Only a complete curmudgeon could dislike this film. It's a brilliant slapstick parody of the spy/private eye genres with the Baadshah of Bollywood himself, Shahrukh Khan, hamming it up gloriously as a slightly dim-witted private detective who is innocently drawn into a conspiracy to assassinate the prime minister of India. The hilariously complex plot of mistaken identities and spy/counter spy is so twisted it took me several viewings to actually make it all out. (The fact that I was having to read subtitles didn't help) Surprisingly, the story holds together much better than it seemed to at first.
Bollywood is notorious for stealing from Hollywood, and Baadshah is no exception. (For all you other non-Hindi speakers, "Baadshah" means King, like the one in a deck of cards) The opening dance number, Main Te Hoon Pagal, is clearly inspired by the "Cuban Pete" song from "The Mask", and later on whole scenes are copied nearly frame for frame from a couple of Jackie Chan movies: Mr. Nice Guy and Rush Hour. The results are just great good fun.
The high point has to be the campy, outrageous "Baadshah, O Baadshah" nightclub number with Khan strutting his stuff amid a huge chorus of dancers in a whirl of silver lame and pyrotechnics. For a guy who claims to be a very bad dancer, he has an easy grace and agility that makes him a joy to watch.
Khan's performance in Baadshah is perfect. The comedy is fantastic, and there isn't a dull moment. The supporting cast, including Twinkle Khanna, Johnny Lever (if you can stand him), and the ever-essential villain, Amrish Puri, are wonderful. Like most Hindi films, there's a mish-mash of everything you can imagine: drama, slapstick comedy, teary-eyed pathos (gotta see the Khan cry at least once in every film), romance (gotta see the hero dance around trees at least once in every film) high-tech James Bond gadgets, hilariously bad special effects; Baadshah has it all!
