Thakshak

hey guys, i say, 2 thumbs up for Govind Nilhani, this is one of the finest films i have ever seen about the underworld, and the intricate relations of dons and political leaders. this movie shows the actual way a gun is used by underworld don's. it does try to preach something to these people from ajay devgan's role too. rahul bose is at his best, an awesome performance by him. also ajay devgan, gives is acting career a boost using his eyes to convey his feelings.

the story line is simple and the usual one used and reused by all directors and producers, but what makes it different is its handling. it keeps on the edge of ur seat, till the end. it makes u think and analyze what u r seeing. every thing looks perfect, logical and to the point. this has made the pace of the film little slow, but that doesn't deny credit to all those who strived to make this movie the way we see it.

i would recommend u to watch this movie......i believe that bollywood too can give movies of great quality and substance to talk about.

rahul

Thakshak is basically over 2 and a half hours of Drama + Romance + Music + Some action as topping .

The film is watchable but perhaps only once.

Story is about a local goon who works for an underworld don and owes allegiance to his wayward son as his father and the don would be friends. thus taking part in all the latter's illegal activities. Things take a turn when his loved ones and innocent people get affected and soon he has to battle his conscience and work.

The good - The acting , the storyline, the action sequences, the music

The bad- the film drags at many laces. They have tried to fit in as may song sequences as possible withing the time frame, so songs keep coming up between scenes when there is no "Indication" for them. And also the editing is not continuous and smooth. But this is an issue with MOST Bollywood films of the 90's.

Moral of this film : 1.Never join hands with criminals and outlaws. 2.Never try to advice or argue with alcoholics and drug addicts

Thakshak tells how Ishaan (Ajay Devgan) an underworld guy comes out of the underworld to join common people through the inspiration of his love Suman (Tabu). The story subject is no new. It has been beaten to death by several directors in Indian cinema.

What makes Thakshak watchable is Govind Nihalani's treatment of the subject and, good acting by Ajay Devgan, Rahul Bose and Tabu. Instead of having too many gun shots and killings, Govind Nihalani through one family killing brings five view points together; the view of common people (Tabu); the view of the guy who understands the underworld he is in and who is trying to understand the common people through his love (Ishaan); the arrogance of power (Sunny, Rahul Bose); the view of the government elected-by common people; and, the view of law protecting the common people. Note that the later two are also part of the power play. Govind Nihalani churns a nice tale around these view points and gives an entertaining movie.

However, Thakshak falls short of the standard set by Govind Nihalani himself. From the very first scene of the movie, he shows that Ishaan sees the world through the eyes of his love Suman and she is his salvation. Also, from the first killing itself Nihalani shows the arrogance of power (listen to the dialogues of Sunny and the retired teacher) . If only Nihalani had kept Thakshak tightly around these premise with strong dialogues and screen play (thark/vithark) instead of putting onus on acting skills (of Ajay Devgan, Rahul Bose and Tabu) and songs, Thakshak would have been another master piece. Especially, the presence of songs make the movie slow and lengthy and at times loses the attention of the audience (the songs only give Tabu more screen presence). The acting of the three main characters is first rate but if there was strong interaction between these characters in-terms of strong screen play and dialogue (in most of the scenes between Tabu and Ajay Devgan, Ajay Devgan keeps quite with a sad face; this is true with other scenes of Ajay Devgan too), Ishaan and Suman would have also left lasting impression like Sunny. I think Nihalani realized it and avoided these mistakes while making is next commercial movie Dev, which is a real master piece.

Nevertheless, Thakshak is much better and entertaining than the standard bollywood movies.

Yes, it's refreshing to see a bollywood film that isn't solely a romance - there are too few original ideas these days. This film is about the Bombay mafia, and in particular the son of a Bombay don who gets crazed with power and loses control and respect for human life. There is the obligatory romantic angle between Ajay Devgan and Tabu, but this is thankfully kept to a minimum. The trouble is the film just doesn't carry. A weak storyline and poor acting from the main villain contribute the the film's failure to get the audience involved in the plot. Although Ajay and Tabu are brilliant at acting, their talents are wasted in this film. The music for the film - by A. R. Rehman -is really good, but the songs are intrusive and do not fit in with the feel of the movie. Overall, it is not surprising this film has flopped.

This movie is quite under rated. Yes it has a low budget, but it has some great character actors and an intriguing story line. But credit has to be given to new comer Rahul Bose whose turn as the hyper violent and unpredictable Sunny is terrifying and one of the best portrayals of a psychotic character in Hindi cinema since Shah Rukh Khans Darr.

Yes the pace is at times slow but the scenes with Rahul Bose and Ajay Devgan will have you on the edge of your seat. I hope to see Rahul Bose in more mainstream hindi cinema in the future as he has great acting talent and could even bridge the gap and enter into hollywood films.