Un groupe de voleurs fait irruption dans une chambre dans l'espoir de trouver des peintures, mais au lieu de cela, ils libèrent le comte lui-même, qui se rend à la Nouvelle-Orléans pour trou... Tout lireUn groupe de voleurs fait irruption dans une chambre dans l'espoir de trouver des peintures, mais au lieu de cela, ils libèrent le comte lui-même, qui se rend à la Nouvelle-Orléans pour trouver la fille de son ennemi, Mary Van Helsing.Un groupe de voleurs fait irruption dans une chambre dans l'espoir de trouver des peintures, mais au lieu de cela, ils libèrent le comte lui-même, qui se rend à la Nouvelle-Orléans pour trouver la fille de son ennemi, Mary Van Helsing.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Avis à la une
An example of this is a review of Santa Clause 2, where one guy wrote `The North Pole was a very distracting, annoying place to be. It seemed so far from reality'. Well I don't want to spoil his Xmas but Santa isn't reality. It was a MOVIE!
Dracula 2000 was a lot better than the old Hammer movies or in fact a lot better than a lot of other Vampire moves. If you could ever do an original story on Vampires, this was close. I mean, what is in a Vampire script. Spooky guy/girl gets out of coffin, kills people (usually girls with great bodies) another guy/girl tries to kill them before they kill again. Oh and I forgot the part about the heroine is a reincarnation of the Vamps long lost love. (See Blacula, Fright Night, Dracula 1992 etc etc)
Dracula 2000 was more original. At least he had a real reason for wanting the Heroine (his blood, her blood) and his origin was an interesting concept, better than Coppola's, which I still find confusing. This was never going to be An Interview with a Vampire, but it was a hell of a lot better than Queen of the Damned. If you like Vampire movies this should be on your viewing list.
It struck me as two movies in one. There was a very passionate vampire story going on, covered up by a high-tech monster movie (think Bram Stoker's Dracula coated with a layer of Underworld or League of Extraordinary Gentlemen).
Considering the double tone of this film, I'm not surprised to see Christopher Plummer co-starring along some very fresh-faced young actors. Any fellow Canadians will notice a few Canucks besides Plummer in this one.
Because of the inconsistent flow of the movie, some silliness, and the disappointing death of one of the main characters, I gave this film a 6/10.
Now...the most irritating aspect of the film is the almost surreal amount of flagrant Virgin Records placement. Seriously....Mary works in one of the stores which means we get prominent t-shirt coverage....not to mention the gawdy neon sign, the truck in the garage etc.....however, Dracula needs virgins, right?
By far the most interesting part of this film was the story behind the creation of Dracula. Taking the myth back to the time of the crucifixion, with Judas Iscariot suffering some fairly serious guilt issues leading to his suicide and eventual "re-birth"....good angle: it helped to explain the vampires aversion to all things holy and dislike of silver (as in 30 pieces of...). Still don't get the mirror-phobia but hey....
Someone on the creative team of this film has a sweet little visual gag in store. Check out the scene in the Laffayette Cemetery...there is a crypt bearing the name "Spencer Hepburn". Nice one.
The ending is a little rushed and it seems that Miller might have left the set early that day, since he apparently vanishes. It also leaves blatant amounts of room for a sequel, but I wouldn't hold my breath.
That I even considered seeing this film was primarily due to Wes Craven's participation. However, I found it to be an imaginative and fairly tasteful modernisation of one of the all-time cinematic horror legends.
Le saviez-vous
- Anecdotes(at around 1h) The line in the film where Jonny Lee Miller playing Simon Sheppard says, "Never, ever fuck with an antiques dealer," was a line the actor would say on set as a joke. The director liked it and incorporated it into the scene.
- GaffesVan Helsing's office building is in London, but the Security Guards on duty are armed. Security guards in the UK do not, and cannot, carry guns. Handguns are illegal in the UK and private citizens, even security guards, cannot possess handguns, much less can they carry them about. Handguns can only be carried by the armed forces and by specially trained police officers (and even then it is rare to see an armed police officer).
- Citations
[while struggling with Marcus, Simon produces a cross]
Marcus: Sorry sport. I'm an atheist.
[a dagger pops out of the cross's base]
Simon Sheppard: God loves you anyway.
[He stabs Marcus in the eye with it]
- Crédits fousAs the credits roll, interspersed in the words, are coloured pictures of things important to the movie's premise, including a row of teeth, a bat, and a cross. These pictures are seen both on the left and right sides.
- ConnexionsEdited into Dracula 2000: Deleted Scenes (2001)
Meilleurs choix
Détails
Box-office
- Budget
- 54 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 33 022 767 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 636 567 $US
- 25 déc. 2000
- Montant brut mondial
- 47 053 625 $US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1