Ajouter une intrigue dans votre langueA college professor reluctantly hides an escaped female convict who tries to get him to help prove her innocent of a murder.A college professor reluctantly hides an escaped female convict who tries to get him to help prove her innocent of a murder.A college professor reluctantly hides an escaped female convict who tries to get him to help prove her innocent of a murder.
- Réalisation
- Scénario
- Casting principal
Dawn Burgess
- Amy
- (as Dawn Cochran)
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It is easy to criticize this movie and others have already pointed out its deficiencies. The movie is available on DVD and has director's commentary in which is revealed that the movie was shot in 21 days on a minimal budget. Or as the commentary says: this commentary details how one goes about making a movie under considerable time and budgetary restraints. The performances by the actors are first rate. The script is filled with many logical flaws and oversights that are exacerbated by the ending of the movie. Meaning, that one can then work backwards and see the major holes in the script because the ending seems to sabotage the entire theme of the movie. Still it is more than watchable because of what is up on the screen. Nastassja is Nastassja and it is almost always rewarding to watch her on the screen, if she has sufficient material to work her magic. There is an underlying tension throughout the movie in which one wonders if Lydia Davis, the Nastassja Kinski character, is manipulating the academic and overmatched Peter Coyote character. You will have to watch the movie and see for yourself.
Has to be on of Peter Coyote's best acting jobs today. Of course Peter is most recognized from his charater in the epic film E.T. and of course, who can forget The Legend of Billy Jean. Peter portrays and alcoholic college professor(Dennis Burke) just released from a former College on the grounds of sexual harassment. Opening scene in this movie is one of a kind. At his new College, Dennis is befriended by a wanna be computer hacker, Thurston Clarque(Jeremy Piven), and not a bad portrayal of the computer hacker from Piven. As Dennis tries to adjust to his new living, he begins receiving letters from an unknown woman(Natassja Kinski), trying to reach the man that once lived in the apartment. Dennis begins making contact with this myterious woman, and only to find out that she is in a woman's correctional facility, for a brutal crime she claims she didn't do. If things couldn't get any more complicated for Dennis, his sexually frustrated student, Gretchen, played by flawlessly by (Fairuza Balk ) is now infatuated with him, probably because of the sexual art book he wrote in the past. Trying to deal with Gretchen and Lydia, Dennis' friend Thurston has some how hacked in the correctional facility to help Lydia escape. Reasons for this act are not clearly informed in the movie. now Lydia is out of jail and Thurston now in custody, puts Dennis in a world of lies, deciet, and murder. Other fellow cast members include Ernie Hudson who gives a great supporting actn and Udo Kier. Watch and enjoy.
Like many other respondents, I ran across this genially goofy mystery while surfing and didn't expect to stick with it more than a few minutes. But it grabbed me from the beginning and held up almost to the end. Thanks to the person who noted that the film was shot in 21 days on a shoestring. That accounts for the gaps in the plot (like certain scenes that we expect to see but were probably never filmed). But the shoestring production makes the acting, the comic touches, and the overall unpredictability of the plot all the more impressive. The screenplay found some really ingenious things to do with these likable characters.
It wouldn't work without excellent performances. The director strikes me as someone who really works well with actors. Coyote gives a really fine comic performance, showing more emotional range than he's usually allowed to. Balk, Piven, and Kinski are also very good. Ernie Hudson, who has played this cop role a dozen times, is a treat in the knowing and yet not smug notes he hits. You get the feeling he's seen it all, knows exactly where it's going, and will just let it get there before he steps in to mop things up.
The film struck me as primarily a comedy (which is pretty much given away near the end by the little alligator in Pauly Shore's backyard wading pool)--but I'm surprised more respondents haven't noticed this. It had me consistently chuckling throughout.
I guess I'm a sucker for these offbeat little films that you don't expect much from. But in the last few months, I've left the local multiplex shaking my head in disbelief that good filmmakers could make "big" thrillers as bad as Twisted and Taking Lives. Red Letters is a heck of a lot more fun to watch, and deserves more exposure.
It wouldn't work without excellent performances. The director strikes me as someone who really works well with actors. Coyote gives a really fine comic performance, showing more emotional range than he's usually allowed to. Balk, Piven, and Kinski are also very good. Ernie Hudson, who has played this cop role a dozen times, is a treat in the knowing and yet not smug notes he hits. You get the feeling he's seen it all, knows exactly where it's going, and will just let it get there before he steps in to mop things up.
The film struck me as primarily a comedy (which is pretty much given away near the end by the little alligator in Pauly Shore's backyard wading pool)--but I'm surprised more respondents haven't noticed this. It had me consistently chuckling throughout.
I guess I'm a sucker for these offbeat little films that you don't expect much from. But in the last few months, I've left the local multiplex shaking my head in disbelief that good filmmakers could make "big" thrillers as bad as Twisted and Taking Lives. Red Letters is a heck of a lot more fun to watch, and deserves more exposure.
Caught this on DVD. Watched it mainly because I like most of the cast members -- Coyote, the luscious Kinski and Faruzia Balk, and Jeremy Piven (from THE LARRY SANDERS SHOW). Assumed from the cover it was going to be one of those late night cable erotic thrillers (and the delicious nudity contained within the opening scene seemed to confirm that), but it turned out to be much more.
An interesting, twisty story, well shot and well directed, with across-the-board good performances from all involved. Even Pauly Shore (I suffered a chill of dread when he showed up late in the film) was okay. Coyote's dilemma escalates steadily throughout the film in a compelling fashion, so I was disappointed when the third act didn't pay things off in a way I found believable, or up to the level of the rest of the picture. Still, well worth giving a look. A real pleasant surprise.
An interesting, twisty story, well shot and well directed, with across-the-board good performances from all involved. Even Pauly Shore (I suffered a chill of dread when he showed up late in the film) was okay. Coyote's dilemma escalates steadily throughout the film in a compelling fashion, so I was disappointed when the third act didn't pay things off in a way I found believable, or up to the level of the rest of the picture. Still, well worth giving a look. A real pleasant surprise.
OK,I make alot comments about Kinski movies,but everyone has their favorite artists. This movie is just fun from start to finish. And it does keep you on the edge of your seat. There doesn't seem to be a wasted moment in this movie; every scene is there for a reason. Just good film making and good acting all around. I think the title would make more sense if the prof's book had been explained in greater detail.
Le saviez-vous
- GaffesDennis Burke grabs a newspaper and reads a headline, relevant to the plot, that indicates State Manhunt Widens. But if you pause the frame and read the text of the article below the headline, you see it is a bogus article about teenage curfew, totally unrelated to the headline.
- ConnexionsReferences NFL Monday Night Football (1970)
- Bandes originalesYou Give
from the album "Do You Remember"
Written and Performed by Emily Richards
Produced by Emily Richards
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Détails
- Durée
- 1h 43min(103 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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