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Sexe dangereux

Titre original : Blue Money
  • 1972
  • R
  • 1h 33min
NOTE IMDb
4,1/10
321
MA NOTE
Sexe dangereux (1972)
Drame

Ajouter une intrigue dans votre langueHandsome and successful Jim appears to have it all: he's married to the beautiful and supportive Lisa, has a healthy baby, and works a cool gig as the director of hardcore porno fare. Jim's ... Tout lireHandsome and successful Jim appears to have it all: he's married to the beautiful and supportive Lisa, has a healthy baby, and works a cool gig as the director of hardcore porno fare. Jim's seemingly perfect life starts to fall apart when he has an extramarital fling with an actr... Tout lireHandsome and successful Jim appears to have it all: he's married to the beautiful and supportive Lisa, has a healthy baby, and works a cool gig as the director of hardcore porno fare. Jim's seemingly perfect life starts to fall apart when he has an extramarital fling with an actress and the local Los Angeles vice cops close in to make a bust.

  • Réalisation
    • Alain Patrick
  • Scénario
    • Nick Boretz
    • Alain Patrick
  • Casting principal
    • Alain Patrick
    • Barbara Mills
    • Inga Maria
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,1/10
    321
    MA NOTE
    • Réalisation
      • Alain Patrick
    • Scénario
      • Nick Boretz
      • Alain Patrick
    • Casting principal
      • Alain Patrick
      • Barbara Mills
      • Inga Maria
    • 11avis d'utilisateurs
    • 12avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos26

    Voir l'affiche
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    + 20
    Voir l'affiche

    Rôles principaux27

    Modifier
    Alain Patrick
    • Jim Dasal
    Barbara Mills
    • Lisa
    • (as Barbara Caron)
    Inga Maria
    • Ingrid
    Jeff Gall
    • Mike
    Oliver Aubrey
    • Fatman
    Steve Roberson
    • Freddie
    Maria Arnold
    • Model
    • (as Marie Arnold)
    Sandy Dempsey
    • Model
    Suzanne Fields
    Suzanne Fields
    • Model
    • (as Cindy Hopkins)
    Susan Westcott
    • Model
    • (as Susan Draeger)
    Sunny Boyd
    • Model
    Leslie Otis
    Leslie Otis
    • Model
    Alan Bouverat
    Mark Lasky
    Mark Lasky
    Rita Ford
    Steve Lacey
    Roland Miller
    • Vice Cop in Sport Coat
    Jack Pill
    • Réalisation
      • Alain Patrick
    • Scénario
      • Nick Boretz
      • Alain Patrick
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs11

    4,1321
    1
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    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    2culwin

    The worst thing a movie can be is boring

    This snooze-fest makes Tommy Wiseau look Oscar-worthy. In fact, there are many similarities with The Room - an actor/director with an accent, topless women, and a guy who argues with his wife. But at least Tommy is kind of funny and constructs interesting scenes. The guy shoots porn films to get money to build a boat. His wife doesn't like it. Occasionally cops act like they might do something. That's about all that happens. Somehow, they stretched that premise to over an hour. The porn angle is not interesting either. I almost fell asleep, but the only thing keeping me awake is wondering if they made it this dull on purpose. I can only recommend watching this if you want to brag to your friends about having sat all the way through it.
    2Leofwine_draca

    Another worthless forgotten film from Crown

    I don't know about other reviewers but I thought this sleazy skin flick was absolutely awful. Like other Crown International Pictures from the era such as CINDY AND DONNA, this is a near plot less affair of simulated sex between unappealing actors with a few dramatic elements thrown into the mix.

    The main character is a sleazy porn producer who falls for one of his own actresses. They attempt to get out of the business, but various stuff gets in the way. The whole film has a tired, cheap look to it, the characters are horrendous, and it's about unerotic as it gets. Viewers looking for genuinely sleazy fare will also be disappointed as films like this are oddly tame considering the shocking depravity that a lot of horror films were delving into during the same era (I'm thinking of THE EXORCIST and THE Texas CHAINSAW MASSACRE as an example).
    4Red-Barracuda

    Despite the promising topic, this isn't too interesting

    Blue Money was made during the golden age of porn in the 70's when feature length hardcore films were made with story lines and some production values to them. This was the era when these kinds of films were made on film and shown by necessity in cinemas. It all seems so very odd nowadays but seemingly that was the way it was back then. Blue Money is one of the exploitation films that tapped into this territory and set a drama around the sex industry. It's about a man who tries to secure the future of his family by making adult movies. Meanwhile the feds hover in the background secretly filming the film-maker to bring him down on obscenity charges.

    This was one of the many b-movies put out by Crown International Pictures. Their output was notable for featuring plenty of nudity to draw in the crowds but surprisingly Blue Money is not especially salacious stuff given its subject matter and distributer. In fact it seems to be trying to be a serious drama first and foremost. This isn't precisely a bad idea but it ultimately fails on account of the poor characterisations and an overly underplayed storyline. Probably the biggest single issue though was the thoroughly under-par performance of the lead actor Alain Patrick who also directed, wrote and produced this as well! Fair play for trying to do everything but he is a terrible actor. At the end of the day, this is a movie that promises quite a lot given its interesting subject matter but it's sadly a pretty tedious affair for the most part.
    Wizard-8

    Could have been insightful, but ends up being boring

    I have to confess that I haven't seen that many true pornographic films, because what I've seen has left me both bored and depressed. However, I have enjoyed a number of movies that have dealt with the pornographic industry, from "Boogie Nights" to "Orgazmo". "Blue Money" could have been another interesting look at the industry, since it deals with the porn film industry when it was starting to become mainstream yet still falling afoul of the law. However, it is a crushing bore. There's very little story, and it's stretched out way past the breaking point. The characters aren't very interesting as well. If you are thinking of watching the movie anyway to see sex or nudity, let me warn you that there isn't a terrible amount of this material, and the little there is isn't presented in an erotic light. I have no idea why Crown-International picked this up for distribution, because it's unlike their usual product, which usually made an effort to deliver the goods. I guess there is some curio value, but not enough to make it worth searching for.
    1arfdawg-1

    Slower than Molasses

    The Plot.

    Handsome and successful Jim appears to have it all: he's married to the beautiful and supportive Lisa, has a healthy baby, and works a cool gig as the director of hardcore porno fare.

    Jim's seemingly perfect life starts to fall apart when he has an extramarital fling with an actress and the local Los Angeles vice cops close in to make a bust.

    As the movie begins, you see a sigh flapping in the wind that says "Dog On Duty."

    Only there is no fence to contain a dog. It's a wide open space! LOL.

    This defines the film. It's moronic.

    Whoever directed this has no clue about film making or exposition.

    The lead dude can't act and must have blown the producer.

    It's simply awful.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Gary Kent did the small uncredited part of a vice cop as a favor for director Alain Patrick.
    • Gaffes
      A very large dent repeatedly appears and disappears from the passenger side door of Jim's Porsche. This is most noticeable when Jim and Mike go to the studio to remove their files; the dent inexplicably appears late in the scene.
    • Citations

      Lisa: [as Jim lies with his head cradled in her lap, and they share a bottle of wine] I'm gonna come down to the studio and spy on you.

      [muttering to herself:]

      Lisa: And see what they do that transforms you.

      [brightly:]

      Lisa: I'll bring you lunch.

      Jim: I don't want you to come down there, love. It is not Disneyland.

      Lisa: Hey, the things you say to me, sometimes are really weird. The way you look at me is so weird. Sometimes... sometimes I feel like pouring this wine over your head.

      [takes another swig from the bottle]

    • Versions alternatives
      This film was originally released in a 93-minute X-rated version, before being cut by Crown and distributed more widely in an 80-minute R-rated version. This version was by far more common until the recent release by Vinegar Syndrome, which restores the film to its former length.
    • Connexions
      Featured in Twisted Sex Vol. 21 (2002)
    • Bandes originales
      Walk in the Sun
      Lyrics by Clarence Morley

      Music by Jay Torrey

      Sung by Jay Torrey

    Meilleurs choix

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    FAQ14

    • How long is Blue Money?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 24 septembre 1975 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Blue Money
    • Lieux de tournage
      • Marina del Rey, Californie, États-Unis
    • Société de production
      • Nissa Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 35 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 33min(93 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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