Le diable noir

This is not Melies best work but it is a cute, fun little film short. It's about a imp in a room that a man has rented to stay the night. The man gets ready for bed but the imp decides to play some games with the guest.

7/10

This amusing Méliès feature has several of the kind of visual effects that made him famous, and most of them work quite well. The story starts when "The Black Imp" plays a series of practical jokes on an unwary traveler, and it then follows the battle of wits that ensues. The action that follows uses quite a few props, most of them simple everyday objects used in humorous and sometimes creative ways. Most of the camera tricks are done with skill, and the movie thus gets plenty of mileage out of some simple material. Most of it is fun to watch, and it's a good display of skill with the camera. It's definitely worth seeing if you have any interest in these earliest movies.

The black imp in the title is almost Satanic. He inhabits a room that is rented out to people. He is a menace. A poor guy gets the room and tries to put his coat in a dresser, but the dresser keeps moving around. At one point it goes up and up and then disappears. The best sequence in the film is one where the guy first causes several chairs to appear and then tries to get rid of them. Every time he throws one aside, another one takes its place. The whole thing ends disastrously for the guy. The special effects are really wonderful.

This is another fun and inventive film from director Georges Méliès. Like many of his others, it's film that is basically a means for Méliès to display his skills with film trickery. Also, like many of his films he demonstrates his skills within an imaginative setting, so the movie retains a great deal of charm. The film depicts the actions of a devilish imp, who has invaded an apartment. He disappears and reappears all over the room at will. When a poor unfortunate man enters the scene, the imp torments him with his magical mischief. This involves furniture moving at will all over the room, with a clever sequence involving multiplying chairs. The main trick that Méliès uses in Le Diable Noir is stop-motion photography and it's only fair to say that he uses it very well. It's been put together with such care that it's not all that easy to notice when the jump-cut has been made. Like many of the directors other works the overall feel of the film is playful as opposed to menacing. Definitely a nice little flick to watch if you are interested in the very earliest films ever made.

A man rents a room at an inn only to find that a mischievous imp wants the room for himself

This is a film by early film maker Georges Melies the man who single handedly effectively invented cinema special effects . Watching this short film that has a running time of less than four minutes it helps if you realise beforehand that despite having a title like THE BLACK IMP you're not going to be watching any type of horror film but instead is a slapstick comedy

The selling point of course are the effects achieved by jump cut replacement photography which fellow commentator and the much missed F Gwynplain MacIntyre explains was still being used in film and television in the 1960s and 70s

That said you have to be slightly forgiving when watching this short . Once you know how the special effects are done the film loses some of its magic . Also the whimsy and unrepentant slapstick sense of humour is rather overdone in the eyes of a perhaps more sophisticated audience so you have to watch it with a 1905 mentality in order to get the full benefit