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Ajouter une intrigue dans votre langueAn inside look into one night in the San Francisco underground rave scene.An inside look into one night in the San Francisco underground rave scene.An inside look into one night in the San Francisco underground rave scene.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Dmitri Ponce
- Guy
- (as Dmitri from the Lower Haight)
Wendy Turner
- Lisa
- (as Wendy Turner-Low)
Bradley K. Ross
- Aaron
- (as Bradley Ross)
Avis à la une
I watched this movie because of a trailer I watched on HBO. Never heard of it before, but it seemed interesting.
Point is, I loved it to the point of even recording it and recommending it to my friends. I was in the rave scene during the mid 90's, when the likes of Scooter, Faithless, Robert Miles, Mark 'Oh and many others were at their peak.
I truly enjoyed this movie and felt I was there the whole night. This movie is definitely not meant for anyone, much less for those who still don't understand what indie films are about. This was certainly not Arakki or Aranofsky, but I have to commend director Greg Harrison for this piece of work.
This movie starts with the sound of a modem connecting to the internet... sooooo 1998! It was funny. Then you see all these fast stories about weirdos and their lives.
The plot was definitely secondary in this movie. I could not care less about Leyla, or Colin, or whoever... But I guess that wasn't exactly the point.
Although the party was somewhat different from what I used to go to, its structure was basically the same: Clandestine party, where you need maps and bribe a few guys to know exactly where you're going; the different levels of music throughout the night, from slow-beat clubhouse to orgasmic trance; the amount of drugs, the doped people, the escape from it all.
There were pointless scenes, like those gay guys trying to get to the party (there was already a gay moment between Colin and that masseuse guy.. poor Harmony!). I recognized Rachel True, the gorgeous girl from "The Craft", I had no idea she was on this.
I agree with the one who commented that John Digweed would never play in a party like this.. Actually I laughed when he made his cameo... So what was next? Tiesto? Johan Gielen? Paul Oakenfold?
This movie was also a reflect of how these parties were about 5-10 years ago. Yes, the electronic scene has become much more commercial, specially in Holland and Belgium. I guess that it's not so special to me anymore, now that virtually everyone has discovered it.
And yes, once the party got busted, there's no way they would have gotten away with starting it again!
When the party is over, the movie is over, leaving the viewer with the SAME FEELING most ravers had when leaving... "Now what?" After an amazing night of "everything", you have to realize that it's all over and life must goes on... at least for most of us.
Point is, I loved it to the point of even recording it and recommending it to my friends. I was in the rave scene during the mid 90's, when the likes of Scooter, Faithless, Robert Miles, Mark 'Oh and many others were at their peak.
I truly enjoyed this movie and felt I was there the whole night. This movie is definitely not meant for anyone, much less for those who still don't understand what indie films are about. This was certainly not Arakki or Aranofsky, but I have to commend director Greg Harrison for this piece of work.
This movie starts with the sound of a modem connecting to the internet... sooooo 1998! It was funny. Then you see all these fast stories about weirdos and their lives.
The plot was definitely secondary in this movie. I could not care less about Leyla, or Colin, or whoever... But I guess that wasn't exactly the point.
Although the party was somewhat different from what I used to go to, its structure was basically the same: Clandestine party, where you need maps and bribe a few guys to know exactly where you're going; the different levels of music throughout the night, from slow-beat clubhouse to orgasmic trance; the amount of drugs, the doped people, the escape from it all.
There were pointless scenes, like those gay guys trying to get to the party (there was already a gay moment between Colin and that masseuse guy.. poor Harmony!). I recognized Rachel True, the gorgeous girl from "The Craft", I had no idea she was on this.
I agree with the one who commented that John Digweed would never play in a party like this.. Actually I laughed when he made his cameo... So what was next? Tiesto? Johan Gielen? Paul Oakenfold?
This movie was also a reflect of how these parties were about 5-10 years ago. Yes, the electronic scene has become much more commercial, specially in Holland and Belgium. I guess that it's not so special to me anymore, now that virtually everyone has discovered it.
And yes, once the party got busted, there's no way they would have gotten away with starting it again!
When the party is over, the movie is over, leaving the viewer with the SAME FEELING most ravers had when leaving... "Now what?" After an amazing night of "everything", you have to realize that it's all over and life must goes on... at least for most of us.
This is probably the closest you can come to experiencing a real rave without actually attending one. I can't understand user comments about poor acting, as I felt that everyone did a very good job here. The story centers around a group of people looking to have a harmless good time, with a number of side-characters. The rave organizer story is great, and the gay couple who can't find where the happening is is absolutely hilarious. The strongest part of the film is the magnificent soundtrack, and appearances by some of the best (and most underappreciated) DJ's around, John Digweed, Pollywog, etc. If you're at all into techno/rave music, just rent this for the great tunes. And you might find that you also enjoy the storyline.
Groove has often been compared with Human Traffic, but both are actually quite different. While Human Traffic was about a group of people who go to clubs and take drugs, Groove is about an actual rave. Director Greg Harrison is less interested about depicting the lives of the people who go to a rave than trying to cinematic ally get his audience to experience what a rave is like.
On that level, Groove is a triumph. For those who used to rave, this film is the best flashback you'll ever get, the best way to relive the experience. For those who currently rave, it will make you want to go out and find a party NOW. For those who have never raved, the film brilliantly shows the sight and sounds of a rave while trying to be like a rave itself through careful pacing and use of music.
The characters are thinly sketched in the early scenes but that's all we need, it's what they are and do at the rave that matters ,with the exception of the squabbling gay couple who may not make it to the party at all and are hilarious. The growing attraction between experienced 'partied out' girl and dorky novice is touching, and all the characters in the film have at least one stand out moment. Performances are generally strong, and some of the use of sound is superb, such as when the main protagonist is 'coming up'.
The film has been criticized for being pro drugs, but it just shows the drug {especially E}experience in it's various forms. Some characters abstain, some overdo it and pay the price {though like Human Traffic there are refreshingly no deaths or serious fatalities}, most just enjoy themselves. The film is not saying drugs are good for you, it's just saying that drugs are something many people do, and maybe not because that are addicted, but because to them it's fun!
The music is excellent, varied and well chosen. The appearance by a certain superstar DJ at this small rave of around 200 people has been rightly called unrealistic, and lets just say that acting is not his strong point! However comments that parties never start up again after they are shut down {as in this film}are untrue, I experienced it! In any case, it climaxes the film on a true 'high'.
The many shots of people dancing may bore some, and there will be many for whom this film will have no interest at all. But ignore some of the hardcore purists, this is as close to a depiction, and more importantly the experience, of a rave as cinema can probably get.
On that level, Groove is a triumph. For those who used to rave, this film is the best flashback you'll ever get, the best way to relive the experience. For those who currently rave, it will make you want to go out and find a party NOW. For those who have never raved, the film brilliantly shows the sight and sounds of a rave while trying to be like a rave itself through careful pacing and use of music.
The characters are thinly sketched in the early scenes but that's all we need, it's what they are and do at the rave that matters ,with the exception of the squabbling gay couple who may not make it to the party at all and are hilarious. The growing attraction between experienced 'partied out' girl and dorky novice is touching, and all the characters in the film have at least one stand out moment. Performances are generally strong, and some of the use of sound is superb, such as when the main protagonist is 'coming up'.
The film has been criticized for being pro drugs, but it just shows the drug {especially E}experience in it's various forms. Some characters abstain, some overdo it and pay the price {though like Human Traffic there are refreshingly no deaths or serious fatalities}, most just enjoy themselves. The film is not saying drugs are good for you, it's just saying that drugs are something many people do, and maybe not because that are addicted, but because to them it's fun!
The music is excellent, varied and well chosen. The appearance by a certain superstar DJ at this small rave of around 200 people has been rightly called unrealistic, and lets just say that acting is not his strong point! However comments that parties never start up again after they are shut down {as in this film}are untrue, I experienced it! In any case, it climaxes the film on a true 'high'.
The many shots of people dancing may bore some, and there will be many for whom this film will have no interest at all. But ignore some of the hardcore purists, this is as close to a depiction, and more importantly the experience, of a rave as cinema can probably get.
Greg Harrison apparently thought he was making a pseudo-documentary of the San Francisco rave scene. According to all the dismissive reviews from die-hard ravers, Harrison has failed in this aspiration. In failing though, Harrison has succeeded in creating a small movie which works on many levels. Groove has humor. It has moments of dramatic tension. It shows drug abuse for what it is without being preachy or judgmental. The music is awesome. The cinematography alone is worth your time. And then, just when you have enough elements to make up an okay niche movie about the rave scene, Groove adds "The Nod," a mini concept piece which transcends the genre and adds a second climax, an intellectual one, after the first musical/spiritual/dramatic climax. Groove is filled with the kind of self-revelatory scenes which give the viewer a sense of truth and the truth always hurts.
This film was verrrry well done. To those that say it wasn't...I guess you have never owned a club where raves took place. I did.
I bought this movie in a stack of films and it only cost me 99 cents. Well shock the pants off me.
What I thought would be a lame party and just a bunch of stoners walking around talking trash was certainly an enlightenment.
GROOVE is EXACTLY what a rave is about...and how would I know? I know because I hosted them myself...packed to the hilt in Vancouver B.C. at PLANET X...and you could guess what the X stood for.
Anywayz, this is very well done in terms of casting, lighting performance, music, tone and everything.
The scene that struck me most is when Ernie says this...and this is classic to me.
Guy: Why do you do this to yourself? Don't even get paid, risk getting arrested, for what? Ernie: You don't know? Guy: No. Ernie: The Nod. Guy: The Nod? Ernie: Happens to me at least once every party. Some guy comes up to me and says "Thank you for making this happen... I needed this. This really meant something to me." And they nod... and I nod back. Guy: ... That's it? Ernie: That's it.
That little piece of dialogue is everything...it's what made me want to run the rave at PLANET X, even thought I was't making big bucks...to me it was the NOD...
So I know exactly where Ernie was coming from...and I felt the director Greg Harrison was getting to.
Watch Groove and relive your youth before it slips away from you in your daily 9-5 and rush hour traffic.
I only wish I was at the club...because it was so intense and so real...and made me so jealous that I was only watching it on my TV screen.
With a $500000 budget, this is tops.
Once again, everybody...extras and all cast included...an awesome job and one very satisfied viewer...certainly worth my time.
I bought this movie in a stack of films and it only cost me 99 cents. Well shock the pants off me.
What I thought would be a lame party and just a bunch of stoners walking around talking trash was certainly an enlightenment.
GROOVE is EXACTLY what a rave is about...and how would I know? I know because I hosted them myself...packed to the hilt in Vancouver B.C. at PLANET X...and you could guess what the X stood for.
Anywayz, this is very well done in terms of casting, lighting performance, music, tone and everything.
The scene that struck me most is when Ernie says this...and this is classic to me.
Guy: Why do you do this to yourself? Don't even get paid, risk getting arrested, for what? Ernie: You don't know? Guy: No. Ernie: The Nod. Guy: The Nod? Ernie: Happens to me at least once every party. Some guy comes up to me and says "Thank you for making this happen... I needed this. This really meant something to me." And they nod... and I nod back. Guy: ... That's it? Ernie: That's it.
That little piece of dialogue is everything...it's what made me want to run the rave at PLANET X, even thought I was't making big bucks...to me it was the NOD...
So I know exactly where Ernie was coming from...and I felt the director Greg Harrison was getting to.
Watch Groove and relive your youth before it slips away from you in your daily 9-5 and rush hour traffic.
I only wish I was at the club...because it was so intense and so real...and made me so jealous that I was only watching it on my TV screen.
With a $500000 budget, this is tops.
Once again, everybody...extras and all cast included...an awesome job and one very satisfied viewer...certainly worth my time.
Le saviez-vous
- AnecdotesThe featured or "Headliner" DJ who gives the young DJ Spaz the Bedrock anthem record at the end of the film really is John Digweed.
- GaffesMidway through the movie after the police man gets a tour of the "company" he is holding a bottle of water that is nearly full, but a few seconds later when he takes a drink, the bottle is nearly empty.
- Citations
Guy: Why do you do this to yourself? Don't even get paid, risk getting arrested, for what?
Ernie: You don't know?
Guy: No.
Ernie: The Nod.
Guy: The Nod?
Ernie: Happens to me at least once every party. Some guy comes up to me and says "Thank you for making this happen... I needed this. This really meant something to me." And they nod... and I nod back.
Guy: [scoffs] ... That's it?
Ernie: That's it.
- Bandes originalesProtocol
Written by Deryl Dorsett & Stan Dorsett
Performed by Symbiosis
Courtesy of Domestic Recordings
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- How long is Groove?Alimenté par Alexa
Détails
Box-office
- Budget
- 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 115 313 $US
- Week-end de sortie aux États-Unis et au Canada
- 55 946 $US
- 11 juin 2000
- Montant brut mondial
- 1 162 001 $US
- Durée1 heure 26 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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