Suspicious River

some people might call this movie weak, i don't think so.. if you think it's weak your only seeing the surface of it, this movie has much going on but it's all deep down, this movie is "REAL" compared to some of the stuff that has come out of hollywood lately, it doesn't seem like it had a large budget either, it does not follow the normal cookie cutter image if a "blockbuster" or anything else.. parker had a very hard roll to play in this movie i thought she pulled it off quite well if you like independant films and something different this is a very good well done movie!

As a woman, I am deeply saddened and troubled by the fact that someone would invest human intelligence, labor, and money to produce such darkness and ugliness in the disguise of indie cinema. We all know that the world is ugly and cruel and we do not need to be constantly reminded of that. Why not create something uplifting and beautiful? Why not give us a chance to breath? Why some indie films have to be so meaninglessly vile in order to be artsy? I simply cannot believe that this film was both written and directed by women. How sickening! How disturbing! And what message were they trying to send to the world by depicting women in such offensive fashion?

Leila Murray (Molly Parker) works in a quiet roadside motel. Her husband is slowly wasting away. She starts prostituting herself to the motel guests. She is uncontrollably drawn to one of them, the possessive volatile Gary Jensen (Callum Keith Rennie). Her life slowly spirals downward and she can't stop.

Molly Parker has a haunted presence. The movie is a bit slow. It needs to have higher tension. The husband needs to do something. The most compelling confrontation actually comes from Millie. There is a bit of violence but it could be scarier. There is darkness here but most of it is hidden inside Leila. The movie needs to bring that darkness out onto the screen.

A deeply disturbing film, with some coarsely difficult scenes to view. Dark from the outset, with nary a glimmer of hope evident in its passing, this film is wanting to capture much more than it does. Overt symbolism weakens the plot, and were it not for Molly Parker and Callum Keith Rennie's stunning performances, this film would be seriously damaged. A difficult film to recommend.

An AWFUL film. What kind of abuse must the writer, director, and actors have suffered in their childhoods to want to tell, or be a part of this story? The performances are LAUGHABLE. Molly Parker is like a walking zombie incapable of expression. The lead male is soooooo faux. Pul-lease!! Enough already. If this director gets a chance to make more movies, then something is terribly wrong with the current film investment mentality. It's not an important story, nor well told. I felt like asking for my money back at the video store. That's a first. Actually, no. American Boyfriends by Canadian director Sandy Wilson was the first. Who would I recommend this film to? Psychos, serial rapists, or repeat sexual offenders. Save your money and pick another, ANY other, film on the shelf. It's evil! Don't watch it. And DON'T let your kids or loved ones watch it. I give it ZERO out of ten...since there is no rated negative value