Guo nian hui jia

I personally have found that some of the best films ever made are from China. Perhaps being a student of Chinese philosophy and being familiar with works like the writings of Chuang Tze has inclined me to be taken in by the timeless character of this story, like so many others. So many Chinese films are great because they are about timeless, enduring aspects of our being human and would have been relevant 3000 years ago as they are today, and will be 3000 years from now. And to me what makes and will always make a story great is exactly this: the human spirit as it unfolds in the process of interaction with others and its environment.

I cried in parts of this film because of the sheer mastery of several actors of such intense and profound magnitude being able to carry between themselves what seems like the entire universe of the human spirit and psyche. No props needed. No special effects. I wish there were more films like this.

I would not want to waste time here on plots and other comments about the story, which you can find by looking at other posts. What I want to point out here is that the Chinese title is as equally philosophical as the English one:

17 years implies the 17 years of totalitarianism, after which humane side is finally appearing. The Chinese title has the literal translation as Going home on New Years, and it needs more explanation:

In the Chinese tradition, the new year is the time when all family members get together, reflection on the story of the protagonist being released from jail to go home to unite with his parents.

While working within the system, Yuan Zhang's (or is it Zhang Yuan?)latest film 17 YEARS gives the Chinese totalitarian system a human face. The title, referring to 17 YEARS of separation, also refers to an important year (age) in two of the main characters' lives. It is Zhang Yuan's best work to date, and quite possibly the most realistic, impartial portrayal of China's totalitarian system in recent years. I highly recommend it.

This is one of the movies banned by China. I rented this movie out of curiosity as to see why it was banned.

This is a very good movie, it makes you think about parenting and playing it fair to your children. The family is complex since the father has a daughter from prior marriage and the mother also has a daughter from a prior marriage. After this movie, I thought about parenting. The parents need to be sensitive to each child's development. One of the daughter is academic, obviously with high IQ and excelled in school. However, this high IQ daughter has pretty low EQ. She is not a team player and she is ambitious and eager to have a successful and more luxurious life in the future. The other daughter is not doing as good in academics. She is proud of her working class background, more outgoing and unlike the other daughter, she is a team player who wants to contribute to her school's extracurricular activities, etc.

In Chinese culture, people place too much emphasis on academic achievement. I think if you watch this movie, you would think about a child's ethical and moral standards as important attributes in a child's development as well.

Without giving away too much of the movie, I highly recommend people to see this movie. You won't regret it.

Loved everything about it. You immediately identify with the family, then the two characters that become the focal point in the film. Beautifully shot, it becomes a road picture of sorts, a fascinating study of time and how things change along with it. It's one of those rare films that stays with you for a long, long, time. This is one of many foreign films that plays the festival circuit but doesn't get a general release in the U.S. I saw it in 1999 and thought that I'd have to be satisfied with the memory. There would never be another opportunity to see it again, but amazingly, after six years, it was actually released on DVD!! On a rainy day, pop this one into the VCR/DVD and just enjoy a very special story in a wonderful little film.