Coven

I don't get those who trash "Coven". It is a legit attempt at movie making, and while I can't rate very high due the fact there are many technical issues with this film and some issues with the script, it still is better than most low budget thrillers I have seen. I've seen worse acting in other low budget movies, and while not Oscar material, the acting for the most part doesn't hinder the movie in any way. No I can't do better, but rated against Orson Wells or Woody Allen this is okay at best. Rated against all the stuff he had go through to get this made and his lack of a budget it is a quite amazing piece of work. I'd like to see Mark with a real budget and real actors - the results can't be any worse those some stuff coming out of Hollywood already - and if he delivers on the promise he shows in this movie it would be at least entertaining.

OK, Mark? First off, you're a little weird. "I Blow Up"... but anyway, given what you had to work with, this movie didn't really suck that much, which actually is probably the only thing you really need to know.

For the rest of you... "Coven" (that's "KO-ven", not "KUH-ven", if you please) is a _long_ way from Hollywood, so just relax and enjoy(?) it for what it is: a finally-realized personal project of a fascinatingly driven -- and, yes, weird -- man which 99.9% of us would never have known existed (that goes for both the man and the film) if not for "American Movie".

"Northwestern" due in 2004? Hey, let 'er rip... I'm curious to see how it turns out.

After watching American Movie, you have the option on the DVD to view the short film Coven. After watching this, most will come to the conclusion that Mark Borchardt is not an amazing independent film maker. He is in fact just one of many "movie makers" that want to be the next big thing. Mark's 3 year struggle to make this film was a problem of Mark's own doing. Many of the mistakes and unprofessional storytelling made Mark spend months and months correcting his vision. A victim of circumstances and his own Ego, Mark should have waited and saved thousands of dollars by shooting the entire movie on digital. He could have shot the same movie in 1 week and saved 90% of the money he spent. Shooting on 8mm or 16mm doesn't make you a film maker. Coven was Mark's calling card to prove to the world of his talent. Conclusion: Mark is a dime a dozen. Then again, it shows you how much heart one movie maker has to make his / her movie.

I'm not sure if I still would've loved Coven if I had not seen American Movie, which tracked how director Mark Borchardt spent more than three years and hundreds of man hours to make a film. What was this movie is revealed, sort of, during the course of American Movie, but only in snippets. By the end, when Chris Smith shows a quasi-trailer for Coven, one gets really hyped to watch the whole thing. Thankfully we all can thanks to it being featured on the DVD, and it's really quite impressive. It's shot with an eye for creativity and an odd sense of horror by Borchardt and he gets some crazy and intense performances from his actors, especially one (I forget his name) who looks like an Orson Welles love-child.

And yet, as enjoyable and intense as the movie becomes- about a writer who becomes involved in a rehab group that is really a coven of witches (some women some male)- I wonder now if I would've connected to it more if I had not seen Smith's film. One saw in that, for example, how Borchardt and his friends abused alcohol over the years, and especially how his friend Mike took far too many acid trips and became the slow-talking (though amiable) guy he is today. So, seeing those rehab scenes one gets a more personal sense from Borchardt after seeing the documentary (not to mention his love of Night of the Living Dead projected through in Coven via harrowing hand-held black and white cinematography on a cheap-ass camera, and funky music, and some nasty gore).

But if you do watch it first on the DVD, or find it online, it's still by itself a successful work of primitive art: an independent film that is crude and uncouth, and with some really bizarre, effective scenes like the one in the hospital elevator, or when Mark is in the woods and is surrounded by the men in black cloaks.

Its one of those movies that is just a film to some, but a powerful social commentary for others. Mark Boschardt proves himself as a capable film maker, not the man so obviously mocked in American Movie (though when asked about his portrayal in American Movie, Mark Boschardt said "They were making their own movie, I'm not going to judge it so harshly").

The story is simple; a drug addict/alcoholic writer almost dies from an overdose. Hoping to stay sober, he tries out a support group which doesn't quite work for him. So he tries to stay sober on his own. This, of course, becomes impossible as we see the true nature of the support group, which drives him to further drug use in the movie (they do not take kindly to his not returning). The motivations of the group are unknown throughout the movie, and are still unclear at the end.

But the moral and message of the film are clear enough. Those who are in Alcoholics Anonymous will tell you to steer clear of this film, and to quote Boschardt once more "AA feels that if you don't get help from them, or God, then you haven't gotten help at all." This movie struck close to home with me, and I was really glad to be able to meet Mr. Boschardt himself. After all, it is quite obviously a very personal film for him. 4 stars.