Stars in Love

This film, based on a Noel Coward play, stars Julie Andrews, as Lady Felicity Marshwood, who is upset to learn that her son, Lord Nigel (Edward Atterton) is engaged to be married to Hollywood film star Miranda Frayle (Jeanne Tripplehorn). However, the situation soon becomes even more complicated when Nigel plans to bring Miranda to meet his aristocratic family, only for the family's maid Moxie (Sophie Thompson), to announce that Miranda is in fact her sister! Throw in Miranda's co-star and former lover Don Lucas (William Baldwin) who is coming to England to try and stop the marriage, and Colin Firth and Stephen Fry as respectively Nigel's cousin Peter, and the family butler Crestwell, and the stage is set for a fine comedy!

I loved this film – it did remind me somewhat of another Noel Coward adaptation – Easy Virtue, which like Relative Values, also starred Colin Firth, and which also featured the son of an upper-crust English family bringing his vivacious American girlfriend to meet his relatives, but the films play out quite differently (I loved easy Virtue too).

All the cast were excellent – in particular, Thompson, Andrews and Firth. Stephen Fry was playing a role which could have been written for him, and although he is one of the supporting rather than main cast members, he certainly makes the most of his screen time. Baldwin is also very funny as the often drunk Lucas, who throws a spanner in the works of Miranda's plan to transform herself from a starlet to a Lady of the Manor. And Moxie, who is transformed from a maid, into a wealthy family friend (so that Miranda won't recognise her) is the centre of one of the funniest scenes, when Moxie gets drunk to try and overcome her fear at meeting her sister who she hasn't seen for some 20 years. Colin Firth is just adorable as Peter – it could have been a nothing role in the wrong actor's hands, but Firth is perfect.

The plot itself is rather daft – why didn't they just tell Miranda that her sister was working for the family, rather than try and cover up the fact (and surely Miranda would have recognised her own sister!), but I think that it's just something that you need to go with, accept, and enjoy. Overall, this was a very funny and hugely delightful film. At just under one and a half hours, it never gets boring, the cast is top-notch, and I would certainly recommend it.

This is great fun and a reminder of when actors and actresses just weren't welcome in polite society (and why). Just watching Colin Firth's face is delicious, he is subtle, funny and brilliant! The star-struck maid alone is worth the price of admission; and Stephen Frye is a perfect butler to Julie's elegant, polished master of each successive situation. Sophie Thompson steals the dinner scene and just about every other one she is in. This is a fabulous, literate comedy of manners with everyone spot-on with their characters. Every time I watch it I find something clever, witty and subtle that I missed the previous time. Just sit back and have fun watching all the stereotypes get skewered.

What can I say?

I loved this movie. It is a classic comedy of manners. Written by bitch extrodinaire Noel Coward, the movie sparkles with wit and one-liners. Colin Firth plays the resident bitch (very much a Noel Coward type characture). Julie Andrews is in fine form as the matriarch fearing her son is going to marry beneath the family by marrying Hollywood starlet Jeeane Tripplehorn, who looks gorgeous in this film.

Mad servants and stuck-up butlers abound, this movie is a real find.

And final praise must go to the person who steals this movie from under the very esteemed company, and that is Sophie Thompson as ladies maid Moxie. The dinner scenes where she is getting drunker, and drunker is the funniest parts of a very funny movie.

To be recommended.

This probably isn't one of Noël Coward's better plays for me, but Eric Styles has managed to assemble a solid cast to make this adaptation just about watchable. Edward Atterton (Lord Marshwood) has fallen for Hollywood star "Miranda" (Jeanne Tripplehorn) who is, in turn, on the rebound from a relationship with her on-screen partner "Lucas" (William Baldwin). After their whirlwind romance on the Côte d'Azur they plan to return to his stately pile where his dowager countess mother "Felicity" (Dame Julie Andrews) is waiting to greet them. Now this woman is rather shrewd and egged on by her mischievous nephew "Peter" (Colin Firth) decides to let matters take their course... That plan is rather spiked by a surprise announcement from her long-term confidante "Moxie" (Sophie Thompson) that, coupled with the pursuing "Lucas", creates the template for quite an engaging, if one-dimensional, theatrical farce. Nobody is really challenged here, the plot delivers competent efforts from both cast and screenplay along lines that don't really provide much humour or originality, and that concludes very much as you might expect. It's well photographed (though not very well edited) and Dame Julie brings that certain star quality that we seldom see nowadays. I would probably have left this to the stage where i expect it would have worked better - on the silver screen it falls a bit flat.

My first thought when I first watched this movie was of how similar it was to the writing styles of P.G. Wodehouse and the famous English playwright Oscar Wilde. The storyline starts off deceptively simply and slowly builds in complexity until a frenetic climax explodes all over the viewer. It is virtually impossible to try and explain the plot to someone because it simply has too many twists and turns.

This movie is an unusual one for Ms. Tripplehorne in that she plays a glamorous Grace Kelly/Marilyn Monroe-esque movie star instead of her usual supporting actress role. I thought it was a lovely change and she did a stunning job capturing the mannerisms and acting style of the era. The little movie clip of her and "Don Lucas" in the preposterously titled 'A Kiss in the Dark' was so (very bad) Casablanca that I just had to laugh.

The story progressed beautifully with little touches of absurdity in just the right places, such as the poor unfortunate maid walking (read 'running') the dogs across the manor grounds. And because good comedy comes in threes, we see her three times throughout the movie.

But for me, the real winner in this movie is Colin Firth's role as Peter, the ubiquitous nephew-in-residence. His lines are delivered beautifully, but it is his facial expressions, and soft, unspoken mimicry of Miranda Frayle that really clinch it. His smart-aleck remarks are tempered with just enough Britishness to keep them from being outright obnoxious. It's lovely to see him in a role that must have been so much fun.

On the whole, I thought the movie was marvelous. It's full of deliciously sketched characters, masterfully crafted dialogue, very effective camera work, beautiful costumes and props, and of course, ridiculous coincidences that serve to drive the plot towards its inevitable conclusion. A great movie to enjoy yourself and also to recommend to your mother or anyone else with discriminating taste.