Une diseuse de bonne aventure ayant une perception extrasensorielle est sollicitée afin de retrouver une jeune femme disparue.Une diseuse de bonne aventure ayant une perception extrasensorielle est sollicitée afin de retrouver une jeune femme disparue.Une diseuse de bonne aventure ayant une perception extrasensorielle est sollicitée afin de retrouver une jeune femme disparue.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 11 nominations au total
Nathan Lee Lewis
- Cornelius
- (as Nathan Lewis)
Avis à la une
In The Gift, Cate Blanchett is blessed(or cursed?) with the ability to sense things that no ordinary person can see. She is asked by the police to aid in the search of a missing person and what follows, is a journey into the supernatural. Sam Raimi knows how to set up a scene for the maximum scare potential. Honed on his Evil Dead series, Raimi lets a scene begin slowly and allows the viewer to sense the dread and feel the suspense build. There are visual tricks, interesting camera techniques and the fine performances by a very talented cast that propel this story forward. Among this cast that really stands out is Keanu Reeves. People have always complained that Reeves brings down a movie. At least some of the people I know. I prefer to think that Reeves is an underrated actor. In the role of Donny Barksdale, Reeves brings a certain menace to his character that usually isn't scene in his other roles. Barksdale isn't a creature of the night, or a space alien, but a flesh and blood creature that is capable of true evil. When you watch him, look at his eyes and you'll see a true menace lurking behind those dark brown eyes. Cate Blanchett shows that she can master just about any accent that's out there. She sounds like she's a native of the south and she has a quiet courage about her. Most notable when she's squaring off against Reeves.
All in all, The Gift is a wonderfully atmospheric thriller. It has brains and doesn't insult the viewers. It will keep you hooked up until the very end, and there are quite a few surprises throughout the film. Highly entertaining, and very spooky at times.
All in all, The Gift is a wonderfully atmospheric thriller. It has brains and doesn't insult the viewers. It will keep you hooked up until the very end, and there are quite a few surprises throughout the film. Highly entertaining, and very spooky at times.
An interesting story line and a fine cast make The Gift a good choice, if you want some mystery and suspense on your screen. A good good mix of drama, mystery, fantasy and a slight touch of horror.
Firstly I need to say this isn't a horror. It's a thriller. Also it's not a fantasy movie so both of those tags should be ignored.
That doesn't mean it isn't a good movie. What's particularly good is how some of the actors play roles that ho against their usual character types.
Without a doubt Giovanni Ribissi steals the movie and plays his part perfectly.
Recommended.
That doesn't mean it isn't a good movie. What's particularly good is how some of the actors play roles that ho against their usual character types.
Without a doubt Giovanni Ribissi steals the movie and plays his part perfectly.
Recommended.
In a small town deep in the South, a single mother endowed with a special ability becomes involved with the disappearance of a young woman and has a brush with the supernatural, in `The Gift,' directed by Sam Raimi. Cate Blanchett stars as Annie Wilson, a young widow attempting to raise her three kids and provide a decent life for her family, scraping out a living on Social Security since the tragic death of her husband in a work related accident the previous year. She supplements her meager income by doing `readings' for the local townsfolk, accepting their donations for the insights she offers them into their own lives. Annie has a `gift,' the ability to see certain things in the cards that enables her to advise her clients about personal issues. It's something she can't explain; she knows only that it's inherited (which she learned from her grandmother), and that it's real. And though it's helped her maintain her home, she soon finds that it doesn't always make for the most pleasant of situations, as when she must advise a young woman, Valerie Barksdale (Hilary Swank), on how to cope with her abusive husband, Donnie (Keanu Reeves), or attempt to help a troubled young man, Buddy Cole (Giovanni Ribisi) come to terms with some sensitive aspects of his life. Then, when a client comes to her to ask for help when his daughter disappears, not only does it take her to the dark side of the human experience, she discovers that certain individuals, including local sheriff Pearl Johnson (J.K. Simmons) do not believe that her `gift' is real.
Stylistically crafted and delivered, Raimi's film will keep you engrossed and on the edge of your seat until the very end. He successfully blends reality with just a touch of the supernatural that makes for riveting suspense while keeping it within the realm of believability. The relationship played out between Donnie and Valerie is anything but unique-- you've seen this before, many times in many films-- but within the context of this story it's fresh and it works. The doubtful sheriff and the cynical, jaded defense attorney, Gerald Weems (Michael Jeter), are fairly stereotypical, but that can be easily overlooked in light of the overall story and especially due to the credibility of the Annie character, which is well developed and never presented as anything beyond what can be readily accepted as true to life. As the central character, Annie anchors the film and enables the circumstances in which she is involved to be perceived as real; it's the strength of the film, and it's what makes it all work so well.
What also makes it work is the strong performance by Cate Blanchett, who makes Annie so real and accessible, displaying her `gift' with restraint and avoiding the possible pitfall of taking it too far over the edge, which could easily have made it suspect. Instead, she brings a depth to the character that draws you into her world and allows you to empathize with her, which would have been impossible had she invested Annie with even a touch of the charlatan. With consummate skill, Blanchett creates a well rounded character which demonstrates that as an actor, she definitely has a very real `gift' of her own.
Ribisi also does a memorable turn as Buddy, with a striking performance in which he creates some disturbing moments that are almost painful to watch; his is a character study of a soul in distress, seeking solace and resolution, and even as he attempts to sort out his life, you are able to sympathize with his plight as you share Buddy's experiences. And it's through Buddy (as well as Annie, of course), that the audience is able to make that necessary and very real connection with the film. With films like `Saving Private Ryan' and now this one, Ribisi is on his way to establishing himself as one of the premiere character actors in the business today.
Playing somewhat against type, Reeves proves that he can be a good `bad' guy, giving possibly one of his best performances ever as Donnie. He very credibly conveys that sense of explosiveness lying just beneath the surface that makes his character menacing and dark, which in turn makes Donnie psychologically as well as physically threatening. It's a good job by Reeves, who deserves credit for taking on a role that is so disagreeable and insensitive.
The supporting cast includes Greg Kinnear (Wayne), Katie Holmes (Jessica), Kim Dickens (Linda), Gary Cole (David) and Rosemary Harris (Annie's Granny). A taut thriller that is emotionally involving, `The Gift' delivers what it promises early on, which is exceptional, as many films of this nature often fail to actually follow through after a tremendous opening act. Rest assured, this one does and has it all; suspense, credibility and some memorable moments, all courtesy of Raimi, a good story and a superb cast. And that's the magic of the movies. I rate this one 9/10.
Stylistically crafted and delivered, Raimi's film will keep you engrossed and on the edge of your seat until the very end. He successfully blends reality with just a touch of the supernatural that makes for riveting suspense while keeping it within the realm of believability. The relationship played out between Donnie and Valerie is anything but unique-- you've seen this before, many times in many films-- but within the context of this story it's fresh and it works. The doubtful sheriff and the cynical, jaded defense attorney, Gerald Weems (Michael Jeter), are fairly stereotypical, but that can be easily overlooked in light of the overall story and especially due to the credibility of the Annie character, which is well developed and never presented as anything beyond what can be readily accepted as true to life. As the central character, Annie anchors the film and enables the circumstances in which she is involved to be perceived as real; it's the strength of the film, and it's what makes it all work so well.
What also makes it work is the strong performance by Cate Blanchett, who makes Annie so real and accessible, displaying her `gift' with restraint and avoiding the possible pitfall of taking it too far over the edge, which could easily have made it suspect. Instead, she brings a depth to the character that draws you into her world and allows you to empathize with her, which would have been impossible had she invested Annie with even a touch of the charlatan. With consummate skill, Blanchett creates a well rounded character which demonstrates that as an actor, she definitely has a very real `gift' of her own.
Ribisi also does a memorable turn as Buddy, with a striking performance in which he creates some disturbing moments that are almost painful to watch; his is a character study of a soul in distress, seeking solace and resolution, and even as he attempts to sort out his life, you are able to sympathize with his plight as you share Buddy's experiences. And it's through Buddy (as well as Annie, of course), that the audience is able to make that necessary and very real connection with the film. With films like `Saving Private Ryan' and now this one, Ribisi is on his way to establishing himself as one of the premiere character actors in the business today.
Playing somewhat against type, Reeves proves that he can be a good `bad' guy, giving possibly one of his best performances ever as Donnie. He very credibly conveys that sense of explosiveness lying just beneath the surface that makes his character menacing and dark, which in turn makes Donnie psychologically as well as physically threatening. It's a good job by Reeves, who deserves credit for taking on a role that is so disagreeable and insensitive.
The supporting cast includes Greg Kinnear (Wayne), Katie Holmes (Jessica), Kim Dickens (Linda), Gary Cole (David) and Rosemary Harris (Annie's Granny). A taut thriller that is emotionally involving, `The Gift' delivers what it promises early on, which is exceptional, as many films of this nature often fail to actually follow through after a tremendous opening act. Rest assured, this one does and has it all; suspense, credibility and some memorable moments, all courtesy of Raimi, a good story and a superb cast. And that's the magic of the movies. I rate this one 9/10.
Having seen this film several times and never remembering the composer of the score, I decided to look it up at IMDb. While here, I decided to check out the various user reviews. And I was kind of surprised at the "love it or hate it" division.
I'm mainly surprised that anyone thought it was "typical" Hollywood pap or that it was slow moving, labored or simply so-so.
Maybe you just have to like Sam Raimi to enjoy this. I couldn't help but appreciate the fact the style and many elements were a lot like "Evil Dead 1 & 2", but more subtle and refined. Sam obviously made the most of the camera angles, scenery and lighting for specific reasons...the general "darkness" of the town versus the "light" surrounding Cate(the only one who could see the truth).
Maybe some didn't see a lot of the dark humor or appreciate the fine acting with non-stereotypical southern accents by all, especially Cate.
This is a film well worth repeated viewings.
I'm mainly surprised that anyone thought it was "typical" Hollywood pap or that it was slow moving, labored or simply so-so.
Maybe you just have to like Sam Raimi to enjoy this. I couldn't help but appreciate the fact the style and many elements were a lot like "Evil Dead 1 & 2", but more subtle and refined. Sam obviously made the most of the camera angles, scenery and lighting for specific reasons...the general "darkness" of the town versus the "light" surrounding Cate(the only one who could see the truth).
Maybe some didn't see a lot of the dark humor or appreciate the fine acting with non-stereotypical southern accents by all, especially Cate.
This is a film well worth repeated viewings.
Le saviez-vous
- AnecdotesBased on Billy Bob Thornton's own mother's reputed psychic abilities.
- GaffesAt the end, Annie is holding a cloth over her eyebrow and she is bleeding. When she comes back to see her children, her eyebrow is perfectly fine, she is not even wearing a bandage.
- Bandes originalesTrouble Is A Lonesome Town
Written and Performed by Lee Hazlewood
Courtesy of Okemah Productions - SLR Records
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Détails
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 12 008 642 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 827 $US
- 25 déc. 2000
- Montant brut mondial
- 44 567 606 $US
- Durée1 heure 51 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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