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Ajouter une intrigue dans votre langueIn order to investigate her mother's strange death, a woman enters a sacred convent run by hypocritical, perverse nuns.In order to investigate her mother's strange death, a woman enters a sacred convent run by hypocritical, perverse nuns.In order to investigate her mother's strange death, a woman enters a sacred convent run by hypocritical, perverse nuns.
- Réalisation
- Scénario
- Casting principal
Natsuko Yashiro
- Kaoru Onotsuka
- (as Yûko Oribe)
Emi Jô
- Youko Watanabe
- (as Emi Shiro)
Avis à la une
When a young woman named Maya(Yumi Takigawa)decides to investigate her mother's death by entering a convent school,she discovers a horrific den of pleasure and sadomasochistic activities.Encounters with a randy archbishop and a lesbian mother superior lead to episodes of torture,which include the poor girl being bound topless by thorny vines and beaten with long-stemmed roses.Norifumi Suzuki's "School of the Holy Beast" is a chock full of sleaze,violence and blasphemy.Still the film is visually stunning and the use of colors is execellent.The script pulls no punches in criticizing the hypocrisy of the Catholic church.The story is interesting,the nudity is expicit and there is plenty of symbolism.Overall,I enjoyed this film very much and you should too,if you are a fan of sleazy nunsploitation sub-genre.9 out of 10.
It's pretty difficult to fully comprehend the background to this movie, when you contemplate about it. "School of the Holy Beast" is a nunsploitation film but there are as good as no Catholic people in Japan and most of the actresses probably didn't knew what the hell a convent was! The only thing director Norifumi Suzuki knew for certain was that sex movies with nuns were extremely popular in Europe around that time and he saw this as an open opportunity to do the same for the Japanese exploitation-market. Maybe that's why "School of the Holy Beast" isn't anything like those void and trashy Jess Franco movies, but actually a very stylish and reasonably well-scripted film! "School..." doesn't feature the textbook plotting of nuns worshiping the devil and even the lesbian interactions between the young girls aren't the film's main events. This merely is a good old-fashioned tale of revenge, set within the walls of a convent and compellingly criticizing the abuse of Catholic power. Despite obviously enjoying her sexuality in the outside world, young Maya seems determined to become a nun in one of Japan's strictest convents. She never knew her parents but she discovered that her mother also was a nun here who died in mysterious circumstances. As the plot develops, Maya's only interest seems to be unraveling the convent's hypocrite network of sexual perversion, torture and murder in the name of Catholism. She and rebel nun Ishida become good friends who bring men into the convent and encourage other oppressed sisters to stand up for themselves. Don't get too frightened by this rather ambitious-sounding plot, as the film features more than enough sleaze & violence to satisfy even the most demanding exploitation fanatic. The girls get severely whipped, raped by a Raputin look-alike priest, tied up with thorny stems and beaten with bouquets of roses (that's not as pretty as it sounds). Things get even more sadistic when French/Japanese über-nun Nathalie Green shows up, since she immediately implements some of the vilest torture tricks ever, including a bizarrely fascinating ritual to decide whether or not a girl is a witch. "School of the Holy Beast" is astonishingly beautiful to look at, with imaginative cinematography and an excellent use of color shades. The set and costume designs are magnificent, and surprisingly surpassing the quality of most scenery used in European nunsploitation movies! The music is enchanting and the nudity, although plenty of it, is always illustrated with flair and good taste. The young starlets here, especially Yumi Takigawa Emiko Yamauchi, belong to the prettiest and most talented Japanese actresses I ever beheld. This movie now ranks among my favorite nunploitation-efforts, along with "The Devils", "Flavia The Heretic", "Alucarda" and "Behind Convent Walls". Highly recommended!
Nunsploitation is a sub genre more often associated with trashy cheap Italian cinema; but Japan made a few as well, and while the bizarre Wet & Rope was worth seeing - their real masterpiece was this film, School of the Holy Beast. The most popular religions in Japan are Shinto and Buddhism, so it's rather strange to see Japanese women dressed in habits in a Roman Catholic convent, but even so - that hasn't stopped director Norifumi Suzuki from creating a fine slice of nunsploitation. One of my favourite things about this sub-genre is the fact that the films are often well photographed, and the directors take care with shooting the convent itself, and this is something that is adhered to with this film. There isn't a great deal of plot to speak of, but the central thread follows a beautiful young woman named Maya, who gets bundled off to a convent shortly after having sex with some guy. It soon becomes apparent that, like every other nunsploitation film, not everything at the convent is completely above board - as the nuns themselves are subjected to all manner of sexual punishments.
The attention to detail in the film is stunning, and the director delights in dishing up some stunning shots of the locations and his actresses. Japanese cinema is well known for being stylish, and that is certainly true of this film. There's plenty of sleaze on offer, but it all feels very artful and despite the fact that we're watching things such as whippings, lesbianism and rape, it never feels very shocking and that's because it's all very easy on the eyes. The script doesn't extend well to characters and character development, but it's not all that important and it is good to see that the story does develop past the basic plot layout - which certainly can't be said for every film of this type. Debutant Yumi Takigawa takes the lead role, and does well with it. Admittedly, it's not really because of her acting talent; but she does look good with her top off, and the director obviously knew that as he makes a meal out of scenes that see her half naked and bound with ropes. Overall, this is a fascinating cult film and comes highly recommended to anyone that enjoys this sort of cinema!
The attention to detail in the film is stunning, and the director delights in dishing up some stunning shots of the locations and his actresses. Japanese cinema is well known for being stylish, and that is certainly true of this film. There's plenty of sleaze on offer, but it all feels very artful and despite the fact that we're watching things such as whippings, lesbianism and rape, it never feels very shocking and that's because it's all very easy on the eyes. The script doesn't extend well to characters and character development, but it's not all that important and it is good to see that the story does develop past the basic plot layout - which certainly can't be said for every film of this type. Debutant Yumi Takigawa takes the lead role, and does well with it. Admittedly, it's not really because of her acting talent; but she does look good with her top off, and the director obviously knew that as he makes a meal out of scenes that see her half naked and bound with ropes. Overall, this is a fascinating cult film and comes highly recommended to anyone that enjoys this sort of cinema!
Or as with any other Nunsploitation movie: She'll have nun of that. Works every time like a charm, though I reckon this may only be the third or fourth one of these that I have seen. Still I'll keep believing (pun intended) in finding the ultimate one. This one right here isn't really bad. Most of the time it doesn't make much sense (I guess you have to be nude and show off your breasts for some reason), but it is sort of fun. If you're into bondage that is.
Apart from the already mentioned, that goes way deeper than 50 shades went (at least the movie, haven't read the book yet), this attempt on making a somewhat coherent story is really convoluted and it will be difficult to actually stay with it. Just pray you don't lose yourself. Then again it seems like those who lost themselves are doing mighty fine. Though they didn't expect the main actress to appear (something she didn't expect either, if you were to believe her interview on the disc).
I already wrote more than I thought I would, but somehow the whole thing was intriguing. Especially the innuendo, sometimes explicit (tongue between fingers symbolizing what? Yes exactly that) sometimes not so much. Also the main actress is really beautiful, with clothes, without and even as a nun. Do I have to mention that if you are religious you probably don't want to watch this? Though some would argue, that if you like good movies you'd also avoid it ... fair enough
Apart from the already mentioned, that goes way deeper than 50 shades went (at least the movie, haven't read the book yet), this attempt on making a somewhat coherent story is really convoluted and it will be difficult to actually stay with it. Just pray you don't lose yourself. Then again it seems like those who lost themselves are doing mighty fine. Though they didn't expect the main actress to appear (something she didn't expect either, if you were to believe her interview on the disc).
I already wrote more than I thought I would, but somehow the whole thing was intriguing. Especially the innuendo, sometimes explicit (tongue between fingers symbolizing what? Yes exactly that) sometimes not so much. Also the main actress is really beautiful, with clothes, without and even as a nun. Do I have to mention that if you are religious you probably don't want to watch this? Though some would argue, that if you like good movies you'd also avoid it ... fair enough
This is a beautifully shot movie and is definitely not a cheaply made porn. It's made to stand up as a legitimate movie and entertainment for adults.
Maya Takigawa (Yumi Takigawa) is enjoying her last day of freedom, having a wild time, because tomorrow, she will be entering a convent. She meets a good looking guy Kenta Aoki (Hayato Tani) and becomes friends with him. He wants to go steady with her but she declines. What's driving her to enter the convent ? 18 years ago her mother was at this convent and committed suicide while being pregnant with her. She aborts early but survives. She's now on a mission to find out why her mother had to die and who is her father. After she enters the convent, it's nonstop erotic violence with nuns beating up each other in name of God with beautiful breastages, and naked bodies shown at every opportunity.
The movie is high quality as it has real story, beautiful "real" actresses who can actually act, and crisp cinematography that's top notch.
How did such far out, and excellent movie come out from a rather conservative Toho studio ? I can put all the credit squarely on the director Norifumi Suzuki's capable talent. Suzuki is not well known in the west because he himself prefers not to be in the front line, but he is an unmistakable genius of Japanese cinema, and have directed many famous (and some considered masterpieces) of movies and movie series such as "Torrakku Yaro" (Trucker Guy) series starring Bunta Sugawara and "Hibotan Bakuto" (Hibotan Gambler) series starring Junko Fuji. Sugawara and Fuji both became famous after starring in Suzuki's movies. Suzuki's movies are all known to be somewhat eccentric and squarely focused on entertainment value. He is very versatile as he can direct movies of many different genre all with very high quality.
Seijyu Gakuen (Holy Beast School) gets all it's quality and entertainment values from the talent of its director. Beautiful Yumi Takigawa makes her debut in this movie, and she enjoys a long career as a movie and TV actress in the proceeding years.
Maya Takigawa (Yumi Takigawa) is enjoying her last day of freedom, having a wild time, because tomorrow, she will be entering a convent. She meets a good looking guy Kenta Aoki (Hayato Tani) and becomes friends with him. He wants to go steady with her but she declines. What's driving her to enter the convent ? 18 years ago her mother was at this convent and committed suicide while being pregnant with her. She aborts early but survives. She's now on a mission to find out why her mother had to die and who is her father. After she enters the convent, it's nonstop erotic violence with nuns beating up each other in name of God with beautiful breastages, and naked bodies shown at every opportunity.
The movie is high quality as it has real story, beautiful "real" actresses who can actually act, and crisp cinematography that's top notch.
How did such far out, and excellent movie come out from a rather conservative Toho studio ? I can put all the credit squarely on the director Norifumi Suzuki's capable talent. Suzuki is not well known in the west because he himself prefers not to be in the front line, but he is an unmistakable genius of Japanese cinema, and have directed many famous (and some considered masterpieces) of movies and movie series such as "Torrakku Yaro" (Trucker Guy) series starring Bunta Sugawara and "Hibotan Bakuto" (Hibotan Gambler) series starring Junko Fuji. Sugawara and Fuji both became famous after starring in Suzuki's movies. Suzuki's movies are all known to be somewhat eccentric and squarely focused on entertainment value. He is very versatile as he can direct movies of many different genre all with very high quality.
Seijyu Gakuen (Holy Beast School) gets all it's quality and entertainment values from the talent of its director. Beautiful Yumi Takigawa makes her debut in this movie, and she enjoys a long career as a movie and TV actress in the proceeding years.
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- ConnexionsFeatured in The Real Blue Nuns (2006)
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