Le diable noir

The black imp in the title is almost Satanic. He inhabits a room that is rented out to people. He is a menace. A poor guy gets the room and tries to put his coat in a dresser, but the dresser keeps moving around. At one point it goes up and up and then disappears. The best sequence in the film is one where the guy first causes several chairs to appear and then tries to get rid of them. Every time he throws one aside, another one takes its place. The whole thing ends disastrously for the guy. The special effects are really wonderful.

"The Black Imp" of the title is man dressed from top-to-toe in a devilish black costume. He seems happy in a room with a bed, bureau, two tables and a chair. Apparently, this is a room for rent. A tenant is brought by the building's owners (or managers) as the imp disappears in the bureau. The new arrival begins to get comfortable, but the imp has other plans. Furniture begins to appear and disappear in the room. The new tenant becomes more and more frantic. Chairs appear to multiply, but he can't sit down. "The Black Imp" is happy having the room to himself, and wants to get rid of the tenant...

***** Le diable noir (1905) Georges Melies ~ Georges Melies

A man rents a room at an inn only to find that a mischievous imp wants the room for himself

This is a film by early film maker Georges Melies the man who single handedly effectively invented cinema special effects . Watching this short film that has a running time of less than four minutes it helps if you realise beforehand that despite having a title like THE BLACK IMP you're not going to be watching any type of horror film but instead is a slapstick comedy

The selling point of course are the effects achieved by jump cut replacement photography which fellow commentator and the much missed F Gwynplain MacIntyre explains was still being used in film and television in the 1960s and 70s

That said you have to be slightly forgiving when watching this short . Once you know how the special effects are done the film loses some of its magic . Also the whimsy and unrepentant slapstick sense of humour is rather overdone in the eyes of a perhaps more sophisticated audience so you have to watch it with a 1905 mentality in order to get the full benefit

The jump cut was the key element in early movie conjurer Georges Melies bag of tricks, and as he grew more experienced in the production of films so his use of this trick grew more sophisticated. This ingenious little movie shows off Melies' adeptness to good effect, and it's clear that a lot of imagination has been used in a simple tale.

A mischievous devil appears in a hotel room and is just preparing for a snooze when a traveller enters the room. Angered by this intrusion the devil plays a series of tricks on the traveller (who is played by Melies) until he drives him to near madness so that he has to be escorted from the room by hotel staff.

The use of the jump cut is used to good effect here, and they are particularly effective thanks to their unusual seamlessness. Usually in these early films it's easy to see where the cut has taken place. In this film, even though our knowledge of the technique means we know the exact moment when it has been used, very often here we can't actually see the cut. Definitely one of Melies' better films.

This amusing Méliès feature has several of the kind of visual effects that made him famous, and most of them work quite well. The story starts when "The Black Imp" plays a series of practical jokes on an unwary traveler, and it then follows the battle of wits that ensues. The action that follows uses quite a few props, most of them simple everyday objects used in humorous and sometimes creative ways. Most of the camera tricks are done with skill, and the movie thus gets plenty of mileage out of some simple material. Most of it is fun to watch, and it's a good display of skill with the camera. It's definitely worth seeing if you have any interest in these earliest movies.