Le cimetière de la terreur

This fairly unknown Mexican zombie movie may not be the most original horror film ever to be released, and clearly takes a lot of influence from many successful American movies in the same vein; but in it's own right, this is an extremely fun little romp that I'm sure wont be a disappointment to most people with an inclination to track it down. The plot is halfway between a zombie movie and a psycho slasher flick and focuses on a killer who a professor believes may have come back from the grave. Enter a bunch of kids who decide that it would be a good idea to read from a strange old book and resurrect the dead (to impress some girls, naturally). It's not long before the killer has come back as a zombie - bringing the rest of the cemetery with him and the dead have eating the kids' flesh on their minds. If you've seen more than a handful of zombie flicks, you'll have seen everything included in this film many times before. But that's not to say that Cemetery of Terror is not worth a look. Director Rubén Galindo Jr does an excellent job of creating a thoroughly fetid atmosphere to surround the cemetery at the centre of the film and there's a fair bit of gore included too, most of which is well done. Naturally the acting is nothing to write home about, but everyone approaches their roles with gusto and the film remains entertaining for the duration. Overall, this is not brilliant; but it's a more than worthy Mexican horror entry and I would say that it's worth seeing.

CEMETERY OF TERROR is a Mexican slasher/zombie/supernatural horror film which seems to take its inspiration from sources as varied as NIGHT OF THE LIVING DEAD (1968), HALLOWEEN (1978), CITY OF THE LIVING DEAD (1980), EVIL DEAD (1981), ABSURD (1981) and even Michael Jackson's THRILLER (1983). Unfortunately, it is not nearly as good as any of them.

The story concerns a recently deceased psychiatric inmate named Devlon who kinda looks like George Eastman, and whose psychiatrist rushes to try to have cremated because he believes him to be a demon.

Unbeknownst to the good doctor, a group of mischievous teenagers steal the corpse from the morgue and transport him to a local cemetery, where they invoke spells from a black book of magic they just happened to find at a nearby abandoned house, all to scare their girlfriends into submission, apparently. Meanwhile, a group of children decide to visit the cemetery at night as a sort of test of courage.

Predictably, the teenagers manage to reanimate the corpse, and then all hell breaks loose.

If the setup sounds incredibly contrived and stupid then that is because it is. One improbable coincidence follows another, seasoned with unrealistic behavior by almost all of the main characters. Also, the setup takes way too long: we are nearly 40 minutes into the movie before Devlon George finally rises.

Although some of the special effects are decent for the 1980s, many of the actual death scenes range from unconvincing to ludicrous. In one scene, a victim is repeatedly clawed in the face by Devlon George, who stands right in front of him and yet seems to escape notice.

Even though the movie is not good, it still has some of that nostalgic 80s charm which prevents me from giving it a lower rating, but let's face it: unless you know what I am talking about, this film is probably not for you.

The Sexy Erika Buenfil, Edna Bolkan and Jackie Castro along with their boyfriends go to a house in the middle of a cemetery, where one of them finds a book that says how to bring the dead back to life, so soon the boyfriends convince the girls to steal a body from the morgue (they are medicine students) but the dead guy turns out to be the one of a psycho killer, eventually the perform a ceremony and before you can slit someone's throat the psycho is alive, and of course he starts killing the students one by bloody one, also because it is Halloween a group of kids (i mean kids) also visit the same cemetery where they are terrorized by the same psycho. plus the living dead who have risen from their graves. This Mexican Zombies on the loose/Psycho killer flick is cool, there's lots of gore, graphic murders, atractive cast, large body count, is well acted and fast paced. I recommend it highly. Other Mexican Horror flicks that you shouldn't miss are "Ladrones de Tumbas" (grave robbers) and "Trampa Infernal" (infernal trap).

I just saw it yesterday in cable TV. Anyway... I love these little horror Mexican gems directed from Ruben Galindo. Sadly it was a cut version, but i didn't ruin the mood anyway. Two major plot holes.. or goofs..

1. The doctor (Hugo Stiglitz) said that the killer only can die burn to ashes.. but later said he needs the black book for destroy him.

2. It is suppose to be Halloween night, but when the boys are reading the book, they said something about.. "This is the sixth day of the sixth month?... ¿Uh?...

Anyway.. everybody watch these movies for the jumps, not for the logical sense of it...

Sorry for my bad English...

Hugo Stiglitz, probably best known to horror fans as the hero of Italian zombie flick Nightmare City, battles the undead once again in Cemetery of Terror, a low-budget Mexican mish-mash that borrows heavily from several successful US horror hits.

The film opens in Halloween mode, with lumbering serial killer Devlon gunned down by the police after a bloodthirsty rampage. The Evil Dead is the obvious inspiration for the introduction of a Satanic book that is discovered by a group of partying youths, whose idea of fun is to steal a body from the local morgue (no prizes for guessing whose corpse they make off with), and then perform a life-giving ritual during a rainstorm in a creepy cemetery.

With Devlon resurrected (I said there were no prizes!), the film enters Friday the 13th territory, with the dumb kids bumped off one by one by the undead killer. Last but not least, the film becomes a Night of the Living Dead-style fight for survival in a creepy run-down mansion, as a group of young trick or treaters are terrorised by zombies, brought back to life by Devlon's supernatural Satanic powers. Stiglitz plays the occult expert who holds the key to permanently putting Devlon to rest.

Cemetery of Terror is extremely dumb and utterly chaotic nonsense from start to finish, with not a lick of logic and unremarkable performances all round, but energetic direction from Rubén Galindo Jr. (who was also responsible for US-style slasher Don't Panic), lots of bargain basement zombies, and quite a fair bit of crude gore (a torn out throat, guts pulled out, an axe in the head) mean that there's still some fun to be derived from this random slice of South American schlock.

Fans of cheesy '80s horror will also enjoy the frequent appearances of the boom mic or its shadow, some nasty fashion (including a shiny, multi-coloured jacket with a skier printed on the back), an impressively staged zombie resurrection scene 'enhanced' by an excess of smoke and coloured lights, and one of those 'WTF?' final shots that were so prevalent among cheap horror films of the era.