Bootmen

When this movie focuses on the dancing, it is amazing and joyful. Unfortunately, far too much time is spent on the extremely pedestrian story of underdog dancers, star-crossed love lives and gang fights.

While the story was trite, the acting and the dancing were superb. Both main male leads do a terrific job, with Adam Garcia (previous film: Coyote Ugly) an absolute standout as the guy with the dream that he makes come true despite the odds.

I'm glad I didn't pay full price, but for a matinee price - you can ignore the story and concentrate on the dance numbers. Those *are* worth the price of admission.

This film was done to promote the Tap Dogs show and dance group, so don't expect complicated or sophisticated plot, cunning twists or even amazing acting.

You can pretty much guess what happens, just from watching the trailer. There is nothing, plotwise, that hasn't been done before and the characters are all tried and tested stereotypes. Cinematography is solid and production quality is safe. There is a fair degree of bad language, which seems a touch out of place given that this film will appeal to a lot of young dance students.

But none of this detracts from the basic underlying premise of the film... Basically, sit back, shut up and enjoy the fabulous tap dancing - That's what it's about and in that respect, it does NOT disappoint!!

As a resident of Newcastle who is familiar with the Dein Perry story I was very interested in seeing this movie. The fact that it was shot in Newcastle and features a few Newcastle actors only increased my interest. As a local it was fantastic to see our often stereotyped city (we are the sixth largest Australian city) look as good as it does. They didn't just focus on the normal shots of the steel works or the beach, and they used references to places in Newie that only we could get. As a tap-dancing fan it was wonderful to see tap making its way into the cinema in a non-Fred Astaire way. As a movie fan it was great to note that something I assumed to be a chick-flick was actually a very blokey film with a bit of dancing thrown in. Perry and the crew have done a magnificent job in not only opening up the eyes of the world to tap-dancing they've also been wonderful in showing everyone a different side to Newcastle, while still maintaining what we are really about.

Well, I've just seen Bootmen a second time, and let me say that its even better second time round! Seeing it twice really gives you the opportunity to focus on the stuff you missed out the first time. For example, I was looking at the smaller details instead of all the same stuff as the first time. I've just read my first review thing and I realised I said that dancing at the beginning was not so spectacular. I'm an idiot! I meant to say the acting! The acting wasnt so hot at the beginning but quickly picks up towards the middle. Again, the dancing was awesome, the actors were awesome and Adam Garcia is definitely beyond awesome! I love the man's hair! And I just realised that it is Dein Perry himself as that Anthony guy at that dance show in Sydney that Sean gets into. Awesome! Awesome! Awesome! Awesome! Awesome! Awesome! Awesome!

The concept is good - to try to capture the style of the "Tap Dogs" and turn it into a feature film.

Sadly, the transition to the big screen was not entirely successful. In order to reach the big tap finale, we had to wade through an hour and a half of paper thin plot - nice guy fails to make it in the big city, father-son conflict, brother-brother conflict and small scale organized crime racket.

The quality of the acting left a bit to be desired (this is to be expected as the guys were selected for their tap ability, rather than their acting pedigree), and Sophie Lee was ... well, Sophie Lee (I'm yet to be convinced that she is an actor).

The bleak industrial landscape and cinematography were quite good, as were the actors in the small supporting roles.

So when push comes to shove - was the final tap spectacular worth sitting through the movie? Sure was, it's just a shame there wasn't a bit more of it.