Running Out of Time

This film was recommended to me by a friend. I don't know much about Hong Kong cinema, but having seen Aau Chin, I definately want to find out more. I really enjoyed it, and found it was surprisingly different from what I was expecting. I had prepared myself for lots of big fights, lots of blood and gore, and more than a little machismo. What I got was a sad, sensitive and suprisingly funny bit of cinema. Ok, so there are gunfights, car chases and bombs a plenty, but there is also something else - a heart. I really liked the interaction between the two leads, I think it worked really well, and I loved the fact that the criminal and the cop were working together. The love story was terribly romantic, and even the 'purely for laughs' role of the chief inspector was done quite nicely. As an introduction to Hong Kong cinema, I'd say this was perfect.

These are my thoughts after re-watching Aau Chin on a VCD recently bought at HK$15 (definitely NOT a pirated version). I still found it quite enjoyable.

The "setup", while not brilliant, is carefully done, with attention to details. No doubt the audience will find the total incompetence of the villiant "Baudy" quite unbelievable. But he only serves as something on which the duel between the two heroes is built.

Here's is where this film differs from many others in this genre (most notably John Woo's), in which the two heroes usually start off in sharp confrontations, although they may end up appreciating each other. Not here. Right from the beginning, Lau Ching-wan and Andy Lau give you the impression that they are engaged in no more than a friendly game of chess. I, for one, like this arrangement, as a refreshing change.

Lau Ching-wan delivers his usual easy style that is well liked by his audience. He is the mouse in this cat-and-mouse game, a dignified mouse, for that matter. Andy Lau is the cool cat, actually too cool. Hong Kong movie stars who are also Canto pop stars (and that accounts for some 90% of them) often have to watch the role they play in movies to ensure that they wouldn't tarnish their image as a singer. Andy Lau, however, is so popular that I don't think he needs that caution. He just like to look cool in this movie. Didn't hurt either, as it won him his first Hong Kong Oscar.

Finally, while this is a good movie from director Johnny To, my top favorite of his is The Mission, in which style is king.

I just purchased An Zhan (Running out of time) on DVD and it was an excellent film I must say. Not really action-packed, in terms of gun play, but definitely exciting and witty. I do not think I have seen Andy Lau in better form. And the editing on this film was very well executed. Go watch this now if you are a fan of Lau or HK thiller/action film!

Lifeline, A Hero Never Dies, and you think he couldn't top himself off. This film manages to be one of the most intelligent action films ever made and still fits in a compelling love story told in three scenes better than most films can tell a love story in the entire film. The gag premise, a man with 4 weeks to live takes on the Hong Kong police is only part of the brilliance of the film. I have to thanks the script writer for a constantly innovative script, as much as Johnny and I await their next collaboration with much anticipation.

Terrific, deeply moving crime thriller starring Andy Lau and Lau Ching Wan.

From the dizzying opening sequence to the extremely satisfying conclusion, this cat and mouser hardly misses a beat.

Johnny To, again working with ace composer Arthur Wong, constructs another operatic actioner that grots in the face of its contemporaries.

To's images are strong and moving. His cutting, combined with the extraordinary music cues, is exemplary. You are in the hands of a master cinematician.

The two sequences in which Andy Lau "hides" from the cops on a bus by pretending to accompany a lithe beauty (Ruby Wong) are testament to To's unique directorial skills.

Lau Ching Wan is strong and commanding as the harassed cop while Andy Lau is dynamic as a dying man avenging his father's death.

This is superb movie-making, only mildly compromised by some bad English dubbing in one scene with criminal Waise Lee.