Coven
- 1997
- 37min
NOTE IMDb
5,2/10
1,6 k
MA NOTE
Ajouter une intrigue dans votre langueAn alcoholic drug abuser reexamines his life until he nearly dies from an overdose. Then a friend convinces him to join a self-help group which turns out to be demonic.An alcoholic drug abuser reexamines his life until he nearly dies from an overdose. Then a friend convinces him to join a self-help group which turns out to be demonic.An alcoholic drug abuser reexamines his life until he nearly dies from an overdose. Then a friend convinces him to join a self-help group which turns out to be demonic.
- Réalisation
- Scénario
- Casting principal
Avis à la une
After watching American Movie, you have the option on the DVD to view the short film Coven. After watching this, most will come to the conclusion that Mark Borchardt is not an amazing independent film maker. He is in fact just one of many "movie makers" that want to be the next big thing. Mark's 3 year struggle to make this film was a problem of Mark's own doing. Many of the mistakes and unprofessional storytelling made Mark spend months and months correcting his vision. A victim of circumstances and his own Ego, Mark should have waited and saved thousands of dollars by shooting the entire movie on digital. He could have shot the same movie in 1 week and saved 90% of the money he spent. Shooting on 8mm or 16mm doesn't make you a film maker. Coven was Mark's calling card to prove to the world of his talent. Conclusion: Mark is a dime a dozen. Then again, it shows you how much heart one movie maker has to make his / her movie.
This short film is a really good representation of AA and other 12 step groups. While AA is not actually a satanic cult; it is a pseudo-religious organization. I was glad to see it shown for what it is. Do not get me wrong. AA serves many people. I just like to see it satirized.
Most people seeing this film will be distracted by the poor production values. That is what happens when you have no budget. The story is great and would have been a great film if better financed.
My sole opportunity to see this film was on the DVD with "American Movie." I was disappointed to see that the scene in which the head smashed into the cabinet never made it into the final cut of "Coven."
Most people seeing this film will be distracted by the poor production values. That is what happens when you have no budget. The story is great and would have been a great film if better financed.
My sole opportunity to see this film was on the DVD with "American Movie." I was disappointed to see that the scene in which the head smashed into the cabinet never made it into the final cut of "Coven."
As many others have commented after seeing American Movie, this movie was not HALF as bad as you would have expected. Mark comes off as a dufus for most of the documentary (I suppose a lot of us would), but Coven showed me why this guy was so driven. I'm sure when Mark saw some of the shots from this movie, he felt that he was in the zone, that it had all come together. That is probably why it took so long to come out with the rest of the movie, because it would have been difficult artistically to accept a lot of the more mediocre scenes.
I think that Mark should pursue a career in Hollywood or indie film as a journeyman cameraman / cinematographer, and hopefully somebody will help shape his raw talent. Then he can move on to bigger and better productions of his own, as I thought some of the story in Coven was excellent, although it was VERY uneven.
I think that Mark should pursue a career in Hollywood or indie film as a journeyman cameraman / cinematographer, and hopefully somebody will help shape his raw talent. Then he can move on to bigger and better productions of his own, as I thought some of the story in Coven was excellent, although it was VERY uneven.
I, like anyone else, never would have heard of this film had i not seen Chris Smith and Sarah Price's brilliant, funny and extremely touching documentary "American Movie". I recently purchased the "American Movie" dvd which contains "Coven", invited over a few other fans of the documentary, and gave it a go. The after disscussion concluded with the notion that had Mark Borschardt tried harder to stick with one genre he could have better concentrated on the story and suspense aspects of the horror or the plot and character development of the drama. He has a very artistic look to his film (context - coffee cup) and i believe his only flaw is a lack of concentration on the characters and story (content - the coffee). i am intrested in the results of "Northwestern".
I'm not sure if I still would've loved Coven if I had not seen American Movie, which tracked how director Mark Borchardt spent more than three years and hundreds of man hours to make a film. What was this movie is revealed, sort of, during the course of American Movie, but only in snippets. By the end, when Chris Smith shows a quasi-trailer for Coven, one gets really hyped to watch the whole thing. Thankfully we all can thanks to it being featured on the DVD, and it's really quite impressive. It's shot with an eye for creativity and an odd sense of horror by Borchardt and he gets some crazy and intense performances from his actors, especially one (I forget his name) who looks like an Orson Welles love-child.
And yet, as enjoyable and intense as the movie becomes- about a writer who becomes involved in a rehab group that is really a coven of witches (some women some male)- I wonder now if I would've connected to it more if I had not seen Smith's film. One saw in that, for example, how Borchardt and his friends abused alcohol over the years, and especially how his friend Mike took far too many acid trips and became the slow-talking (though amiable) guy he is today. So, seeing those rehab scenes one gets a more personal sense from Borchardt after seeing the documentary (not to mention his love of Night of the Living Dead projected through in Coven via harrowing hand-held black and white cinematography on a cheap-ass camera, and funky music, and some nasty gore).
But if you do watch it first on the DVD, or find it online, it's still by itself a successful work of primitive art: an independent film that is crude and uncouth, and with some really bizarre, effective scenes like the one in the hospital elevator, or when Mark is in the woods and is surrounded by the men in black cloaks.
And yet, as enjoyable and intense as the movie becomes- about a writer who becomes involved in a rehab group that is really a coven of witches (some women some male)- I wonder now if I would've connected to it more if I had not seen Smith's film. One saw in that, for example, how Borchardt and his friends abused alcohol over the years, and especially how his friend Mike took far too many acid trips and became the slow-talking (though amiable) guy he is today. So, seeing those rehab scenes one gets a more personal sense from Borchardt after seeing the documentary (not to mention his love of Night of the Living Dead projected through in Coven via harrowing hand-held black and white cinematography on a cheap-ass camera, and funky music, and some nasty gore).
But if you do watch it first on the DVD, or find it online, it's still by itself a successful work of primitive art: an independent film that is crude and uncouth, and with some really bizarre, effective scenes like the one in the hospital elevator, or when Mark is in the woods and is surrounded by the men in black cloaks.
Le saviez-vous
- AnecdotesAfter actor Tom Dallace delivers his lines in the "elevator sequence", a noticeably different voice is heard saying the line, "Hey, thanks a lot, man." The line was added in post production to fill in a moment of dead silence. Dallace was in Los Angeles shooting another movie and was unable to record the line himself, so an uncredited crew member dubbed the line instead.
- GaffesSeveral actors' hairstyles change several times throughout the movie. This is the result of a shooting schedule that took several years.
- Citations
Old Man In Dream: It's all right. It's okay. You have something to live for. Jesus told me so.
- ConnexionsFeatured in American Movie (1999)
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Détails
- Durée37 minutes
- Couleur
- Rapport de forme
- 1.33 : 1
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