2000 AD

With 2000 AD, director Gordon Chan cements his status as modern Hong Kong cinema's "King of Gun Battles". While his peers seem intent on putting together shootouts which are either a) amateurish and poorly edited (Extreme Crisis, Blood Rules), or b) oblique and artsy (The Mission), Chan proves there is at least one director left in Hong Kong who can deliver thrilling and explosive gunfights like nobody's business. He's not a John Woo clone though. Unlike the slow-motion beauty of Hong Kong cinema's most successful export, Chan prefers a hard-hitting and realistic approach. Think of the gun battle in Michael Mann's HEAT, and you will get an idea of how Chan likes to shoot and edit. Besides the action scenes, 2000 AD is an average Hollywood-style thriller. The story won't change your life, but you will be amused and that's enough. Best of all, the movie is WELL-PACED! That's one skill the current crop of HK directors seem to lack - Their films are too slow. Not 2000 AD. Well paced, good acting, amusing story, and awesome action. What are you waiting for?

Ever since John Woo, Tsui Hark, and Ringo Lam left Hong Kong for Hollywood, there's been other directors trying to fill their shoes (even though Hark and Lam came back to Hong Kong recently). Gordon Chan is one of the directors to fill in the shoes along with Wong Kar Wai to make Hong Kong films just as good as their predecessors.

I read an interesting article about Gordon Chan. It talked about the shooting a movie in Hong Kong is really quick and fast. A lot of the action movies would be heavy in action sequences but lacking in character development and story. For example Tsui Hark's "Time and Tide" and Benny Chan's "Gen X Cops". Chan wanted to bring back the slower approach of filmmaking that was done by John Woo. John Woo would take months compared to the other directors who would take a few weeks to direct a film. With the slower approach, there would be more depth in the story and the action scenes. This film is a good example of that.

The action scenes are incredible! The shootouts remind me of the shootout in Michael Mann's "Heat". The characters were very intriguing like Aaron Kwok's character Peter, who is introduced as a guy who doesn't seem to have direction in his life. Peter's computer company is failing, but doesn't seem to care because he spends his time playing video games and wasting his money. His older brother, Greg would look after him and from time to time give him money so Peter can get back on his feet again. Later in the story, Greg gets killed and you see the transition that Peter makes. He quickly grows up and becomes more responsible. What drives him is to found out who killed his brother and why. The other character I found intriguing was Francis Ng's character as a GSU agent. He's a cop with morals and has a lot of experience. The score really sets the mood of the movie and it reminds me a bit of "Heat". Overall very good performances by everyone.

The only flaws was the realism. I know it's a Hong Kong action flick but why does everyone seem to know Martial Arts in this movie? Peter who is suppose to be a computer programmer and how the hell does he know Kung Fu? The other thing that bugged me was it seem to be too many characters sometimes. It was a bit hard to follow what's going on but not as bad as "Time and Tide".

I really enjoyed "2000 AD" and I'm looking forward to watching Gordon Chan's "Beast Cops". I heard that it was better than this one. So I really can't wait. So if you wanna enjoy a solid Hong Kong action flick go watch this one.

I watched the show for only one reason. Because Phyllis Quek is my fave singapore actress. But that did not stop me from enjoying the movie... it is truly entertaining. But, the plot shift to Singapore cause the otherwise great pacing to shift somewhat too. From a well-paced plotline in Hong-kong, the scenes in Singapore seemed really rushed...

Phyllis Quek is stunning, emoting without overacting (doesn't seem convincing from a fan, haha...), Aaron Kwok is alright, but it is tiring watching him act cute. Daniel Wu was great as his innocent friend, but the girlfriend, Gigi Lai, suck so bad. Special mention should go to Francis Ng, who once again proved himself to be one of the best actors in HongKong these days. James Lye, Lin Hoi and Cynthia Koh just provides extra eye candy.

Over all, the movie is promising, but falls flat at the end of the second act.

Hong Kong used to be seen as the home of unintentionally comical chop-socky movies of interest only to kung-fu freaks and those too lazy to reach for the remote and, while that's not a fair assessment of that country's current output, it's not a totally undeserved one concerning its past. So it makes a refreshing change to see that Hong Kong – along with other Asian countries – has begun producing stylish and energetic efforts like 2000AD.

Hollywood is obviously a major influence on this film – not least in the fact that the writing credits are shared between director Gordon Chan and American screenwriter Stu Zicherman (Chan took Zicherman's English screenplay and translated it into Chinese, although chunks of English dialogue remain). The storyline is typical Hollywood high-tech nonsense, but it's engaging and exciting, and injects high-adrenaline action sequences that match anything that has come out of the States – or anywhere else for that matter – in the last ten years.

The complicated storyline focuses on Peter Li (Aaron Kwok), an immature, bespectacled computer geek, who quickly matures after witnessing the assassination of his older brother while in police custody, and finds himself sucked into an ever-widening morass of lies and deceit as he struggles to identify the killers. Able to trust only a handful of the numerous characters offering him support in the aftermath of his brother's murder, Peter soon finds himself the target of the assassins, and becomes immersed in a world that mirrors that depicted in the video games at which he is so adept.

The core of the plot regards the search for a computer program that can destroy the world's computer network with the press of a laptop button, but that's really just a plot device from which an explosive cocktail of explosions, shoot-outs, car chases and fist fights are developed. The story starts slowly, introducing us to a bewildering array of characters that take some little while to sort out, and it's only after the first thirty minutes that the action kicks in. Despite this, it has to be said there's not a lot of character development going on in those first thirty minutes: Peter transforms into a grim-faced avenger, mysteriously jettisoning his geeky spectacles, and adopting a sort of Bruce Lee persona that never quite rings true; but, apart from thirty-eight-year-old Kenneth Ng, who delivers a superbly understated performance in the regrettably small role of Officer Ng, a senior police officer approaching his sixties, the other characters are nothing more than cardboard cut-outs – especially Janet (the wonderfully named Gigi Choi), Peter's girlfriend, who is given absolutely nothing to do throughout the entire picture.

But, then, since when was characterisation allowed to get in the way of an action flick? Chan hasn't set out to create true-to-life people in a true-to-life world; he's attempted to recreate the breathless, high-speed pace of a video game, one in which his hero has to ascend various levels before the game can be completed ("This isn't a game", says Ng at one point, "you can't start over again").

Director Chan, an insolent little brother to the Hollywood high-rollers, delivers the breathtaking action sequences with no little style, eschewing the slow-motion ballet so beloved of John Woo and his many pale imitators (who now, ironically, count Woo amongst their number) for furiously kinetic displays of concentrated carnage. Chan's gun-battles somehow manage to illustrate the brutal violence and terrifying confusion of the moment without confusing the viewer, and he stages each massacre with flair and purpose and attention to detail that is unusual (the car park shootout is actually a homage to the notion of the samurai's sacrificing of their lives in Kurosawa's Ran). True, he overplays his hand, leaving little for the disappointing showdown with the villainous 'cowboy' (another dig at Hollywood?), and some loose ends are left hanging (presumably for a sequel that has so far failed to materialise), but if what has gone before hasn't left your appetite sated then you've probably never seen an action movie you've liked.

"2000 AD" was actually better than I had expected it to be. So why wasn't I expecting much from it? Well because I am not really much fan of neither Aaron Kwok or Daniel Wu. But I will admit that Aaron Kwok actually did a good job in this movie.

The story is a cat and mouse chase type of movie with double-crossing and deceit, leaving you unable to know whom to trust or not. Peter Li (played by Aaron Kwok) and Benny (played by Daniel Wu) are two young gamers who end up in over their head in a web of conspiracies, lies and treason, as Peter' brother is dead, leaving behind a key that leads to a safe deposit box.

There is a good amount of action in "2000 AD", and it was nicely executed and filmed, so that was good and entertaining. Sure, the storyline was plagued by parts being predictable, but still, it turned out to be a good movie that was fun and entertaining to watch.

And appearing to light up the movie is a great appearance by Hong Kong heavy-weighter actor Francis Ng, and as always he did a good job, despite having only a small role in the movie. Phyllis Quek (playing Salina) did a fairly good job as well, although I don't think I've seen her in other movies aside from this.

For a Hong Kong action movie, then "2000 AD" was adequate, unfortunately it didn't really bring anything new to the genre or really stand out from many other action movies. But still, it is well worth a watch if you like Hong Kong cinema. And if for nothing else, Francis Ng makes it worth to sit through the movie.