Pile poil

"An Everlasting Piece" is a lively, smart little comedy which tells of two barbers in 1980's Belfast, one Prot and the other Catholoic, who start a toupee business and struggle to succeed against the adversity of a divided Ireland, commercial competition, and their own religious/political alignments. "AEP" is solid throughout with fresh faces, a good musical score, a clever and spunky story, lots of wry Irish wit and a few poignant moments too. Not your usual slappy-sticky comedy fare, "AEP" will appeal most to those who appreciate wry comedic subtleties. If you don't love the Irish, find another movie.

A very funny comedy set in Belfast. It's always an challenge to find humor in very serious situations but writer and star does a fine job in combining the two. The plot is clever with a number of nice twists. The acting is good all around. I feel the movie is quite well done and worth seeing - it's one I'd recommend to friends.

Barry Levinson hits the nail on the head (or rather the hair on the head) with "An Everlasting Piece", the story of an odd relationship that grows out of the toupee business.

The film is amusing throughout and while some might consider the storyline contrived, the characters exhibit both depth and morals as the relationship between the toupee business partners grows.

It was particularly enlightening to see a film set against the Irish conflict in Belfast during the 1980's and to get a better understanding of what might have been like in that time and place.

Highly recommended for what it is; light entertainment with underlying social commentary.

An Everlasting Piece is a funny, witty and at times dark movie based on the escapades of a Protestant and Catholic barber who team up to take over the toupee market of Northern Ireland. If you look for deeper meaning in this movie you will find important moral lessons and some insight into the nature of conflict in general. There are dozens of quotable lines present, Billy Connolly has some real gems.

Having never been to Northern Ireland, I believe this movie has given me some limited insight into 1980's Belfast. Most of the main characters are Catholic-Irish, and the film does seem slightly sympathetic to that side. If you are looking for more information on the atmosphere and troubles in N. Ireland I recommend reading Bad Blood, by Colm Toibin.

The plot is fine 6/10 The humour is great 9/10 The dramatic element is good 7/10 Overall I'd give 7.5/10

Colin gets a new job as a barber working as the "new Catholic" barber in a Belfast mental institution. His colleague is George – a protestant with a love of poetry who is also a barber. A chance meeting with a mad wig salesman known as the scalper sees them getting their hands on his leads list and the pair decide to dip their feet into the toupee market. Calling themselves the Piece Men, they start following the leads even though it takes their mixed-faith business into dangerous areas.

The general humour in Northern Ireland tends to be quite a dry and cynical affair that has grown out of the decades of terrorism that we've had to endure. As with many places the same, a certain gallows humour grows out to help deal with the violence and it is strange therefore that we haven't had more Northern Irish comedies that use the troubles as a background while trading on this darkly rich style of humour. One reason may be seen here though, because this isn't that good a film and it is very uneven in the laughter stakes. The unlikely plot doesn't help either and, although it touches on the problem of living in Northern Ireland and the community struggles, it never seems to have much substance to it consistently – meaning that when it tries to, it doesn't really work.

The laughs are very thinly (sorry) scattered throughout the film and mostly it trades on a sort of Oirish charm that generally the US wants from all Irish films. Being from Northern Ireland I found this push towards that approach to be quite annoying and demeaning and it didn't actually seem to benefit the film in anyway. The cast are OK but they cannot get the laughs and they cannot make characters against the onslaught of "Irish" sentimentality from the music and the tone of the script. McEvoy and O'Byrne lead the film pretty well although it would have been nicer if both had been more relaxed into the comedy and more able to deal with the dramatic sides. As it is, they rest somewhere in-between, doing alright but not that great. Friel is a strange find but she does well enough in support alongside nice turns from people like Convey, McAleer and McLynn – although what Billy Connolly was doing was beyond me.

Overall this is a so-so comedy but not a great one and certainly not one that does justice to the humour of Northern Ireland. The cast are OK but the problems run deeper – the material isn't that funny and isn't as interesting as the community conflicts could have been. Perhaps worth a look but really not that good.