La sirène

There is indeed a mermaid who is trying to deal with humans who can't seem to get along. There are goldfish and other wet things. We are treated to a lot of running around and going nowhere (or at least not too far). The mermaid has unique qualities. The stop action tricks are haphazard at best and have been done by this man so often.

This short silent film is part of the DVD collection entitled "The Magic of Méliès" and is the fourth volume of THE MOVIES BEGIN series from Kino Video. Unlike copies of Méliès' films that are posted on the internet, the prints for these short films are exceptionally crisp and clean and feature wonderful musical scores. Oddly, though, is that aside from a few films such as THE BLACK IMP and THE IMPOSSIBLE VOYAGE, most of the shorts chosen for this DVD are actually not among the best of Méliès' films--having a strong tendency to show is "stagy" material as opposed to the films that have elaborate sets and plots. In particular, my favorites such as BARBE-BLEUE and LE VOYAGE DANS LE LUNE (his most famous film) are not on this DVD.

This is a pretty dull film, as much of it is simply a movie of Méliès performing magic tricks. In person this might be interesting, but on film (where it's no trick to use camera tricks to make a magician seem great), it just doesn't impress. Then, when the mermaid enters the picture, she is pretty sloppily integrated compared to the camera tricks in many of the director's other short films. All in all, among the worst and least inspiring films of this film genius and pioneer.

I watched this as one of the shorts on The magic of Melies video cassette released by Kino on Video, 1994. Image quality was good. Music matched the mood of the film. No color was added. Cropping did not appear to interfere with the film. Frame speed appeared to be adjusted. This should give an idea of the technical quality of the release I watched.

This film was pretty. Some of the special effects in it are extremely good. I could'nt pick out exactly where the editing was done when the clown pulls rabbits from a hat. If it did'nt go so quickly I think that many of the effects would come off as cheesy and played out, given that they have been used in so many films since. As it is the dizzying pace keeps things interesting. I think that an interesting aspect of the film is Melies experience as a magician. He directs eye movement away from the effect much as a magician distracts the eye to perform a trick.

I recommend watching this. It has an intriguing feel. I don't know that one should go to a great deal of trouble to find this film, but it's worth a look.

In this silent-era black-and-white film, Georges Méliès showcases his stage magician roots by performing a series of tricks with a hat-primarily pulling out various animals, including several fish and a rabbit. The objects he conjures become increasingly large and elaborate, culminating in the appearance of a mermaid.

From there, the story shifts into a fantastical sequence where the mermaid transforms into a human and back again, now accompanied by the magician, who transforms himself into the King of Atlantis. In many ways, the second half of the film feels like a surreal precursor to modern aquatic fantasies-imagine a blend of Aquaman and Disney's recent adaptation of The Little Mermaid.

While the tricks may no longer surprise today's viewers, they are impressive examples of the creativity and innovation that early filmmakers like Méliès brought to the screen to captivate their audiences.

Mermaid, The (1904)

*** (out of 4)

aka La Sirène

Once again Melies plays a magician who fills up an aquarium tank only to put some of the water into his top hot where he then goes fishing. The second part of the film deals with the title character who also appears out of no where. This is a pretty good little film that manages to have some nice laughs and some very good trick shots. Some of the special effects are obvious but there are others, like the one on one fishing scenes, that hold up very, very well. The mermaid stuff I didn't care too much for but the visual beauty is certainly there.