorpion)
    Rie Yokoyama
    Rie Yokoyama
    • Katagiri
    Yayoi Watanabe
    Yayoi Watanabe
    • Yukiko Kida
    Yôko Mihara
    Yôko Mihara
    • Masaki
    Akemi Negishi
    Akemi Negishi
    • Otsuka
    Keiko Kuni
    • Nemoto
    Yumiko Katayama
    • Kitô
    Emi Jô
    • Morikawa
    Sue Mitobe
    • Imune
    Chie Kobayashi
    • Dobashi
    Rie Yuki
    • Tatsuno
    Hideo Murota
    • Okizaki
    Saburô Date
    Saburô Date
    • Kaizutoshi
    Shinzô Hotta
    • Furuya
    • (as Shinzo Hotta)
    Yôichi Numata
    • Soga
    Takeo Kamura
    Shirô Hisano
      Takashi Hio
      • Takenaka
      • (as Kôji Hio)
      • Réalisation
        • Shun'ya Itô
      • Scénario
        • Fumio Kônami
        • Hirô Matsuda
        • Tooru Shinohara
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs44

      7,25.3K
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      Avis à la une

      8The_Void

      Fantastic Japanese Exploitation!

      I've seen a handful of women in prison films and before seeing this one, hadn't seen a really good one. It's a genre closely associated with lesbian sex, torture and general sleaze and is one of the staples of the oeuvres of Italian trash directors such as Jess Franco and Joe D'Amato. Female Convict Scorpion adheres to the trends of the genre, but it does it with so much more class than the majority of genre offerings and the result is a film that transcends its trash origins into masterpiece territory. Female Convict Scorpion excellently straddles the boundary between the two types of film - its trash shot as art! Like most women in prison films, this one focuses on one particular prisoner inside a women's prison. The prisoner is Nami Matsushima, a woman betrayed by her boyfriend (a police officer with mob ties) and wrongly imprisoned. She wants revenge on the man who put her in jail, and since she knows a lot of his secrets; he wants her dead. The policeman/mobster soon decides to have one of the other prisoners arrange an "accident" for Nami Matsushima...

      The film starts as it means to go on; first we get a prison break that sees two prisoners hunted down and caught by the ruthless prison guards, and the next scene sees a bunch of naked women being directed about by said prison guards. There is not as much sleaze in this film as there is in my other women in prison flicks, but there's more than enough - and the fact that it doesn't go over the top means that the sleaze we do get is far more potent. The film is also rather gory, and although much of the violence is in a comic book style, seeing the blood spill is still a treat. The film features some stunning cinematography, and director Shunya Ito is obviously keen to get the art-house style across as much as possible. There's also several excellently shot sequences; the scene involving a disgruntled inmate rampaging through the showers with a shard of glass being particularly excellent. It's all topped off by a sensational performance by Meiko Kaji in the lead role, and overall; it has to be said that Female Convict Scorpion is a masterpiece that does not deserve to be missed!
      8EVOL666

      Another Great Japanese Exploit/Pinky Film...

      I'm really starting to love this era in Japanese exploit film-making. As of this writing I've only seen slightly more than a handful of these films, but they all tend to be top-notch. I end up saying the same things about all of them, and FEMALE PRISONER SCORPION is not much different - excellent sets, interesting and deep story lines, good acting, beautiful camera-work - all the sorts of things that you wouldn't expect to see in an exploitation film, but the Japanese did it consistently in those days spawning plenty of truly excellent trash films...

      The FEMALE PRISONER in question is a nice girl who just had a run of bad luck. Her scumbag boyfriend is an overly ambitious cop who uses her as bait in trying to bust a crime ring. When the bust goes to hell, the criminals and the ever chivalrous boyfriend/cop make a deal to hang homegirl out to dry. She ends up in jail and after a failed jailbreak, is abused in all kinds of fun and sleazy ways. A riot eventually ensues in the jail and this time our heroine makes it out to seek revenge on the man who scorned her...

      I have to honestly say that FEMALE PRISONER is not quite as compelling and "beautiful" as say, LADY SNOWBLOOD (who is also played by our leading lady in this film...), or maybe SCHOOL OF THE HOLY BEAST, but it is still a very enjoyable, artfully sleazy film that definitely holds up on it's own. Recommended to fans of any Japanese exploit/pinky film - this one won't disappoint. 8.5/10
      8mmushrm

      Still good after 39 years

      Just watched Female Prisoner #701: Scorpion 39years after it came out and it is still a good movie.

      This is the 1st of the Female Prisoner #701: Scorpion series (I had actually watched it backwards from 4 to 1), and it shows how the "Scorpion" ended up in prison and how hard she is. The Scorpion is HARD.

      The movie has all the prison exploitation themes, sadistic guards, naked prisoners, mean prisoners, torture etc. But it also has the Scorpion; imagine Cool Hand Luke but who does not talk, with no humour, a willingness and readiness to kill/injure/maim her tormentors and a single mindedness quest for vengeance. Meiko Kaji (actress) is more widely known for her Lady Snowblood character and movies but IMO her Scorpion Character is way more awesome.

      I recommend this movie just so you have a lead up to the second movie Female Convict Scorpion Jailhouse 41 which is a MUST watch.
      7EdIsInHell

      KIller Japanese W.I.P. Film, Now This Is How They Should Be Done.

      Brutal, evil, nasty and gory. Looking very much forward to the second film in the series.

      Meiko Kaji is a beast. If you are into this genre then do not pass this one up I guarantee you will dig it.
      10zetes

      Awesome Japanese exploitation flick

      Violent, sick, cruel, and completely sadistic – what more could I ask for? Starring Meiko Kaji, who would go on to the Lady Snowblood films the next year, this women in prison movie simply dazzles. Ito's direction is fantastic, and in some ways resembles that of Suzuki Seijun. It's funny that such great filmmaking is found in a w.i.p. movie, a sub-genre usually reserved for sloppy, direct-to-video work today. Just think, a direct-to-video movie really could be well made. There is an unfulfilled market here. Yet people just keep cranking out the same cliched garbage – an utter waste. The genre in America is too tame when you look at FP701. Actually, I'd almost say that this comes close to being the best prison movie ever made, approaching masterpieces like Don Siegel's undervalued Riot in Cell-Block 11 and Stuart Rosenberg's beloved Cool Hand Luke. Hell, Prisoner 701 makes Cool Hand Luke look like a total pussy. This movie is an absolute must-see for those who love Japanese films, exploitation, or cult movies in general. I'd go so far as to call it a masterpiece in its own way. I loved every damn second of it! 10/10.

      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        Japanese director Sion Sono references this series in many of his movies: Lady Scorpion from Love Exposure (2008), art-house horror elements in Exte (2007): hair extensions and revenge sexual torture in Guilty of Romance (2011).
      • Gaffes
        Quite a few of the strikes in torture, attack and fight sequences obviously didn't actually make contact with the victim. One of the worst is when an inmate causes "blood" to gush from a guard's head when the shovel blade she swung at him missed by at least 6 inches.
      • Citations

        Nami Matsushima: To be deceived is a woman's crime.

      • Connexions
        Edited into S/s/s: Beyond Any Doubt (2012)
      • Bandes originales
        Urami-Bushi
        (Song of Vengeance)

        Written by Shun'ya Itô and Shunsuke Kikuchi

        Sung by Meiko Kaji

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      FAQ13

      • How long is Female Prisoner #701: Scorpion?Alimenté par Alexa

      Détails

      Modifier
      • Date de sortie
        • 25 août 1972 (Japon)
      • Pays d’origine
        • Japon
      • Langue
        • Japonais
      • Aussi connu sous le nom de
        • Female Prisoner #701: Scorpion
      • Lieux de tournage
        • Japon
      • Société de production
        • Toei Company
      • Voir plus de crédits d'entreprise sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        • 1h 23min(83 min)
      • Couleur
        • Color
      • Mixage
        • Mono
      • Rapport de forme
        • 2.35 : 1

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